Three Goblin Art
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Monterey Bay Aquarium
he wasn't even looking at me and he found me
I'd rather be in outer space 🛸
RMH
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Xuebing Du

if i look back, i am lost
will byers stan first human second
sheepfilms
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PR's Tumblrdome

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PUT YOUR BEARD IN MY MOUTH
Aqua Utopia|海の底で記憶を紡ぐ
Sade Olutola
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@givemerosez

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Clarice Lispector, from a letter in translation to Elisa Lispector, featured in All Letters of Clarice Lispector
I must not kill myself killing myself is the myself killer . Dune

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oooo you wanna grab my hips so fucking bad i know it
ISHIMURA Masayuki(石村 雅幸 Japanese, b.1965)
精魄 Japanese painting via
⚠️Painting⚠️
When Jonathan Safran said “Sometimes I can hear my bones straining under the weight of all the lives I’m not living.” and when Doc Luben said “How do we forgive ourselves for all of the things we did not become?"
“Sometimes I can hear my bones straining under the weight of all the lives I’m not living.” Jonathan Safran Foer’s words echo in my chest like a drumbeat, reverberating in the hollows of my soul. Can you feel it, too? The weight of a thousand unrealized possibilities, pressing upon us from all sides, from every direction, until the very marrow in our bones seems to protest under their relentless force?
We live with the ghosts of our own potential. The version of ourselves we might have become, had we taken the other road, made the other choice. This is the quiet agony of the mind — like an old house, filled with doors that were never opened, rooms that were never entered. What might I have been if I had only dared? What might I have achieved if I had chosen differently?
But it’s not only the untraveled paths that torment us. It’s the lives we didn’t become. “How do we forgive ourselves for all the things we did not become?” How do we make peace with the parts of ourselves we abandoned, the talents we never pursued, the dreams we let slip quietly away into the night? We are haunted by what we failed to manifest, by what we denied ourselves in fear, in doubt, or simply because we were too busy chasing something else.
Perhaps this is the true burden of being human: the inability to live every possibility, to embody every version of ourselves. Dostoevsky spoke of it when he said, “The mystery of human existence lies not in just staying alive, but in finding something to live for.” And how do we find something to live for when the weight of everything we are not has us bent low to the ground?
We go through life, carrying the absence of all the people we might have been. In the spaces between our breaths, in the silent hours when the world is still, we hear the faint whispers of those other lives — the artist, the lover, the adventurer, the one who stayed home. We know them by their absence, by the unfinished symphonies of our souls.
Yet, still, there is beauty in this tragic dance. “We are all in the gutter, but some of us are looking at the stars,” Oscar Wilde once said. Perhaps it is the very unattainability of all those lives — all those possibilities — that gives us room for longing. The ache is not only pain; it is the evidence of our yearning, of our ability to imagine something greater than what we’ve lived.
But forgiveness — yes, forgiveness. We must forgive ourselves for not being everything. “To forgive is to set a prisoner free and discover that the prisoner was you,” said Lewis B. Smedes. What if, in forgiving ourselves for the lives we did not live, we find the freedom to finally live the one we have?
After all, we cannot undo what has already passed, nor can we stretch the limits of time to explore every path. But we can choose — today, now — to embrace the life we have, to cherish the person we have become, and to honor those fleeting, unlived versions of ourselves by carrying them with grace. They are the shadowed figures who made us who we are.
And so, perhaps it is not a question of regret, but of reconciliation — a surrender to the complexity of being, of embracing the full measure of who we are, and who we could have been. The weight of unlived lives can either break us, or it can teach us the art of acceptance. It can become the very texture of our compassion, of our humanity, and in this, there lies a kind of fragile beauty.

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Snow patrol, Joff Merrigan
Challengers (2024) dir. Luca Guadagnino

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