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Turkish Coffee Studies

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Viking runestones of the Swedish countryside, 1899-1945
Arthur Rackham- Tree Illustrations
Warwick Goble: Book of Fairy Poetry
x, 180 p. : 26 cm

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Gerda Wegener
Iron and Bronze Cavalry Helmet from Germany dated to the 2nd Century CE on display at the Trimontium Museum in Melrose, Scotland
Photographs taken by myself 2024
Alphonse Mucha - The Seasons (1896) wallpapers
Sketches from Fantasy Roleplays
Just some fun sketches I did for my Call of Cthulhu game with friends, and my online roleplays. Writing a weekly RP has been really fun this year. I just doodle these with the pen tool when bored, but these are my favorites from 2025.
Recently I have been having fun with my Sci-if alien RP, a Cthulhu RP, and my very cute Mermaid RP.
Illustrations by Alphonse Mucha
A collection of beautiful illustrations using the Language of Flowers style.
Alphonse Mucha, aĀ CzechĀ painter,Ā illustrator 1890s

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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look. look at this beautiful sword meme. iām going to cry
@petermorwood
I saw and reblogged this one a while back, but itās always worth repeating, and this time Iām adding a bit of background info comparing common fantasy sword features to the Real Thing (with pictures, of course.)
Leaf-bladed swords are a very popular fantasy style and were real, though unlike modern hand-and-a-half longsword versions, the real things were mostly if not always shortswords.
Here are Celtic bronze swordsā¦
ā¦Ancient Greek Xiphoiā¦
⦠and a Roman āMainz-patternā gladiusā¦
Saw or downright jagged edges, either full-length or as small sections (often where they serve no discernible purpose) are a frequent part of fantasy blades, especially at the more, er, imaginatively unrestrained end of the market.
Real swords also had saw edges, such as these two 19th century shortswords, but not to make them cool or interesting. Theyāre weapons if necessaryā¦
ā¦but since they were carried by Pioneer Corps who needed them for cutting branches and other construction-type tasks, their principal use was as brush cutters and saws.
This dussack (cutlass) in the Wallace Collection is also a fighting weapon, like the one beside itā¦
ā¦but may also have had the secondary function of being a saw.
A couple of internet captions say itās for ācutting ropesā which makes sense - heavy ropes and hawsers on board a ship were so soaked with tar that they were often more like lengths of wood, and a Hollywood-style slice from the Heroās rapier (!!) wouldnāt be anything like enough to sever them. However swords like this are extremely rare, which suggests they didnāt work as well as intended for any purpose.
I photographed these in Basel, Switzerland, about 20 years ago. Look at the one on the bottom (I prefer the basket-hilt schiavona in the middle).
A lot of āflambergeā (wavy-edge) swords actually started out with conventional blades which then had the edges ground to shape - the dussack, that Basel broadsword and this Zweihander were all made that way.
The giveaway is the centreline: if itās straight, the entire blade probably started out straight.
Increased use of water power for bellows, hammers and of course grinders made shaping blades easier than when it had to be done by hand. This flamberge Zweihander, however, was forged that way.
Again, the clue is the centre-line.
Incidentally those Parierhaken (parrying hooks - a secondary crossguard) are among the only real-life examples of another common fantasy feature - hooks and spikes sticking out from the blade.
Here are some rapiers and a couple of daggers showing the same difference between forged to shape and ground to shape. The top and bottom rapiers in the first picture started as straights, and only the middle rapier came from the forge with a flamberge blade.
Thereās no doubt about this one either.
The reason - though that was a part of it - wasnāt just to look cool and show off what the owner could afford (any and all extra or unusual work added to the price) but may actually have had a function: a parry would have been juddery and unsettling for someone not used to it, and any advantage is worth having.
However, like the saw-edged dussack, flamberge blades are unusual - which suggests the advantage wasnāt that much of an advantage after all.
Hereās a Circassian kindjal, forged wigglyā¦
ā¦and an Italian parrying dagger forged straight then ground wigglyā¦
There were also parrying daggers with another fantasy-blade feature, deep notches and serrations which in fantasy versions often resemble fangs or thorns.
These more practical historical versions are usually called āsword-breakersā but I prefer āsword-catcherā, since a steel blade isnāt that easy to break. Taking the opponentās blade out of play for just long enough to nail him works fine.
NB - the curvature on the top one in this next image is AFAIK because of the book-page it was copied from, not the blade itself.
The missing tooth on that second dagger, and the crack halfway down this next oneās blade, shows what happens when design features cause weak spots.
So there you go: a quick overview of fantasy sword features in real life.
Hereās a real-life weapon that looks like it belongs in a fantasy story or film - and this doesnāt even have an odd-shaped bladeā¦
Just a very flexible oneā¦
If you want more odd blades, Moghul India is a good place to startā¦
i could not ask for a better addition to my meme post than blade education thank you so much
Always gonna reblog. :)
Swordbreakers
"The Dryad condemns the Tree Killer." New Years to Christmas in holiday land. 1928.
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