nothing sexier than that picture with the italian players on top of eachother after the win and the english ones going through the 5 stages of grief in the back
THIS ONE
i can see it
ITALIAN MANWHORE SUMMER
always reblog italian manwhore summer

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@goddammitravio
nothing sexier than that picture with the italian players on top of eachother after the win and the english ones going through the 5 stages of grief in the back
THIS ONE
i can see it
ITALIAN MANWHORE SUMMER
always reblog italian manwhore summer

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It’s Tough Getting Older
holy shit this dude is killing it
Found the comedian, his name is Andy Huggins and here's his NPR interview
BOOK COVER REDRAW of one of the most insane and gutwretching books ever written. (Art without text and full process on my insta!)
It was my first time designing a book cover and I have to say the process was painful. I started with a strong idea in mind: I wanted to portray Harrow at the exact moment she got her memories back. It had to be spectacular, dramatic, atrocious. There had to be skeletons, lots of skeletons, the castle of her House, and of course, Gideon's sword. Then came the hard part, colors. I changed the colors I think 4 times, just couldn't get them right, but in the end can say I'm quite happy with the result. During the whole process I kept looking at the original cover from @studiotommy.co (insta) trying to grasp even a small fragment of his tenique (ps. Posting this 2 days before a big tit announcement wasn't in my plans👀)
I hope I've done this book justice, because at the end, that's what it's all about.
Ty @noblenico for sharing the We Do Bones font, it really made the difference!
Locked tomb genders
Gideon: butch lesbian
Harrow: wet rat
Ianthe: girlfailure
Coronabeth: genderqueer post-ironic bimbo
Camilla: girl, probably. Hasn’t thought too much about it
Palamedes: girl, probably. Thinks about it a LOT.
Mercymorn: divorced
“When I was 26, I went to Indonesia and the Philippines to do research for my first book, No Logo. I had a simple goal: to meet the workers making the clothes and electronics that my friends and I purchased. And I did. I spent evenings on concrete floors in squalid dorm rooms where teenage girls—sweet and giggly—spent their scarce nonworking hours. Eight or even 10 to a room. They told me stories about not being able to leave their machines to pee. About bosses who hit. About not having enough money to buy dried fish to go with their rice.
They knew they were being badly exploited—that the garments they were making were being sold for more than they would make in a month. One 17-year-old said to me: “We make computers, but we don’t know how to use them.”
So one thing I found slightly jarring was that some of these same workers wore clothing festooned with knockoff trademarks of the very multinationals that were responsible for these conditions: Disney characters or Nike check marks. At one point, I asked a local labor organizer about this. Wasn’t it strange—a contradiction?
It took a very long time for him to understand the question. When he finally did, he looked at me like I was nuts. You see, for him and his colleagues, individual consumption wasn’t considered to be in the realm of politics at all. Power rested not in what you did as one person, but what you did as many people, as one part of a large, organized, and focused movement. For him, this meant organizing workers to go on strike for better conditions, and eventually it meant winning the right to unionize. What you ate for lunch or happened to be wearing was of absolutely no concern whatsoever.
This was striking to me, because it was the mirror opposite of my culture back home in Canada. Where I came from, you expressed your political beliefs—firstly and very often lastly—through personal lifestyle choices. By loudly proclaiming your vegetarianism. By shopping fair trade and local and boycotting big, evil brands.
These very different understandings of social change came up again and again a couple of years later, once my book came out. I would give talks about the need for international protections for the right to unionize. About the need to change our global trading system so it didn’t encourage a race to the bottom. And yet at the end of those talks, the first question from the audience was: “What kind of sneakers are OK to buy?” “What brands are ethical?” “Where do you buy your clothes?” “What can I do, as an individual, to change the world?”
Fifteen years after I published No Logo, I still find myself facing very similar questions. These days, I give talks about how the same economic model that superpowered multinationals to seek out cheap labor in Indonesia and China also supercharged global greenhouse-gas emissions. And, invariably, the hand goes up: “Tell me what I can do as an individual.” Or maybe “as a business owner.”
The hard truth is that the answer to the question “What can I, as an individual, do to stop climate change?” is: nothing. You can’t do anything. In fact, the very idea that we—as atomized individuals, even lots of atomized individuals—could play a significant part in stabilizing the planet’s climate system, or changing the global economy, is objectively nuts. We can only meet this tremendous challenge together. As part of a massive and organized global movement.
The irony is that people with relatively little power tend to understand this far better than those with a great deal more power. The workers I met in Indonesia and the Philippines knew all too well that governments and corporations did not value their voice or even their lives as individuals. And because of this, they were driven to act not only together, but to act on a rather large political canvas. To try to change the policies in factories that employ thousands of workers, or in export zones that employ tens of thousands. Or the labor laws in an entire country of millions. Their sense of individual powerlessness pushed them to be politically ambitious, to demand structural changes.
In contrast, here in wealthy countries, we are told how powerful we are as individuals all the time. As consumers. Even individual activists. And the result is that, despite our power and privilege, we often end up acting on canvases that are unnecessarily small—the canvas of our own lifestyle, or maybe our neighborhood or town. Meanwhile, we abandon the structural changes—the policy and legal work— to others.”
- Naomi Klein
“Climate Change Is a Crisis We Can Only Solve Together” The Nation 17 June 2015
(updated link as of March 2024)

