I keep thinking back on that one moment from chapter 50. Even before the anime came out and I got back into Witch Hat, it would creep into my head from time to time. It's my favorite moment in this series (if not out of all of fiction), and it just keeps getting better as time goes on.
Putting the post under the line since I know a lot of people are getting into the series with the anime and I don't want to ruin this for anybody. Spoilers for chapter 50, but talking broadly about the whole series.
Her face there puts my heart through the wringer each and every time I think about it.
What makes this moment so powerful to me is that by now we've seen how capable Coco is. We've seen how even in life or death situations, she's able to push past the fear and inspire people with her determination and creativity. We see the strides she makes in her studies and how unbending she is both with her craft and with the people around her. And we see her at her lowest, too - and isn't this moment something of a parallel to her panicked rush for the tower? What Coco needed at that moment, and what Qifrey was able to provide because he's been in Coco's position, was hope for the future.
And that's what this child needs, too. She doesn't need a magic wand. All she needs is a little bit of hope. Something, anything, to give direction to all that childlike awe and wonder.
This isn't an Brimmed Cap plot, or some complicated test or trial, or a dark mood to work through. If it was any of those things, we know there would be a way out, because we know Coco doesn't give up.
It's just a little girl asking for her joy to be validated.
It's a happy, gentle moment, in broad daylight, during an event meant to bring joy to the people.
This simple little moment encapsulates so much of Coco's character and journey so far. It's not just painful because there's nothing she can say.
She knows what she needs to hear. She knows what she wants to say. She knows why she can't say it, but just how much harder is it to follow the rules when you're a living example that the rules can be bent? She knows she's responsible for this spark of wonder she's now expected to snuff out. She knows this child is just the first in a long line of hearts she'll have to watch break, unless changes are made. And she's far from the only witch who's had this struggle, but she's the only one who is expected to demean and lie to her own past self, to refuse to offer the exact same hope she herself once needed.
No other witch is expected to shun their inner child like this.
And honestly, as heartbreaking as all of that is, there's something even more painful to consider. Because in this scene, the issue is that between telling the child she can't be a witch, and telling the child to keep on hoping, there's no answer that doesn't feel like a lie.
That's where we're at in ch50, at least. But with what Coco has been through since then, and what's in store for the future, how long before the horrible third answer starts creeping in?
How long before she looks at that kid, looking so much like herself at that festival years ago, thinks back on what she's gone through, and starts wondering whether the good really outweighs the bad? How much pain is left before she arrives a different answer, and tells the child "you shouldn't want to become a witch like me"?
That thought scares me more than a brim on her hat ever could.
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had grand ambitions of doing textless versions of every manga cover until i started glitching IRL so this is probably all I'm gonna do (missing 3, 6, 9, 10. 11 unfinished)
vol 11 still has the credits because I can't draw plaid worth a damn and vol 7 is rough as hell but that's all I've got in me
begging for them to just release official textless covers 😭 they've started doing them from vol 13 onwards but the old covers have so much good shit and I just want to see themmm
What I did was stitch the English covers w/ the Japanese covers as they (mostly) have text in different areas. For some all that was needed was some clone tool magic others were pure redraw hell. Once I hit vol 4 I realized that the mangaka probably draws the backgrounds first and then slaps the characters on top because they move around between versions (sometimes in very annoying ways).
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Otherside Picnic vol 9 definitely delivers on the series' je ne sais quoi of Sorawo doing something like idiosyncratically describing amatonormativity as a kind of ghost story on one page and arguing with Toriko over whether a skillet is any different from a frying pan on the next
@short-for-melancholy Good news, vol 9 is already out in prepubs (proper release 24.03), and vol 10 drops in Japanese in under a month, no need to miss em you can go say hi
(sorry if this ends up double pinging you I have no idea how tumblr works)
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Otherside Picnic vol 9 spoilers. If you haven't read vol 9 yet, it's some of the best stuff in the series so far.
The way Runa goes from genuinely fearing for her life because she thinks "camping in the mountains" is a code-word for "we're going to fucking kill you", to genuine excitement to finally being freed and accepting the camping trip with no reservations, to, within a day of getting to do something useful and receiving genuine praise for her work, deciding that no, you know what, actually, the kindness is worse - please, just kill me instead, is MADDENINGLY, BRUTALLY depressing to witness.
Within a day. And even when she's begging for death, literally MIND CONTROLLING SOMEONE TO SHOOT HER, the person aiming the gun at her isn't giving her the hate she's looking for. She was about to get blasted in the face with the same intensity as being handed a piece of candy. How fucked is that? How fucking sad is that?
What a perfect fucking tragedy. Holy shit.
That entire sequence was so insanely evocative I straight up forgot to breathe. I don't know how Miyazawa does it but I hope he never stops cooking.