Moss Time

.also, scale reference! just the wheel is 70 feet in diameter

But a major stylisation of it was that flat, shiny, Tim Burton/Disney CGI. The world was dripping in this. Everything was that oversaturated, over-polished, over-worked CGI.

But every time they collected/destroyed another Mcguffin, that CGI went away. But by bit it transitioned into real sets and practical effects until there is no noticeable CGI at all. Because that’s the system they were fighting - they weren’t being allowed to see what the real world looked like.

Decay and rot and broken infrastructure were being essentially photoshopped over because our villainous leader had no interest or ability to maintain things. It was only ever a temporary solution thought up by someone who thought that transforming a pack of wolves into humans to be her elite guard force was, in fact, a good idea.

(It was not. There was a whole subplot about the secondary antagonists in-fighting and being driven insane by the disconnect between how humans and wolves think and act where the one which were cubs when transformed were desperate to return to something they’d never experience and the patriarch/matriarch of the family knew they were too changed to ever survive as wolves again - definitely stolen from Terry Pratchett)

a mass tag replacer

a way to find ALL of the tags you’ve ever used (mostly?)

and a way to find untagged posts

Like I said, the museum was a pretty snotty institution. It’s got a LOT of objects it’s way famous for possessing, but nobody knew about the absolutely massive collection of Moche erotic pottery it had because the curators were totally embarrassed by this stuff.

Some examples:

Pretty hot shit, right? They never, ever put any of this stuff on public view or published it in any catalogues but - we legit had like several hundred pieces of Moche ceramics in the “dirty pots” category. Anyway, I was left alone to just do my job with regard to the database for several years, ok? And I figured, well, these’re accessioned objects in the museum’s collection - better get down to bidness. 

I catalogued every goddamn bestiality, necrophiliac, cocksucking, buttfucking, detached penis, and giant vulva drinking cup in that collection. I’d be like, 

A drinking vessel in form of a standing man wearing a tunic and cap. He holds an oversized erection in his hands and stares into the distance (note I did not say “like he’s hella-constipated”). The vessel has a hole at both the tip of the penis as well as around the rim of the figure’s head, thus forcing the drinker to drink only from the penis or risk spilling wine all over themselves from the top of the vessel. Red and orange slip covers the surface of the piece.

Pretty straightforward, right? Apparently the deep seated fear of these objects that the curators exhibited was meant to spread to me as well, but - no one ever gave me that memo, because I guess Midwesterners reproduce asexually. When the curators understood that I had catalogued all of these objects in addition to the other, non-sexy pieces in the collection, they were apparently livid, but knew they had no legs to stand on in terms of getting pissed at me for it. 

I visited the museum’s online public access database a few years back and - every single description I wrote of these pieces has been totally neutered to say something like Male figural vase. 

req'd by @gods-no-longer-tread-here

what's going on in YOUR nameless court?