This is one of most beautiful things I've ever heard

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This is one of most beautiful things I've ever heard

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Footage from a June 3, 1979 charity race at Donington, courtesy of AP Archive.
On June 3, 1979, George Harrison took part in the Gunnar Nilsson memorial race. The proceeds from Georgeâs single âFasterâ also went to the Gunnar Nilsson Memorial Fund. âI knew him [Gunnar] for about 18 months before he died. I met him at a lot of races and spoke to him. I met him at some other things apart from races and spoke to him quite a lot on the phone. He was a very sweet person, you know. It was very sad indeed, but at least he did something. I mean, it was fantastic what he did, despite all the misery â it was wonderful what he did, thatâs why Iâm here.â - interview at the race (June 1979) âItâs Jackie Stewart in the Tyrrell he won his â73 championship in; James Hunt in the McLaren. Phil Hill in his famous Ferrari. Iâm walking to my car while chatting with driver John Watson about the pleasure of the run weâre about to take, and he says, âYouâre joking. Thereâs no racing driver that goes in formation! As soon as they drop that flag, theyâll all be gone like crazy!â Sure enough, as soon as the checkered flag fell, the other cars went whoosh as mine puttered along in a haze of smoke! By the time I got to my first lap they were already coming behind me for their second lap, screaming away! Scared me stiff! [wild laugh] But at least I did better than James Hunt, who broke down on the first pass.â - George Harrison, Goldmine (1992) âHis driving was not great! We did the Gunnar Nilsson tribute with Fangio at Donington in 1979 and Iâve got a picture that he drew of us with two speech bubbles. He was driving Stirlingâs Rob Walker Lotus 18 and is ahead of me going down the Craner Curves. My bubble is saying, âJesus, I got him to drive and now he won't let me past!â Heâs saying, âwell, Iâve got Jackie Stewart behind me â and he canât pass!ââ - Jackie Stewart, Motor Sport Magazine (December 2011)
George Harrison in his Ferrari Dino outside Friar Park in August 1978; photo by fan Denny Suba (image courtesy of Meet the Beatles for Real).
âWeâd take a break [during Dark Horse recording sessions in 1974] to go for fish and chips, and there were two ways you could go. One was through this very winding road through the woods from Friar Park to the little fish place. And thatâs the way we went. The first time, he took me in a Ferrari. Well, he really liked racing. Iâm telling you, man, when we came back from getting our fish and chips, he drove through those winding roads as if he was on a racetrack. I mean really, really going for it. It was serious, and Iâm holding on, thinking, âWow, man, I sure hope we stay on the road because if we miss, weâre history.â Well, we made it home in the Ferrari. The next time we went for fish and chips, he took a Porsche and he took the same route. The Porsche seemed to handle the road better, so he started speeding up. I just thought, âHeâs such a fan of racing, I guess thereâs this little racecar driver inside him.â But then he really started going, and when we got into Friar Park we were really flying so fast that the car got away from him. There were these high hedges that lined the driveway to the garage, and weâre running through the hedges â and I just sat there acting as normal as I could, but I was praying, O Lord, please donât let them read about us in the newspaper. Just get us back to the house. After he came out of the hedges, he shrugged and gave me a little laugh as though it never happened. Iâm looking at George, and he just looks away like, Donât say nothing. Well, we went into the house and neither of us ever said a word.â - Willie Weeks, Here Comes The Sun: The Spiritual and Musical Journey of George Harrison (2006) A note about this fan photo: âWe congratulated him on the arrival of Dhani (pronounced âDannyâ Iâll never forget how he said it) and said how excited we all were when we heard the news. He gave a big grin and said, âThanks, we think itâs pretty exciting.â [âŚ] âWell, uh, we donât want to keep you from what youâre doingâŚâ I started, to which George said, âItâs okay, really.â I stepped away from the car and said, âNo, we wonât keep you. Say hello for Olivia for me.â He put the car in gear as he replied, âYeah, I will. Thanks for stopping by and Iâll see you later.â He started to drive through the gates, slowed and shouted back, âEnjoy your holiday!â and waved again as he left.  As I watched the car disappear, I couldnât believe that George had thanked US for stopping by when we had imposed on him in the first place!â - Sue Link, Harrison Alliance (January 1979)
George Harrison, February 1965; photo by Henry Grossman.