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fat pet cat is a kind of weighted blanket
harrowhark “my whole existence is the result of 200 dead children, i am the product of sacrifice and have to live with the guilt of that everyday. i am in love with a corpse and i puppet my dead parents around so i am not alone. i cannot take another loss” nonagesimus
gideon “i gave my life for you and you didnt even want it, even worse you refuse to accept it, wasting my sacrifice. you lobotomized yourself to forget everything i did for you—you refuse to embrace the life i have provided you over and over again, and now im stuck as a reanimated corpse” nav
and
coronabeth “i am sick with heartbreak and jealousy that you didnt murder and consume me, your other half, refusing to let me join you on your journey forwards, instead giving that honor to some dick they assigned us. I am dejected and maimed” tridentarius
ianthe “you are the last person i would kill—i would kill myself first without hesitation rather than lay a finger on you. i cannot live without you and i could not live myself if i was the one who removed you from this world” tridentarius
That is DIABOLICAL museum design, A++, no notes
When you think about it, it's kind of hilarious how shittily things have gone for Ianthe since becoming a lyctor. That was her big moment, she won! She got to do her dramatic villain speech explaining to everyone how she outsmarted and out maneuvered them. Everything was coming up Ianthe.
Cut to like two days later and she's down an arm, her sister is MIA, and to add insult to injury her triumphant rise to lyctorhood is being upstaged by Harrow's romantic lobotomy stunt. This was supposed to be her moment and no one actually gives a fuck about her.
It's kind of tragic. She became an immortal demigod by sheer force of will and raw intellect and still no one will give her the time of day.
She then spends months being negged by Augustine, rejected by Harrow, and basically ignored by John. Her reward for saving god from certain doom is becoming his emotional punching bag and managing his downward spiral while dealing with a zombie apocalypse and playing diplomatic negotiator over corpse zoom.
And to top it all off The Third House made her birthday a memorial for Coronabeth. There probably aren't even any posters of her face.
she majors in art history and you can’t get her to shut up about wine

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when exactly is uptown funk gon give it to me?
saturday night when you’re in the spot did you not hear bruno
I don’t believe you.
just watch
i teleport behind you like in the animes but we’re ass to ass
you feel a sudden, threatening pressure against your ass…..
not today...
via @p0tato-kn1shes
@bunjywunjy’s tags pass peer review too

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“too much garlic” whats next? too much love?
A German regional court has ruled that Google is directly liable for the content of its AI search overviews. According to the court, previou
Let’s fucking go
This is HUGE.
1. The court holds Google responsible for statements made by its AI, considering them Google's statements (search engines have limited liability for results in their engine as they're the words of other sites/companies/people), meaning when their AI lies/hallucinates they're liable for the defamation/harm resulting from those statements.
2. Google's defense that customers are generally aware of the lack of reliability and are responsible for fact checking was dismissed. As the court pointed out, that would "significantly diminish" AI Search's stated purpose and it can't be distinguished from Google's business practices/statements as a search tool.
3. Studies have found about 91% of Google's everyday AI responses are accurate, leaving millions of searches per HOUR with potential liability for falsehoods. 56% of correct responses weren't supported by the sources the AI listed. Both of which mean Google is now liable for a LOT more AI "errors."
4. Google was held liable for 80% of court costs in this case and this precedent is expected to reverberate around the world. This is a massive shift from the 3rd-party search provider role Google has previously played and it comes right as they've tied ALL searches to their AI search.
TL;DR Google reeeeeally stepped in it this time.
5. If the words are Google's, this solidifies the position of universities who demand that all answers from AI are fully cited. If all the in-line citations now have to be (Google, 2026), that's going to make it obvious when someone's trying to use Google as a source. There's still the difficulty with people who are academically dishonest by trying to pass off the AI writing as their own. 6. 91% accuracy is officially too low to use as a source of references, which means the AI can't be used as a source of references either. This makes it less legitimate for such purposes than Wikipedia of all places (Wikipedia might need date/time proof of when it was accessed for the reference to be valid, but at least it is possible to prove the link existed at a particular date and time). 7. This will help encourage the rollout of courses on how to avoid AI search for students who need academic accuracy, because it's statistically not good enough to use. 8. This strengthens the case intellectual property authors have against Google in the EU, as this is proof that an intellectual property transfer took place.