Fuck Yeah, Poetry!

How beautiful is the rain!

After the dust and heat,

In the broad and fiery street,

In the narrow lane,

How beautiful is the rain!

How it clatters along the roofs,

Like the tramp of hoofs

How it gushes and struggles out

From the throat of the overflowing spout!

Across the window-pane

It pours and pours;

And swift and wide,

With a muddy tide,

Like a river down the gutter roars

The rain, the welcome rain!

The sick man from his chamber looks

At the twisted brooks;

He can feel the cool

Breath of each little pool;

His fevered brain

Grows calm again,

And he breathes a blessing on the rain.

From the neighboring school

Come the boys,

With more than their wonted noise

And commotion;

And down the wet streets

Sail their mimic fleets,

Till the treacherous pool

Ingulfs them in its whirling

And turbulent ocean.

In the country, on every side,

Where far and wide,

Like a leopard's tawny and spotted hide,

Stretches the plain,

To the dry grass and the drier grain

How welcome is the rain!

In the furrowed land

The toilsome and patient oxen stand;

Lifting the yoke encumbered head,

With their dilated nostrils spread,

They silently inhale

The clover-scented gale,

And the vapors that arise

From the well-watered and smoking soil.

For this rest in the furrow after toil

Their large and lustrous eyes

Seem to thank the Lord,

More than man's spoken word.

Near at hand,

From under the sheltering trees,

The farmer sees

His pastures, and his fields of grain,

As they bend their tops

To the numberless beating drops

Of the incessant rain.

He counts it as no sin

That he sees therein

Only his own thrift and gain.

These, and far more than these,

The Poet sees!

He can behold

Aquarius old

Walking the fenceless fields of air;

And from each ample fold

Of the clouds about him rolled

Scattering everywhere

The showery rain,

As the farmer scatters his grain.

He can behold

Things manifold

That have not yet been wholly told,--

Have not been wholly sung nor said.

For his thought, that never stops,

Follows the water-drops

Down to the graves of the dead,

Down through chasms and gulfs profound,

To the dreary fountain-head

Of lakes and rivers under ground;

And sees them, when the rain is done,

On the bridge of colors seven

Climbing up once more to heaven,

Opposite the setting sun.

Thus the Seer,

With vision clear,

Sees forms appear and disappear,

In the perpetual round of strange,

Mysterious change

From birth to death, from death to birth,

From earth to heaven, from heaven to earth;

Till glimpses more sublime

Of things, unseen before,

Unto his wondering eyes reveal

The Universe, as an immeasurable wheel

Turning forevermore

In the rapid and rushing river of Time

stupid america, see that chicano  with a big knife  in his steady hand  he doesn't want to knife you  he wants to sit on a bench  and carve christ figures  but you won't let him.

stupid america, hear that chicano  shouting curses on the street  he is a poet  without paper and pencil  and since he cannot write  he will explode.

I will die in Paris, on a rainy day, on some day I can already remember. I will die in Paris--and I don’t step aside-- perhaps on a Thursday, as today is Thursday, in autumn. It will be a Thursday, because today, Thursday, setting down these lines, I have put my upper arm bones on wrong, and never so much as today have I found myself with all the road ahead of me, alone. César Vallejo is dead. Everyone beat him although he never does anything to them; they beat him hard with a stick and hard also with a rope. These are the witnesses: the Thursdays, and the bones of my arms, the solitude, and the rain, and the roads. . .

First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade, I put on the body-armor of black rubber the absurd flippers the grave and awkward mask. I am having to do this not like Cousteau with his assiduous team aboard the sun-flooded schooner but here alone.

There is a ladder. The ladder is always there hanging innocently close to the side of the schooner. We know what it is for, we who have used it. Otherwise it is a piece of maritime floss some sundry equipment.

I go down. Rung after rung and still the oxygen immerses me the blue light the clear atoms of our human air. I go down. My flippers cripple me, I crawl like an insect down the ladder and there is no one to tell me when the ocean will begin.

First the air is blue and then it is bluer and then green and then black I am blacking out and yet my mask is powerful it pumps my blood with power the sea is another story the sea is not a question of power I have to learn alone to turn my body without force in the deep element.

And now: it is easy to forget what I came for among so many who have always lived here swaying their crenellated fans between the reefs and besides you breathe differently down here.

I came to explore the wreck. The words are purposes. The words are maps. I came to see the damage that was done and the treasures that prevail. I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed

the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and sway into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters.

This is the place. And I am here, the mermaid whose dark hair streams black, the merman in his armored body. We circle silently about the wreck we dive into the hold. I am she: I am he

whose drowned face sleeps with open eyes whose breasts still bear the stress whose silver, copper, vermeil cargo lies obscurely inside barrels half-wedged and left to rot we are the half-destroyed instruments that once held to a course the water-eaten log the fouled compass

We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear.

Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind.  The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here.  Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.

THE last, late guest  To the gate we followed;  Goodbye -- and the rest  The night-wind swallowed.  House, garden, street,  Lay tenfold gloomy,  Where accents sweet  Had made music to me.  It was but a feast  With the dark coming on;  She was but a guest --  And now, she is gone. 

We've made a diary - a literary diary for 2014. In it, it includes over 30 poems from our magazine and it might be something that your followers might be interested in buying. 

It's got poems from poets such as Christopher Reid and Helen Dunmore in it as well, including plenty more!

It also has some really funny adverts from our old magazines (including something called a toilet mask...)

If you'd like to find out more about it, you can here: http://bit.ly/15g7eDY

Thanks!

In dim green depths rot ingot-laden ships; And gold doubloons, that from the drowned hand fell, Lie nestled in the ocean-flower's bell With love's old gifts, once kissed by long-drowned lips; And round some wrought gold cup the sea-grass whips, And hides lost pearls, near pearls still in their shell, Where sea-weed forests fill each ocean dell And seek dim sunlight with their restless tips. So lie the wasted gifts, the long-lost hopes Beneath the now hushed surface of myself, In lonelier depths than where the diver gropes; They lie deep, deep; but I at times behold In doubtful glimpses, on some reefy shelf The gleam of irrecoverable gold.