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@ghidorah1966
The Snow Maximilienne Goepp Guyon

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'Salome' by RenΓ© Gocklnga, c. 1920
Marcel-AndrΓ© Bouraine,Β 1886-1948
Penthesilea, Queen of the Amazons, ca.1925, bronze, 33Γ90Γ17 cm
Private Collection
Mark Rothko, Untitled (Light cloud, Dark cloud), 1957
Oil on canvas 66 x 61 ΒΎ inches
Β© Kate Rothko Prizel and Christopher Rothko/ARSΒ
donations
Emil James Bisttram (1895-1976) β The Flaming One [oil on canvas, 1964]

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Dante Alighieri with Florence and the Realms of the Divine Comedy (Hell, Purgatory, Paradise)
Artist: Domenico di MichelinoΒ (Italian, 1417β1491) After Alesso Baldovinetti (Italian, 1425β1499)
Date: 1645
Medium: Oil on canvas
Location: Florence Cathedral, Florence, Italy
Description
Dante Alighieri holds his epic poem The Divine Comedy in his left hand, presenting it. With his right hand, he points to a procession of sinners heading to Hell, behind him Purgatory and a historical view of the city of Florence.
Morgan Le Fay
Artist: Frederick Sandys (British, 1829β1904)
Date: 1864
Medium: Oil on panel
Collection: Birmingham Museum and Art Gallery, Birmingham, England
Description
Frederick Sandys (1829-1904) shows, in his 1864 painting Morgan-le-Fay, a common view of Morgan as the dangerous yet seductive enchantress. In this painting, she is creating a magical cloak which is intended to burn its wearer to cinders, with the intention of sending it to Arthur: Malory tells this story in Book IV, chapter 16. The books, the lamp, the cabbalistic signs on the cloak are all intended to evoke the association of Morgan with magic, but as this page will show you, she has not always been understood as a wicked magician.
To read more about the appearance of Arthurian figures in art, look for Muriel Whitaken, The Legends of King Arthur in Art (Cambridge, 1990); Christine Poulson, The quest for the Grail: Arthurian legend in British Art 1840-1920 (Manchester, 1999); and Debra N. Mancoff, The Return of King Arthur: The Legend through Victorian Eyes (New York, 1995).
Anna Airy (British/English, 1882 - 1964) β’ Spring Birthday β’ Late 19th century
Jeanne Duval (American, born 1956) β’ Ethereal and Earthbound β’ 1982
Adolfo Belimbau (Italian, 1845-1938) β’ Rest β’ 1872

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Self Portrait in his Atelier (1884) by Claude Monet
Sunrise, The Sea (1873) by Claude Monet
Sunset on the Seine in Winter (1880) by Claude Monet
Sunset (1880) by Claude Monet
Saint-Lazare Station, Exterior by Claude Monet

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Flowering Garden (1888) by Vincent van Gogh
Evening Embers - Keita Morimoto , 2025.
Japanese , b. 1990 -
Oil on panel , 116.7 x 91 cm. 45.9 x 35.8 in.