âGeorge looks as I would expect Hamlet to look. Early morning, totally open, something going on in the mind, not trying to put anything on. Itâs one of my best portraits.â - Henry Grossman, Brandeis Magazine, 2013
âI call this my âHamlet Portrait.â Having been an actor, I said to myself, Wow, that look is how I would want the actor playing Hamlet to look: direct, simple, at ease, no put-on, no pretense.â - Henry Grossman, CBS 60 Minutes Overtime, 2013
âWe were having breakfast in Nassau. George came in; he was still in his pajamas, had just awakened. I wasnât taking pictures at breakfast, or not intending to, and he looked so totally undefended, and different from any time Iâd seen him that I said, âGeorge, I gotta take a picture.ââ - Henry Grossman, CBS This Morning, March 23, 2013 (x)
â[Derek Taylor] taught me to just be myself⌠which I always tried to be.â - George Harrison; interview conducted by Larry Kane in the mid-60s, quoted in When They Were Boys (2013)
âJust remember, he [George] has enormous intellectual curiosity; he wants to know everything. [âŚ] George may be the youngest Beatle and all that, but he is beyond his years in his values, and in his pursuit of the truth, and I might add quite candidly, his ability to [be] direct and sometimes painfully honest.â Derek Taylor; interview conducted by Larry Kane, quoted in When They Were Boys (2013) (x)

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On July 17, 1964, George purchased Kinfauns, a bungalow in Esher, home until early 1970, when Friar Park was purchased. Pictured here are, in photos 1-7, scans from the at home photo session by Leslie Bryce for The Beatles Monthly (on October 7, 1965); photos 8 & 9 show the home turning colorful (photos by Robert Whitaker, scanned from The Apple Years booklet).
Kinfauns also became something of a refuge for other musicians: âIn the mid-Sixties [Brian Jones] used to come out to my house â particularly when heâd got âthe fear,â when heâd mixed too many weird things together. Iâd hear his voice shouting to me from out in the garden: 'George, GeorgeâŚâ Iâd let him in â he was a good mate.â - George Harrison, The Beatles Anthology âAnother session found [David] Redfern at George Harrisonâs house in Esher, photographing Donovan to tie in with the release of his single Mellow Yellow [1967]. âI think Donovan was going off the rails, and George had taken him in to try and help straighten him out. They were friends. So I took these photos of Donovan in a white suit against a white wall in Georgeâs house. And then after theyâd been processed, his people decided that they wanted them to be yellow to tie in with the single, so I had to go back to the lab and dye themâŚââ - The Beatles: Classic, Rare & Unseen The poolside mosaic at Kinfauns â featuring artwork by John Lennon â may have been moved to Friar Park: â[Derek Mann] recalls seeing Paul McCartney and Ringo Starr at Friar Park, 'They always seemed to get on extremely well,â he said. [âŚ] âJohn Lennon built a mosaic of what looked like an alien in the garden which was surrounded by roses named after Paul McCartney. George had a pet Yorkshire terrier called Winston, John Lennonâs middle name.ââ - Henley Standard (December 2001) Soon, Kinfauns turned colorful: âDuring autumn George asked Simon and me to paint a mural around the fireplace in the living room at the âKinfaunsâ bungalow in Esher. The mural portrayed George and Pattie as âMusic Boyâ and âFlower Girl,â as they lovingly called each other then, attended by a Yogi surrounded with an Aura of Light as the focal point to express their interest in Hinduism. We stayed at their lovely place about ten days to complete it. Inspired, George started decorating the exterior of the house, graffiti style with spray cans [âŚ]. George was kind and funny but would also be quiet and pensive at times. [âŚ] George also turned us on to Paramahansa Yoganandaâs book; âAutobiography of a Yogi,â whose large portrait was watching us from the wall while we were painting the mural.â - Marijke Koger, marijkekogerart dot com (August 11, 2021) (You can find a photo of the mural in the book Living In The Material World.) âGeorge grabbed a paintbrush as well, and [we all] set to work on Georgeâs fireplace.â - Klaus Voormann, translated from Warum spielst du Imagine nicht auf dem weiĂen Klavier, John? (2003)
You wrote that P and J knew and talked to each other. Well enough to hurt each other. I think so too. But do you have any ideas how Paul hurt John? . He seem quite baffled himself. (After what Yoko said, and Yoko didn't know) Still he seem to have some regrets too ( I hope he got over it by now) I don't think I need to ask how John hurt Paul. He was quite open about it. And I remember Paul saying at some point. John got to talk. and Paul couldn't.
