Analyzing W(e)yler Part Four:
(I was going to talk about Tylerβs arc but got super excited about this analysis and found itβs best to explain this in detail to make Tylerβs analysis more concise.)
Y'all its time to talk about the significance of Frankenstein. As soon as Laurel presented the book to Wednesday I knew she was behind it all. What I didnβt realize was how this whole show is an ode to Frankenstein, or I dare even say the creators own fix it fic?
Tyler:
The most obvious correlation is Tyler as Frankensteinβs Monster. The monster is βassembled from old body parts and strange chemicals, animated by a mysterious sparkβ (Sparknotes) much like Tylerβs hyde is genetic, activated by Laurelβs plant derivatives, and animated by his spark with Wednesday. I am giving credit to Wednesday for animation because I speculate the hyde did not develop his snarkiness and personality with Laurel (she would not nurture him to have any sense of self) but rather developed it after spending time with Wednesday and her quirks. The monster displays humanity and gentility, but due to his appearance, is shown disdain from his creator and is isolated from society. Tyler is a kind boy who displays compassion and friendliness, but due to his motherβs death, fatherβs neglect, and masterβs abuse, he is faced with estrangement from every parental figure in his life. Add to this the knowledge of the hydes stigmatized nature even within the outcast community and he is predisposed to becoming monstrous. While I canβt say for sure, I think next season we will hear more about Tylerβs guilt and anger over what he is and what he has done which is exactly the way the Monster feels throughout the novel, regretful over his own monstrosity.
Wednesday:
Wednesday I believe is an amalgamation of Victor, Walton, and the Monsterβs companion. I combine all three because I think in an effort to mend the original storyline, the creators need to βfixβ these characters' fatal flaws. While Laurel is the obvious equivalent to Victor, Wednesday shares a lot of Victorβs characteristics (ambitious, obsessive, reckless) and is meant to resolve Victorβs flaws. Victor is so concerned with being successful and assuaging his curiosity he often fails to see the impact he has on other people. Wednesday struggles with this as well because she often equates her life to being all about her (βevery day is about meβ) that she neglects the fact her life is interconnected with her loved ones. Victor begins the story ignoring his family in pursuit of his goals much like Wednesday is disconnected from her family due to her actions, and continues to miscalculate the repercussions her actions have on her friends (Eugene going to the cave alone, Enid and Tyler getting hurt at the mansion, Thing being stabbed). Like Victor, Wednesday currently has no active empathy towards Tylerβs experience (She makes a few offhand comments but she is not acting with empathy yet) and makes judgements based on only her perspective.
The divergence of Victor and Wednesday comes when Wednesday begins to take accountability for her the risk she puts her loved ones in. Unlike Victor who continually blames the monster and never admits his part in the chaos, Wednesday takes the blame (sometimes too much) and begins to make compromises to protect her loved ones. These compromises come in the form of forming partnerships with Tyler, Enid, Weems etc. Another difference is that while Victor hates and fears the Monster, Wednesday is not horrified or disgusted by Tyler, merely disappointed. A contributing factor to why I think Wednesday is able to do all of this is she has courage and a sense of justice that Victor does not. Victor, despite all his grandiose beliefs still seeks societal validation (this is the main reason he does not tell the Judge about Justineβs innocence), and places himself over any morality.
Wednesday acts as Walton because this story is told through her narration. Walton also is meant to be a more grounded Victor, evidenced by his decision to turn back when his voyage became too dangerous. Theoretically, if Wednesday is only one character she is Walton, because Walton does exemplify Victor, but it is harder to parallel specific events since Frankenstein explores Waltonβs perceptions more than actions and because Walton does not have the same personal connection to the Monster as Wednesday has to Tyler.
I say Wednesday is also the monsterβs companion because once we remove the emotional conflict between her and Tyler concerning his betrayal, Wednesday and Tyler are the same (refer to part one of my analysis series). While Shelley never had the Companion come to fruition, the Companion was meant to act as a source of comfort and relatability for the Monster, and Wednesday is that for Tyler. She is all the things Tyler is afraid to accept about himself, and she does it in a way that is encouraging to Tyler. The Companion could have calmed the Monster's loneliness and remedied the narrative if she came to life and accepted him, and since the creators are using the show as a conduit to fix this narrative, I firmly believe Wednesday will come to accept Tyler.
Based on Frankenstein and what snippets we've seen of season 2 (Iβm geeking over the teaser), this is what I expect moving forward.
If it is not a circumstance that requires Tylerβs help, Wednesday is going to go see him out of revenge (you know she will taunt Tyler). Much like Victor meeting the Monster in the mountains, Wednesday will meet Tyler at Willow Hill. In this meeting I think Tyler will blame the loneliness and manipulation and probably be just as abrasive as Wednesday is towards him. At some point however he will express remorse and even ask Wednesday to not help him escape but perhaps to kill him. Tyler is going to be in such a bad state he will fluctuate between rage and depression. When Laurel is brought up he will lament her the same way the Monster lamented Victorβs death, with relief but loss at a solid connection. Wednesday will strike a deal with Tyler. What this deal is I donβt know, but it will act as Victorβs deal of making a Companion for the Monster. The deal between Wednesday and Tyler will be a more concrete, logical deal, but in working together to make it happen she will become his companion (source of understanding, support) and their relationship will reconcile. This will diverge from Victor turning away from the Monster and rescinding the deal. While this already steers us in the direction of resolution it wonβt be that simple.
