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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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It is more and more common for women to be expected to participate in body-punishing acts in their own sex lives, thanks to the normalization of sadomasochistic pornography.
Once reserved for “fetish” sites, the popularity and mainstreaming of hardcore, body-punishing, sadomasochistic pornography is growing. One of the most well-known porn performers in the world is Sasha Grey, whose films have amassed over 360 million video views on PornHub alone. Grey, who has since retired from porn, is featured in countless videos wherein she is subjected to sadistic, painful sex and degrading activities like toilet-licking, and is penetrated by multiple men at once — humiliated through verbal abuse, and in bondage gear. Another porn performer, Charlotte Sartre, known for pornography involving double and triple vaginal and anal sex, gagging, bondage, and scenes involving urination, has over 260,000 followers on her social media accounts, and her videos have over 40 million video views on PornHub.
These are not isolated examples — it is more and more common for women to be expected to participate in body-punishing acts in their own sex lives, in keeping with the normalization of sadomasochistic pornography. If what is popular in porn is any indicator, sadomasochism will shape both the sex lives of the masses as well as societal expectations in terms of female sexuality. We are beginning to see this already, with the prevalence of “breath play” on the rise — a sex act in which a sexual partner — commonly, a woman — is choked. In an investigative report for Flare, Briony Smith concluded that, “Choking, it seems, has become the new third base.”
Female pain and female beauty have begun to merge, and the view of the ideal woman as one who tolerates infinite pain and humiliation is taking hold.
In her 1974 book, Woman Hating, Andrea Dworkin argues that pain is an integral element of the grooming process for women, and that the many practices normalized in women’s efforts to maintain desirability and femininity serve a function — to condition girls to accept pain as an inescapable aspect of their lived experience:
“Plucking the eyebrows, shaving under the arms, wearing a girdle, learning to walk in high-heeled shoes, having one’s nose fixed, straightening or curling one’s hair — these things hurt. The pain, of course, teaches an important lesson: no price is too great, no process too repulsive, no operation too painful for the woman who would be beautiful.”
Dworkin argues that conditioning women to accept the pain of their sex is necessary in order to prepare them for their futures, which were presumed to involve child-bearing and husband-pleasing. In order to maintain the status quo in our patriarchal society, girls learn their existences will be painful. By convincing women and girls that their legs, pubic regions, and underarms must always be hairless, that they should tolerate uncomfortable or even painful clothing choices for the sake of desirability, and that they ought to constantly be aware of how their body is perceived, we are teaching them to forsake their own well-being to please men.
This training in pain tolerance and compliance socializes girls — then women — to view masochism as an integral part of their existence.
Young women have engaged in painful beauty practices for decades, which set them up to accept pain as a side-effect of their pursuit for desirability. When pain is seen as a necessary hurdle towards sexual desirability, and desirability is positioned as the ultimate goal for young women, women learn they must tolerate pain to increase their value as sexual commodities.
we are so obsessed with sex because it is the only cord that binds us to the most powerful force; time
Looks of this August - September
a battered notebook spilling loose pages and dried petals
turkish coffee grounds on your fingertips
old blazer hanging loosely from your shoulders and leaving a trail of lavender perfume behind you
pistachio flavoured cake and glad tidings your tongue
kohl-rimmed eyes, cherry stained lips, sun glow on your cheeks, mountain dust on your knees, rosewater on your collarbones
stack of old hustler magazines, an Etta James Vinyl, cute bibelots, vintage perfume bottles shaped like mountain animals
a green brocade corset laced tight over blush pink lace
a slip of moss-green satin skirt, cool and liquid against the knee
dark curls loose and undone oozing lavender, cardamom and burnt sugar
sea glass, gemstones and seashells clinking like tiny champagne glasses in your pockets
a blush pink business card tucked into your passport sleeve
mother of pearl hairpin holding your wavy curls as sun kisses your nape

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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you think so much. You could think about a door for a hundred years and it would stay closed.
In the Polish train a girl sits next to me; she is wearing Adidas tracksuit, smells heavy caramel, flutters her long glue-on lashes, straight silky ass crack long hair, false long nails, holding the tiniest going out bag that shimmers with noon sun... Just needed to share this outfit
"Just as appetite comes by eating, so work brings inspiration."
Igor Stravinsky, composer
(17th June 1882-1971)
Marlene Dietrich poster
illustration:竹中英太郎 eitarou TAKENAKA
#竹中英太郎 #novel #japan #eitarou TAKENAKA #eitaro TAKENAKA #illustration #art #Marlene Dietrich
日本、九州、福岡県、福津市、中央(flickr)
大善寺

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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sometimes i feel like i have no inherent taste but mostly a collage of other people i know goes through me
our age of blogs is collapsing
Anne Truitt, from a diary entry featured in Turn: The Journal of an Artist originally published in 1982
Devastating! Art museum gift shop doesn’t sell prints of specific and unpopular painting that struck a cord with you!
may dreams come true this august

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Thief & His Mother
A boy stole eggs and brought it triumphantly home to his mother who received the stolen goods with much delight and gave him praises. Next, the boy stole a chicken and mother praised him more and cooked the dish, and by degrees he became a habitual criminal to receive his mother's sweet praises. As the boy grew older and became an adult, he stole items of greater and greater value, he became a notorious thief. Time passed and the thief was finally caught in the act and taken off to court where he was condemned to death: woe betide the trade of the thief! His last wish was to see his mother and the dying wish was granted. His mother came weeping, and the son said 'Come closer, mother, and let me kiss your tongue.' She cried at first but she was desperate for her son was dying. So she went up to him, and poked out her tongue for her son, the son kissed the tongue tenderly then bit it clean off, tugging at it with his teeth. Then he said to her, 'Thanks to all the praises given with your tongue I am where I am today, dear mother.'
Ellen Bass, “The Thing Is”, Poetry of Presence: An Anthology of Mindfulness Poems