I can understand how George felt but not really how Paul hurt John..? Other than falling in love with Linda and being a bitter ex about it...?
There are two things going on that make this a tricky question.
1. Paul is a sneaky one. Some of the ways he hurt John would've been calculated to be very private and personal so no one but John understood.
Like if you think about how many messages John thought he heard directed at him on RAM where most people to this day think he's just paranoid, it's that kind of thing.
During a Northern Songs meeting to convince shareholders to buy with them rather than Lew Grade, Klein announced to John that Paul had bought an extra thousand shares (which was like nothing compared to the number they each already had) and John lost it. Most people can't see the significance of it. It's only a little thing, and what is Paul supposed to do, run every financial decision by John? But if you're me, you think Paul knew very well, for personal reasons we will never get, that would hurt John. He knew John would take it as a betrayal and he did it on purpose to hurt John (as revenge for the liberty bell) in a way that looks innocent enough from the outside that John comes off as a lunatic.
Or things like the Francie story about the postcard. Paul knows John's sensitive about the way his relationship with Yoko is perceived and treated. He can get this little jibe in and hurt John that way without having to actually say it himself and he can always play it off like "oh I just thought guys would think it was funny."
We know Paul tried to hurt Francie by making her sit in the car and listen to him fuck someone else. I could absolutely see him doing that to John sexually -- we know John does that to Paul by moving in with Yoko to Paul's house and of course the sex tape -- but I do not think Paul is above purposely trying to wound John's jealousy. John definitely sounds like a woman scorned talking about all the other women Paul had obviously had behind his back. And I think Paul would've done that artistically as well. Letting everyone help with Eleanor Rigby lyrics, putting so much work into the Indra, coaching Linda intensely so that her singing harmony sounded good enough to hurt John.
I also think just refusing to react to John's stunts during the breakup might've been partially purposeful given what Paul knows about John's needs. "Well that's an interesting one," 'sure let me come with you to schmooze Sir Joseph Lockwood into publishing your flaccid dick pic.' being nice and accommodating to Yoko, asking her if she knows a good lighting guy, etc. would've driven John absolutely insane. 'don't you hate me now, Paul? Even a little bit?' This stuff could go in the second category as well.
2. Paul can be insensitive and emotionally idiotic resulting in him hurting other people by default but especially someone as tender and needy as John.
That's where this excellent post comes in.
đŹ 2  đ 80  â¤ď¸ 273 ¡ Paul hurting John ¡ Link to masterpost of quote compilations And any mention of Paul brought a wintry bleakness to her
Basically, Paul is an extreme case of avoidant attachment style and John is extremely extremely anxious, and there are going to be a lot of things that Paul does because he's just stumbling around in the emotional black of his heart that will hurt anyone. So many things that it wouldn't even occur to Paul to consider that the average person would naturally do. And when the person who needs this kind of sensitivity from him is John, who is programmed to read everything possible as abandonment and lack of love because no one cares about him and everyone wants to leave, it's a recipe for emotional torture.
Also, I think this is the quote you were referring to. John was always much better at expressing everything than Paul. Hurt, anger, love, pride.
P: We had all that craziness, but if someone took one of your wedding photos and put âfuneralâ on it, as he did on that manuscript, youâd tend to feel a bit sorry for the guy. Iâll tell you what, if Iâd ever done that to him, he wouldâve just hit the roof. But I just sat through it all like mild-mannered Clark Kent. Q: When did you actually get a perspective on it? P: I still havenât. Itâs still inside me. John was lucky. He got all his hurt out. Iâm a different sort of a personality. Thereâs still a lot inside me thatâs trying to work it out. â 1986
A spotlight on Roberta âBobbyâ Brown, the Beatles fan club secretary preceding Freda Kelly. Photos by Harry Whatmough, courtesy of Hit Parader, and by Mike McCartney (whoâs also in this photo with her; photo courtesy of the National Portrait Gallery and Beatles and Cavern Club Photos).
