*this meeting could have been an email voice* this cgi could have been a puppet

ojovivo
Sweet Seals For You, Always
Lint Roller? I Barely Know Her

bliss lane
tumblr dot com
$LAYYYTER
Misplaced Lens Cap
EXPECTATIONS

Jar Jar Binks Fan Club

izzy's playlists!

blake kathryn
Not today Justin

Keni
"I'm Dorothy Gale from Kansas"

Andulka
★

shark vs the universe
almost home

seen from United States

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@goinghometotheshire
*this meeting could have been an email voice* this cgi could have been a puppet

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i’m a lover, a yearner, and a freak
Yennefer & Ciri in the temple of Melitele
you have to stay alive. you're going to be such a beautiful middle aged freak. young freaks will see you in the street and know that things can be okay.
I haven’t seen anyone mention the greatest cultural impact Yahoo Answers made yet

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idk man sometimes i like it when video game writers are allowed to plan a series of events that happen in a specific order and affect each other in turn to become an overarching narrative, and i don’t mind trusting those writers to take me through those events in the order that is emotionally effective. i don’t really care if a game forces me to go through the forest area first before i can attempt the icy area because maybe there’s things that happen in the forest area that inform later scenes in the icy area. maybe we don't need more superficial player choice open world concepts if it comes at the cost of the ability to write a story with actual significant plot events and character development in each section
i do think what gets ignored about carrie as a character is that she’s an incredibly easy target to bully; she’s a chubby, sheltered acne ridden teenage girl who wears frumpy grandma clothes and regurgitates the jesus freak shit her violently abusive mother tells her. she has violent thoughts about her classmates and is uncomfortable to be around. she’s far more interesting being a victim that’s somewhat uncomfortable to be in the head of than a tragic waif. she’s not a martyr, she’s a child and a child who’s been victimised her whole life shouldn’t have to be kind and angelic to be recognised as a victim. suffering teenage girls shouldn’t just be presented on screen as toned down glamorous thin ophelias, suffering teenage girls can be fat and poor and think violently. i do think we need to examine why culturally we need teenage girls to be beautiful and kind to valorise their suffering and treat it as bad
I Want to start living again soon 😊 if that’s okay
My head is a buzzing three star hotel
Lights VI: The Spa (1974), Micheal Andrews / Blank Slate (2008), The National
Hey, fat people deserve to have fun and get their needs met even if they’re the least healthy mf you know. Fat people deserve proper medical care, and carbs, and to wear shorts and so many more things! EVEN IF THEY ARE UNWELL AND ESPECIALLY IF THAT UNWELLNESS IS DUE TO THEIR WEIGHT!!! Fat people deserve the world and more. Not just the healthy fats or attractive fats or small fats or fats that are fat because of medication or disability.
skinny people please reblog this one
Everyone reblog this one

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it's kind of crazy climate change has occurred at such a remarkable pace that I and everyone else around my age can remember a completely different climate in our childhoods. I truly watched winter gradually disappear in my life.
"You're too young to remember this, but there used to be so many insects outside that you would have to clean them off the windshield after a long car ride" is the kind of sentence that would have been in a cheesy scifi short story earlier in my life, perhaps submitted to a literary magazine and accepted to show support for its environmentalist message - now it's something I've said in earnest.
the odyssey (2026)
nolan's the odyssey has such a fundamentally culturally christian understanding of religion and divinity that it is genuinely jarring to see characters in a supposedly ancient greek historical context describe divinity and its expression in those terms. characters wonder aloud why gods hide themselves (they didn't), question the existence of what nolan interprets the supernatural to be (they wouldn't) and talk of zeus's law (not real, and still somehow bastardized) in the same way we would talk about the ten commandments. it's so out of place. and it taps into that "defy the gods" thing.
like. we can defy the christian god, in a way, because we can choose to not do what he says we ought to. sure. but we cannot defy greek gods in the same way, because the god is not just an entity that commands you but the very thing you are doing. apollo does not just send plagues, he is plague. you know apollo is real because there is plague. plague is not apollo acting in the world, it is an instance of apollo, in the same way that insight is athena, love is aphrodite, harvest is demeter, storms are zeus. gods are not commanding nature and sending signs and acting upon the world, because signs and nature and human nature are themselves the gods. the gods cannot be absent, because we still get ideas, and harvest, and go to war, and feel desire, and hunt. the gods cannot be defied because you cannot defy "getting ideas" or "harvesting" or "having sex" or "dying." to attempt to is entirely futile. like you cannot defy poseidon because you cannot defy the sea. you cannot defy aphrodite because you cannot defy love and reproduction. nature and human nature are unbeatable, and so the gods are unbeatable, because they are nature and human nature.
and it's such a beautiful way of looking at the world, and he just doesn't get that.
They'll charge you a very reasonable (outrageous) fee for their simplest protection charm. Deal?

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Christopher Nolan almost allows colors into his mythical epic shot on 70mm IMAX film. thank god they stopped filming in time.
Beru, Koko and Meng as Paintings 🖼️