At the end of the season, after Wednesday has fully forgiven Tyler and their relationship has grown attached again, something will happen that causes Tyler to leave or distance himself from Wednesday. It will either be in a soul searching pursuit or Tyler thinking he is better off alone. Either way it sets up for next season to focus on their reunion, Tylerβs self actualization, and hopefully Tylerβs admission to Nevermore.
A few other parallels I want to include but donβt have the energy to integrate eloquently:
Enid as Henry Clerval
Enid represents Henry Clerval, Victorβs best friend who dies at the hand of the monster. Clerval is the more socially acceptable version of Victor, they share ambition but Clerval is able to express himself in a more socially digestible way. Victor sees Clerval as his equal and closest friend. As we see the show progress we see Wednesday begin to connect with Enid and see her as an equal. Both relationships are meant to show the importance of companionship and allow Wednesday and Victor to find comfort and connection.
Enid did not (and will not) be killed by Tyler, but she did suffer an attack from him. Frankestein used Clervalβs death to traumatize Victor and cement his hatred for the Monster, so I think the fight with Enid will serve as a reason for Wednesday to prolong the bad blood between her and Tyler.
Xavier
Xavier doesnβt represent a specific character but more so his relationship with Wednesday seems reminiscent of Victor and Elizabethβs. I personally donβt hate Xavier but I do not like his relationship with Wednesday. He seems to project an idea of her rather than seeing her, and when Wednesday fails to match this image, he blows up. It correlates because Victor does not truly see Elizabeth and only relegates her to his possession ( βI[β¦]looked upon Elizabeth as mine.β). If Xavierβs character remained in the show, I think it would only amount to him blaming the state of his and Wednesdayβs relationship on Tyler, just as Victor blamed Elizabethβs death on the Monster, when in reality it stemmed from his own neglect and lack of consideration.
Eugene as William Frankenstein
Since Puglsey was not at Nevermore, Wednesday adopted Eugene as a surrogate brother, and much like William, Eugene has a cheerful and childlike presence that acts to represent innocence. In the book William is the first victim of the Monster, and is what is symbolic of Victorβs loss of innocence, naivety, and control. Eugene being attacked was the event that turned the mystery of the hyde into a serious and personal pursuit, and just like Willaims death, Eugeneβs attack is what βsealed fateβ and made it so our protagonist would not stop until the monster was confronted.
Gomez & Morticia as Alphonse Frankenstein
Alphonse is Victorβs loving father, who acts as a contrast between Victorβs fragmented relationship with the Monster. Morticia and Gomez are extremely devoted and affectionate but despite this Wednesday has trouble in her personal relationships. In terms of her and Tyler, it shows how despite having a healthy relationship modeled, Wednesday and Tylerβs relationship will remain complicated until the two reconcile their family dynamics.
Francoise Galpin as Caroline Frankenstein
Caroline and Franocise are two characters that haunt the narrative of the story. Carolineβs death affected Victor and could be cited as the root of his obsession with death and the creation of life (mommy issues). He even so much has calls his motherβs death an βomenβ of his βfuture miseryβ. Francoiseβs mistreatment and death is what triggered the events of Tylerβs unlocking, if she had been accepted and lived, Laurel would not have been able to manipulate Tylerβs love for his mother and Tyler would probably be more empowered instead of confused and isolated. Caroline is also reduced to a maternal figure who died so her child could live (she dies from taking care of her sick child) and I think Francoise will be revealed to have admitted herself to Willowhill and died there or to have killed herself to protect Donovan and Tyler.
Why Fix Frankenstien?
I personally think that Tim Burton is rooting for Frankenstein (and implicitly Wyler) because he is a horror lover! I love consuming media that analyzes horror and interviews the people that make it happen and Iβve noticed that a lot of the people who make horror donβt blame the monster and actually wish for its happy ending. After all, the monster in movies is typically only meant to act as a focal point for the true monsters, people, society, etc. to act against. If we look at Tim Burtonβs work, he tends to empathize with the monster (Corpse Bride, Frankenweenie, Beetlejuice). As for other horror moguls, you can look up interviews by Guillermo del Toro and Stephen King where they reference the Creature from the Black Lagoon and talk about how they wanted the monster to get the girl. This is what inspired the Shape of Water. A quote that I think exemplifies this mindset is βthe creature only gets deadly when threatened by man, and is desperately in need of companionshipβ (David Konow, author of Reel Horror). Horror is a genre that focuses on the underdog overcoming terrifying circumstances. What could be scarier for an outcast than being taken advantage of and thrown away? What could be more vindicating than defeating the naysayers and winning the companionship of a pretty girl? I just feel like Wyler makes the most logical sense for the genre and would be a lot more satisfying because Frankenstein is universally seen as such a tragedy and the genre is all about glory and gore and love and horror and Wyler really exemplifies all of these qualities!


