(A note: The article excerpted below misspells her nickname as Bobbie.) âRoberta â known to her friends as Bobbie â was the original Beatles Fan Club Secretary. It was she who ran the first Fan Club ever formed for The Beatles, and she was a great friend of theirs during their early Cavern days. [âŚ] âThis girl Maureen started a Beatles fan club [before The Beatles were signed by Brian Epstein] for a few weeks, but she couldnât really manage it. Then I started to run it. We didnât have enough money really for all the necessary tings, like stamps and stationary, but we managed somehow. Then Brian Epstein signed The Beatles up, and in April [1962] he got in touch with me and asked if Iâd keep the fan club on. Another girl, called Ann Brown, was helping me with it a bit, and Brian Epstein said heâd help.â [âŚ] As the boysâ fame grew, the Fan Club became too much for Bobbie to manage. A friend of hers, Freda Kelly, started helloing, and then eventually Bobbie handed it over to her. [âŚ] âTheyâre all lovely. Theyâve each got individual characters. Johnâs humor is very intelligent. Half the time you couldnât understand his jokes. Heâs very comical, but heâs a serious person really. I think heâs very shy and to cover up his shyness he his this was of being funny. âRingoâs very nice. He has a way of making you feel at ease.Heâs very funny, as well. Heâs a real nut. âGeorge is shy. I donât think he likes to push himself really, while the other boys donât mind doing it. If you see what I mean. âPaulâs very kind. Heâd act daft sometimes as well. [âŚ] Ringo used to call me Robot.â [âŚ] The Beatles gratitude to Bobbie is symbolized in a huge 24â by 18â autographed photograph of the Beatles which hangs on her bedroom wall. [âŚ] âIt was my 19th birthday and I went to see The Beatles play at the Majestic Ballroom, in Birkenhead. I was looking up at the stage, watching them playing, when all of a sudden they started to play âHappy Birthdayâ and calling for me to come up onto the stage. I started hiding behind a big crowd of people, but George spotted me and made me come up onto the stage. They presented me with the LP âWest Side Storyâ and the framed picture.â [The main inscription reads] âAll our love to Bobbie â for all youâve done.ââ - article by Cheryl Hillman, Hit Parader (March 1966) âGeorge was quiet, shy, and totally honest â a truthful, good person.â - Roberta âBobbyâ Brown, The Beatles â All These Years: Tune In Extended Special Edition
I think an aspect (apart from Klein) of George clinging to John after the breakup was because with "They were so busy being John and Paul, they failed to realize who else was around at the time". And now that John/paul had broken up, he got a chance to take a front seat in what couldâve been a writing partnership between him and John, as he matured as a songwriter.
How did George cling to John after the breakup?
Creatively, it was the opposite. George started to work with many different new people. The only project George asked John to directly participate in was the concert for Bangladesh and George also invited Paul. Not to mention, early 70s John and George took very different approaches in their work (John's cynicism vs George's faith)
John was quoted saying he would like to write one day with George, not the other way around. John is the one who said more than once after the breakup that he would join a George's album if George invited him, which George never did. John asked George to participate in some of his 1974 sessions but George couldn't make it because he has other projects, John is the one who announced on TV that he would participate in George's tour and George rejected that help after the stunt John pulled out at the Beatles dissolution.
They remained friends and allies against Paul/The Eastmans but that's different than George following John around.
Brian was smart enough to realize that John couldn't be tamed. In that respect, he avoided issuing ultimatums that might provoke a confrontation. But he tried to head off certain situations before they backfired. One thing particularly troubling was John's trail of personal effects. They were littered across the cityâletters, articles, poems, notebooks, drawings, and pictures in which he'd held nothing back. He may have been a loose cannon onstage, but many of these items weren't fit for public consumption. The most incriminating stuff was a packet of "rude photos" from Hamburg he'd given to Bill Harry for use in upcoming issues of Mersey Beat. Nothing that was scandalous, but rather off-color: pictures of Paul in the bathroom, John with a toilet seat around his neck. Not long after Brian got involved with the band, Bill Harry recalls, "John rushed into the office and said, 'Brian insists I've got to get them backâthe pictures, everything you've got. I must take it all with me now.' It wasn't enough to change their image; he was getting rid of the evidence as well."
