sexual thrill at the mere prospect of cataloging things in a database
Sade Olutola
occasionally subtle
almost home

blake kathryn
Alisa U Zemlji Chuda

titsay
KIROKAZE
d e v o n
dirt enthusiast

Discoholic 🪩

祝日 / Permanent Vacation

ellievsbear
Sweet Seals For You, Always
he wasn't even looking at me and he found me

Kaledo Art
RMH

Product Placement
will byers stan first human second
i don't do bad sauce passes

seen from Denmark

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@gloriadenton
sexual thrill at the mere prospect of cataloging things in a database

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all's fair in love and poetry...
Truman startles and gets out his gun the moment Jean stabs Blackie. But rather than intervening in any way, he then leans in closer to see what's happening. Jean lowers Blackie to the ground, and as her head rolls over her eyes open slightly, and her gaze lands on Truman. Jean follows her line of sight and spots him through the curtains.
The fact that he gets out his gun implies he understands that violence just occurred. The fact he then lowers his gun, and leans in for a better look-
A voyeur and a bystander. Fascinated by what is happening. Unwilling to act immediately to try to save her, but willing to endanger his cover by staring. That's how their cover is blown- Harry is the one who gets caught.
Which is more likely: that Nancy, after being beaten into the wall by Cooper, badly enough he didn't think to restrain her further, somehow got out from behind Cooper and sounded the alarm? Or that Jean, having slipped out of Truman's line of sight, alerted the guard, who would have killed Truman, Cooper, and Audrey if Hawk hadn't followed them?
Truman identified himself as his best man, and would have doomed them all if his actual best man hadn't arrived in time. Hawk did more with a hunting knife than Truman did with a gun.
The last thing Blackie saw as she died was the face of a stranger, watching her through glass, only acting after Jean shoots at him. She died knowing someone was there. She was not alone. And no one saved her.
Truman got out his gun, yet still lingered. What part of him knew that a woman had been stabbed, and what part wondered of it was only a kiss? If no part did: why did he watch?
Blackie is the first woman since Laura Palmer to be murdered. Under the watchful eyes of the same police who never helped Laura.
could he act? no. but was his character good? also no. and were his plotlines compelling? not really. but did he look good? also no. but did i enjoy his time on the show? again, no. but would i watch more of his character? also no

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Laufey performing at Coachella on April 19th, 2026
IG. Ketzal_coatl
apple of her eye
Fandom Misogyny Victim Tournament
Round One, Bracket 2
Hen Wilson (9-1-1) vs. Audrey Horne (Twin Peaks)
Hen Wilson
Audrey Horne
Propaganda below the cut:
I still like listening to we are young by fun.

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I had such a dream last night. I was floating above the trees with my lips connected to... to those of a beautiful figure, for what seemed like an age. Flowery treetops sprung up beneath us and we, um... rested on them with the lightness of a cloud.
BRIGHT STAR (2009) dir. Jane Campion
gabrielle deserved to kill everyone while she was human btw. i know y'all love stories where characters who are forced to be wives and mothers ultimately comply with coercive patriarchal expectations by prioritizing the needs of kids they didn't want and couldn't abort over their own out of the pure goodness of their hearts or whatever the fuck else bullshit ur on. but gabrielle said not me bitch!
In Merricat's creepy fantasy about her family worshipping her, one thing I noticed is the emphasis she places on being loved. And to her there's clearly a strong connection between "we love you" and "you must never be punished;" to Merricat, punishment or disapproval equals a lack of love. It's left ambiguous whether this is a result of egotism or whether she was a genuinely unloved child. I kind of lean towards the latter based on the very dismissive and uncaring way Uncle Julian talks about her supposed death and the hints that her brother was favoured over her.
And it's also interesting that they're not saying they won't punish her no matter what she does. They're saying that they won't punish her because she would never do anything to warrant punishment. She's not just concerned with avoiding punishment, she also doesn't want to deserve it.
I'm wondering whether Merricat undergoing frequent punishments as a child influenced her obsession with rules and rituals as an adult. She frequently says that she's "not allowed" to do things, and by the end it's heavily implied that these are self-imposed rules rather than ones enforced by Constance. And obviously a lot of the "not allowed" things relate to the murder of her family - preparing food, entering Uncle Julian's room, handling knives, etc - she's imposing certain strictures on herself to make sure she doesn't do the same thing to Julian or Constance. But also -
Her family punished her, she was always in disgrace, she's a murderer, the villagers hate her, she can't integrate into adult society or behave the way someone of her age is expected to. She's unable to adhere to the external codes of behaviour created by the people around her. By their standards she is at first a bad child who deserves punishment, and then someone who has committed a horrific crime. But she wants to feel like someone who would never allow herself to do anything wrong. So she develops her own code of behaviour, one that she can adhere to, one that is alien to everyone else in the world.
She creates rules for herself that she has to obey, she gives herself certain duties (protecting the house, being kind to Uncle Julian.) She can't be good and not deserving of punishment by the standards of her parents or the villagers or wider society - so she invents her own standards, by which she can. And she is narratively rewarded for living up to her own standards, I think - she chases away Charles, she stays in the house, she retains control of Constance, she gets everything she wants.
JADE THIRLWALL KING KONG Magazine
I would be pretty surprised, personally

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FKA Twigs photographed by Louie Banks for Es Magazine, July 2022
Eva Green as Vesper Lynd Casino Royale (2006) dir. Martin Campbell