I am whatever the opposite of a speed runner is. I am a game meanderer. I have to look at literally everything. I am overly cautious in every way. I forget to pause and wander away from the game. I take a minimum 7 hours to get through any given level. If you give me a timer I will cry.
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Apologies if this post is a bit dry and long, I got a lot more fun stuff planned for this .... backpacking au??? I made. So please, bear with me for a bit.
I imagine everyone stayed with Toriel for a long time due to Clementine's twisted ankle. An injury that nasty is going to take time to heal properly, and it's not like everyone else could just abandon her, right? Besides, as much as Clementine needs rest, everyone else needs it too. Lying down for a bit and contemplating about the day they just had and the next steps forward sounds like a good idea.
Things seemed pretty peaceful for a while. Everyone got along with Toriel for the most part, eating her food, helping around the house, making her lonely little home a bit livelier.
Toriel was delighted. She doesn't need to wake up to a silent home anymore. This house finally felt alive again after so long. The ghosts of her failures, as both a mother and caretaker, can once more be put to bed by the new life in the house.
....But it's not like this could ever last, right?
Questions start bubbling to the surface. Horrible, terrifying questions.
"When can we leave?"
"Toriel, how do we leave the ruins?"
"When.....when can we go home?"
Toriel avoids answering these questions. She also tries to artificially prolong the natural stay of these kids as much as she can.
Toriel watched 7 other children walk themselves to an early grave. She's not going to let 8 more potentially meet the same fate.
......Everything would be so much easier if these children did not have so much to miss back on the surface. There would be no siren song otherwise that would lure these children, forcing them through hell before they inevitably met their end.
.....But Toriel's guests are starting to get antsy now. Especially when Clementine has fully recovered. Some try their best to do.... something, anything to leave, without Toriel knowing. These attempts are admirable, but..... the result is what you'd expect.
After Seth shakes off their shock, the two of them get to work on the map......Though realistically, they probably don't find anything for the map. Indigo suggests shelving the map thing for now and looking at other books in the house. There's actually a lot of useful books in the house if you look hard enough.
There were a lot of dog-eared paperbacks on the plants growing in the underground. There were basic textbooks on the physiology of all the monsters you could find in the underground. There were ancient books on the history and culture of the vast underground. There were.... There were a lot of books to cover with just the two of them. But that doesn't matter. They're going to read all these books with as much enthusiasm as they can.
The upcoming journey is going to be dangerous. That's basically a fact. It sounds almost impossible that a bunch of scraggly kids are gonna make it out of here alive.
If they want to get that one-in-a-million chance of everyone making it out safe and sound, then by god do they need to know what they're getting themselves into.
Thankfully, the two of them don't have to read all of this material by themselves for long.
The more everyone else agrees that they need to leave, the more people come and discover Indigo and Seth suffering studying. More and more will eventually join in and pick up their slack, making everyone's workload all the more bearable. All this studying will continue until the day everyone eventually leaves.
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"Without a tub of wax for my ears – which Himesh Patel’s ever anxious Eurylochus, Odysseus’s doomed right-hand man, uses to sail safely past the Sirens – I was exposed to the full din of thumping sticks, staffs, swords and clashing armour, thunderbolts, crashing waves, grunts, screams, toppling palaces and burning temples. But unlike Matt Damon, the wax-free Odysseus who is tied to the mast as he is conveyed past the Sirens (naked ladies reclining on some uncomfortable-looking rocks), I gazed at the shipwrecks and bloodbaths without any agony of emotion."
and
"There are more female characters than in most Nolan movies, thanks to the source material. But none of them has much to say, in contrast to the characterisations in the poem."
Well, that tracks for a Nolan film -
"The couple have no chemistry and nothing in common. Throughout his wanderings, the uxorious Odysseus clings to a little doll figure, intended to represent his wife (like the spinning top clutched by Leonardo di Caprio in Inception); the real woman is barely more interesting."
Yikes -
"If you’re not going to compose a script in Homeric Greek, or even in metrical English verse, you might as well use something like conversational American English. But writing dialogue is not one of Nolan’s talents. The language is relentlessly expository, humourless and flat."
The lines she calls out in this section will probably make a least a couple of my friends laugh incredulously -
"I was humbled to learn that Nolan has read at least the first line of my translation of The Odyssey into iambic pentameter. In at least one interview, he cited my version of the first line of the poem: ‘Tell me about a complicated man.’ But I would be ashamed to have written any part of this script."
....oh my GOD, EMILY -
"The most troubling ethical problem with Nolan’s Odyssey concerns the decision to film part of the movie in the occupied territory of Western Sahara, thus normalising the ongoing violence against the indigenous Sahrawi people. It is particularly galling that Nolan used this land simply as a visually striking backdrop for a film that centres, aggrandises and redeems the hero of a territorial war on account of his belated and partial acknowledgment of his own guilt."
And deepest respect that she didn't fail to mention the film's colonialism in production. You can tell she added the very last paragraph saying "'thanks for maybe getting people interested in classics" only because an editor begged her to say something - anything - nice about the movie.
for Simon's story (I forgot to explain it lol) on Earth there a virus or parasite in the water that makes it dense and changes its color to red, making it non-consumable and unusable, Of course, this causes a problem. Scientists detect a planet made primarily of water that seems unaffected, they had already sent scientists to that planet to investigate, but communication was lost, so they must send someone to recover the information. they forcibly send Simon on this mission.
Simon wakes up in a submarine on the planet. He is forced to end the mission in the hope that he can at least return home after obtaining what he assumes are physical samples, he meets Ellie, despite her terrifying appearance and supernatural behavior, is projective and kind to Simon (almost maternal), After overcoming his fears and almost dying, Simon obtains the data. Unfortunately for him, it's not a physical object but a computer, and he must transfer the data to Earth. It would take a while But the problem is that, given the planet is mostly water, there wouldn't even be a way to get the rocket back into space. And even if was the ship had been destroyed, all that remains is the submarine "Iron Lung". after making amends about not returning, Ellie offers him a home on this planet, taking him to a small island on the surface and helping him. Simon decides to accept this life. and to investigate these marine creatures (since despite his thalassophobia he end up being fascinated by marine creatures/life)
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I imagine rocky puts grace's amnesia problems down as a "probably normal for humans, they forget stuff all the time" thing for a while and it doesn't set in until maybe a year into the erid trip that, no, losing straight up All of your memories for several months is just about as concerning and unusual for a human as it would be for an eridian. and his immediate reaction is twofold: 1. "you. you were that brain-unhealthy for the entire time we were working together and you just. barely ever mentioned it? Why. Question." 2. [sudden recollection of every time he got short of temper and said something bitchy like "lazy human not know how own ship function" or "how grace forget location of basic controls question"] [curls up on the floor in embarrassment] "should have said something so I not spend two months making fun of brain injuryyy"
10 years already... time flies by, and as someone who heavily self-inserted as Frisk when I was 12, I can't help but feel like they must have been growing alongside me. I'm already 22, I can no longer wear stripes...
Lots of close-ups below (WITHOUT the pages), because there are A LOT of details to seek
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