The Beatles by Bob Spitz.

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George Harrison with his E-type Jaguar, photographed by Leslie Bryce outside Whaddon House, Williams Mews, in London on July 11, 1964; scanned from The Beatles Monthly and the book Looking Through You.
George had this particular car fitted with a record player (seen in one of the photos here).Â
âApart from girls, and listening to records with girls, I put driving as my big hobby. I thoroughly enjoy a long drive, but though I rate myself good behind the wheel, Iâm not so sure the police agree.â - George Harrison, The Beatles Monthly (August 1963) âGirls at the British Motor Corporationâs M.G. works at Abington, Berkshire, heard that George Harrison of the Beatles was having a two-seater built. So they planted lipstick kisses on the bodywork and hid love letters in door pockets, glove compartments, in the boot and under the bonnet, says the âSunday Mirror.â But George will never get the secret notes. He changed his mind about the car, a black 110 m.p.h. M.G.B., in favor of an E-type Jaguar. A B.M.C. spokesman said the car had since been disposed of through an agent.â - The Sydney Morning Herald (March 9, 1964) âBeatle George Harrisonâs new E-type Jaguar was in collision yesterday with a green Ford Anglia in New Kings Road, Fulham. The wing of Georgeâs car was dented and people dashed to pick up pieces of broken glass for souvenirs.â - Liverpool Echo (July 13, 1964) âGeorge, watching the raid on the carâ499HLXâwas mobbed by teenagers and had to ask police to help him get away. [âŚ] George said of the accident: âWhen the other fellow suddenly turned right, I put my foot on the brake, but the road was wet and though I was going slowly the car skidded a bit and we collided.â - article by an unnamed reporter, Daily Herald (July 13, 1964) âIn the other car was a family of four. The husband told me, âItâs nice to meet you.ââ - George Harrison, Daily Record (July 13, 1964) Q: âGeorge, what ever became of the car wreck that you had in London?â George: âOh, it wasnât a wreck. I only just tapped into some fella and knocked the headlamp in. But you see, the further away you are the worse the damage appears. I mean, over here the car was a write-off, but actually it wasnât. And it was fixed within three days⌠The other fellaâs insurance company paid âcos it was his fault. [pause] Iâm a good driver.â - The Beatlesâ Kansas City press conference (September 17, 1964)
hm interesting... idk that paul was "hot shit" in liverpool, i thought join was still very much the center of attention. and i thought paul certainly had the desire to be in the artsy crowd but felt out of place among john's art school friends. imo paul only became the center of attention once he was swanning around in london while the others were in the suburbs.
what you say about paul developing his aw shucks personality after hamburg is interesting. it was absolutely an ego check and aggravated a lot of insecurities about keeping up with john. i think that image was already well in development though, probably since he was a good little boy, as astrid even called him too nice on first impression.
klaus's drawing is sooo... he really was like that!
No because if someone drew me like that I would literally cry but also it is SO accurate đ
Yeahhh that's a good point. I think Paul kind of thought of himself as the cool underclassman who can hang with artsy, edgy college kids, but in reality he probably couldn't hang, John was just super obsessed with him and forced everyone else to tolerate him too.
And yeah, Paul definitely started developing the aw-shucks persona as a kid. Though I'm a little skeptical of Astrid saying he was too nice -- even by Paul's own recollection, he really wasn't that nice. My instinct is he was good at being winning and likeable -- something a lot of adult children of addicts or kids from abusive homes learn to do, especially if they were more the golden child -- and came across like someone who NEEDS you to like them. But Astrid doesn't want to straight up call him smarmy or fulsome because she does like him, so she calls him "too nice."
Also, English wasn't her language. She probably went for "too nice" as the nearest she could think of
G-George with his hair tied back... fuck...
The only man in the history of the mankind to look smoking hot with a man bun
George's beloved mother Louise died on July 7. She was only 59y old and losing her hit poor George hardđ
Picture collage from Beatlesresearchsociety ig
Arthur Kelly and George Harrison, 1959; scanned from The Beatles: The Authorized Biography.
