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First music, then voice modifiers… Now this. Perfect.

Every time I read a description of dowitcher feeding I'm like "what on earth does 'sewing-machine motion' mean" and then I watch them and yes, that is a bird who should be mending pants

Exorcising all my earworms for this year by turning them into Shakespeare songs…

In case you don’t have any kids in your life, here is the original song:

And in case you want MORE Shakespeare-themed song parodies, check out my holiday songbook, full of Shakespearean twists on seasonal classics, complete with ukulele chords and murder.

I CANNOT BREATHE

If you're looking for a good, centralized collection of fundraisers for people and organizations doing on-the-ground work in Minnesota right now, someone on Bluesky put together a great resource hub for things like food support, rent relief, mutual aid, and immigrants' rights centers that I'd really love to see spread around.

And if you're local to the Twin Cities, there's a "Take Action" section with links to ways to get active, as well as some resource guides for legal observers, etc.

These are some lowkey underrated tips I’ve seen floating around writing communities — the kind that don’t get flashy attention but seriously changed how I write.

1. Put “he/she/they” at the start of the sentence less often.

Try switching up your sentence rhythm. Instead of

“She walked to the window,”

try

“The window creaked open under her touch.”

Keeps it fresh and stops the paragraph from sounding like a checklist.

2. Don’t describe everything — describe what matters.

Instead of listing every detail in a room, pick 2–3 objects that say something.

“A half-drunk mug of tea and a knife on the table”

sets a way stronger tone than

“There was a wooden table, two chairs, and a shelf.”

3. Use beats instead of dialogue tags sometimes.

Instead of:

"I'm fine," she said.

Try:

"I'm fine." She wiped her hands on her skirt.

It helps shows emotion, and movement.

4. Write your first draft like no one will ever read it.

No pressure. No perfection. Just vibes. The point of draft one is to exist. Let it be messy and weird — future you will thank you for at least something to edit.

5. When stuck, ask: “What’s the most fun thing that could happen next?”

Not logical. Not realistic. FUN. It doesn’t have to stay — but chasing excitement can blast through writer’s block and give you ideas you actually want to write.

The Loose Ends Project matches crafters with a project that is unfinished because of death or disability. They offer help with a spectrum of textile mediums in over 80 countries. One project I find particularly lovely: “My mom was making this octopus for me. She was 67 years old when she passed away from COPD. She was hospitalized for pulmonary rehab several times and would always take it to work on while she was there and loved to talk about it with people."

You get a Common Seadragon