âArthur Kelly and I have been friends since we were about twelve. We went to school [Liverpool Institute] together, and even then he was quite hip. The funniest result of my friendship with Arthur is that Sybil Burtonâs discotheque club Arthur is named after him although she didnât realize it at the time. The whole thing started when I was asked at an American Press conference: âWhat do you call your haircut?â I just said: âI call it Arthurâ because I knew this bloke, Arthur. Then the club was named after my haircut Arthur, which was named after this friend of mine! Arthur comes to stay at my house sometimes. I like him because heâs not a drag. But some of the people I used to know are a bit funny now. I just have to say, âHowâs it going then?â and they start going off about âWell thereâs no need to ask you how YOUâRE getting on.â Arthurâs not like that.â - George Harrison, Sunday Mirror, December 19, 1965
ââOne day George came home and said heâd got an audition, at the British Legion Club in Speke,â says Mrs. Harrison. âI told him he must be daft. He hadnât even got a group. He said donât worry, heâd get one.â George did get a group for his big night at the Speke British Legion. He got his brother Peter on guitar, his friend Arthur Kelly on guitar and two others, one of tea chest and another on a mouth organ. He himself was on guitar. They all left the house one by one, ducking down behind the hedge. George didnât want all the nosy neighbors to know what they were doing. They [calling themselves The Rebels] got to the hall and found that the real artist hadnât turned up. They had to go straight on and play all night as there was no one else there.â - The Beatles: The Authorized Biography (1968)
âWe did stay friends for a long time. He tried to help me get an acting job when I first went down to the Smoke and he would always come and see me even after they became famous. It was my fault we lost touch because I started to feel a bit alienated by all the famous faces heâd introduce me to when I went to see him. In the end, I felt it must be a bit of a drag for him to have to tout me around.â - Arthur Kelly, Liverpool Echo, October 9, 1982 (x)

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"Here are these four boys from Liverpool. They're rude, they're profane, they're vulgar, and they've taken over the world. It's as they've founded a new religion. They're completely anti-Christ. I'm anti-Christ as well but they are so anti-Christ they shock me, which isn't an easy thing. But I'm obsessed with them. isn't everybody? (...) In Australia, for example (...) it was as if de Gaulle had landed or, better yet, the Messiah. The routes were lined solid, cripples threw away their sticks, sick people rushed up to the car as if a touch from one of the boys would make them well again."
Derek Taylor for Al Aronowitz in August 1964, published in The Saturday Evening Post
George with Friar Park gardeners and other staff, in a photo from a 2012 TRACKS and Julienâs auction (posted some years ago with details from the letter of authenticity), likely photographed by Olivia.
âKonrad Engbers [founder of a garden center] recalls how George visited the centre just after he started. âHe came in to see me and asked how things were. I told him it was a little slow and he said âIâll give it a little push for you.â He then bought almost every tree I had in stock and first thing the next day a motorcycle courier turned up with payment. âEver since then he was one of my most loyal and regular customers.â [âŚ] âHe would wait in the queue, take his turn and never expected any preferential treatment.â [âŚ] âHe was such a kind man with no airs and graces â a man with a truly big heart.ââ - Henley Standard (December 2001) â[Derek Mann, former head gardener at Friar Park] said that George was a kind and gentle man, who was genuine and totally unpretentious. âI first met George and his wife Olivia when I was working as a gardener at a hotel in the Virgin Islands,â said Derek. âI took them on a guided tour of the grounds and we spoke at length about gardening. He said that if I was to come back to the UK to get in touch and he would give me a job. âWhen I returned he was as good as his word and I started at Friar Park in 1991. âWe would regularly walk around the grounds together so he could tell me what he wanted done. Sometimes he would have a ukulele with him and play a few chords while we wandered around. âThere were a couple of spots in the garden where George would sit, watch the sun go down and meditate. There I planted night scented stock plants, which gave off a very strong perfume. He thanked me and said it reminded him of his mother who used to plant the same flowers in their council house home.â Derek, who was forced to retire due to ill-health in 1994, recalls seeing Paul McCartney and Ringo Starr at Friar Park, âThey always seemed to get on extremely well,â he said. âThe tennis star John McEnroe paid a visit once. He played a few sets with George, Olivia and their son Dhani on their own court in the gardens.â - ibid