This will never not be funny XD

Origami Around

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blake kathryn
official daine visual archive

Claire Keane
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if i look back, i am lost
untitled
YOU ARE THE REASON

izzy's playlists!

Andulka
he wasn't even looking at me and he found me

★
we're not kids anymore.
I'd rather be in outer space 🛸

bliss lane

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@fresh-avocadoes
This will never not be funny XD

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"my life isn't a crime, I'm not one of those people -"
"you sure? new parameters for Those People just dropped. check again."
And if you truly cannot imagine this, if you're convinced that it will never happen to you, consider this one thing.
Would you want scammers to know the state of your loved one's dementia?
Would you want scammers
to know the state of your loved
one’s dementia?
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
what do red pandas even do
I MEANT AS SELF DEFENSE STOP THE HATRED im sorry red pandas
does this answer your question
World Heritage Post
it’s so annoying how clpl does not release duet alts for niigo like, so many missed opportunities. especially in the case of yoka, which is Meant to be a duet between ena and mizuki. the pronouns keep switching between “watashi” and “boku” they’re literally talking to each other in the song. clpl released only ena’s alt for it and i need them to release mizuki’s as well at some point bc that song is as much about her as it is about ena and i need a fan to do a mash up of the two alts since they’re too lame and boring at clpl inc to shake things up and start giving niigo duet alts starting with the gayest one of all
One thing im uncomfortably woke about is bugs. And im actively trying to get more uncomfortably woke. By this i mean i DO believe the normalised fear of bugs stems from both government and business propaganda. The start of household pesticide sales coinciding with the boom in insect related horror movies. The promotion of anti intellectualism and anti enviromentalism. If you're scared of bugs, you wont care about saving them. If you dont care about saving them, you wont care about saving our home, since without bugs it cannot be saved. If you dont care about saving our home, the rich can do whatever they want with the chunks of it they continue to destroy.
I WILL calmly and kindly try to help anyone who is afraid of bugs. I will show them my finds, i will explain their importance, i will tell them just how sweet and gentle and friendly they are. And I WILL shoot down any immature loser who believes senseless killing is the only possible response to not liking something.
Get woke. Love bugs.

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comic where steve from minecraft sees a round guy
tg: miowhy SLEEPY MIZUENA Someone wake them up
minori hanasato #1 himejoshi warrior of sekai
Fuck hostile architecture, I want unhostile architecture. I want benches to be designed to be as easy as possible to sleep on. I want little places for pigeons to nest to be purposefully put on buildings. I want people designing public spaces to think about what they'd be like to skateboard on. I want "Please loiter" signs. I want people to be kind. I want...
We need cities that do not resent the fact that people live in them
We need cities that
do not resent the fact that
people live in them
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
One thing I will always appreciate Fullmetal Alchemist for is the fact that they let Roy Mustang be complicit in genocide.
Mustang is an Atoner figure. Something that plagues Atoner figures is when writers are too precious about the characters we're meant to like to actually let them be guilty of something serious.
The Atoner might be trying to make amends for their involvement in the Great '87 Hotel Massacre, and then three seasons in you find out what happened. And it's like, "I drove a taxi to the hotel, and the KILLER was in it! I ferried the killer to the hotel! That makes me responsible, and now I must atone for being nearby while the killings took place! And also vanquish the real killer who is the villain for this season."
Or maybe the Atoner did do the killings but they were under mind control the whole time and would never, ever have done it in their right mind.
But FMA said no. Mustang, Hawkeye, Hughes, even Armstrong to an extent though he suffered a breakdown and fled during it. They did that shit. They followed their orders and they did that shit. And it haunts them.
Roy did that shit. And his atonement, his grand ambition, is to see everyone responsible for that shit brought to justice for their crimes. Including himself.
That is how you write an atonement plot.

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'I Will' by Mitski is THE mizuena song for me.
ESPECIALLY "I will see your body bare / and still I will live here" ena's insistence on not leaving mizuki, even when she runs away
they make me so ill I'm gonna cry
saw this on twitter >
hopeless romantic ena is real. she wants to be those fishes sooo bad. (and specifically, it would seem she craves domestic fluff.)
sometime in the future she happens to flip back to that page in her sketchbook and thinks, "oh. this kinda reminds me of when mizuki and i..." and after a solid minute of fond reminiscing, it hits her. "is mizuki my other goldfish???"
Trying to understand what was going through Mafumafu-san's head when writing 携帯恋話
So there's been this rumor floating around that Keitai Renwa was N25's original Untitled song, but it got rejected because it didn't match the group's feel, and so Kuyamu to Kaite Mirai was written and used instead.
Turns out, it's actually...true??!?
こっそりお話をしましょう
Here's the actual link to where Mafumafu himself talks about it. (relevant part is from around 8:00 - 11:00)
プロジェクトセカイ ユニット「25時、ナイトコードで。」への提供曲「携帯恋話」セルフカバー投稿
Here's a site where a fan talks about it.
To summarize the info:
Mafumafu initially submitted Keitai Renwa, and sung it himself (as opposed to using a Vocaloid) which staff was fine with
He wrote Keitai Renwa based on N25 being a "cool" and "dark" girl character group. (その、25時ナイトコードでっていうグループが、あの、女の子キャラのグループだったんだよね?ちょっとなんか、クールな感じの、ま、暗めな感じのというか。) (note: my transcription may have errors...)
However, staff told him that it was fine for him to do something with a "darker worldview" (暗い世界観), something similar to the stuff he likes. So, he wrote Kuyamu to Kaite Mirai, and that became N25's Untitled song.
(note the fansite started their description at 9:20, so it skips the first two points)
There's a lot of misinformation that floats around regarding this game, so I'm glad that this rumor was actually true. Granted, it was STUPID difficult to find it, as even though both EN and JP fans talk about this story a lot, nobody's ever had the link before.
Of course, the other issue:
How blatantly romantic is Keitai Renwa actually? (and why is it an Ena/Mizuki duet?)
携帯 means "mobile", as in "mobile phone." 恋話(こいばなし)means "love talk" or "girl talk" (about love/dating/whatever). However, in this case, 恋話 is read れんわ, as a pun on 電話, as "携帯電話" means "mobile phone".
Also, the song isn't actually about girl talk. It's an extremely blatant romance song. More specifically, it's a romance song about a broken connection, your lover withholding a secret, lying and smiling to your face, a love that's cold like a cup of tea that cooled before it could touch your lips. (and yes, 恋 is used, it's explicitly romantic love)
Despite being the initial candidate for N25's unit song, the lyrics don't apply to Kanade and Mafuyu. They do, however, for some reason, apply quite well to Ena and Mizuki:
"Let's laugh even if it's a lie" says Mizuki
Ena wonders when Mizuki started drifting away. And re: the second line, i don't actually know whose mistakes are being mentioned, but it could work with Mizuki driving herself deeper into despair or Ena unintentionally hurting Mizuki.
I wonder if there was an older draft of the game where Mizuki said things much worse than "scary selfie girl"...
Ena searching for Mizuki is the literal story of their Mizu2 cards
Tbh this is more of a Mizuki line than an Ena line
もしもし is what you say when you answer the phone in Japan. The singer is calling their lover's phone, hoping they'll finally pick up.
So how precisely is this song a MizuEna song? Well, even though it's definitely not a description of anyone else's relationship in Niigo, there's admittedly a lot of parts that just imply a dying or toxic relationship in general, as opposed to specifically MizuEna. Sure, the untruths and coldness are (tragically) the only way Mizuki knows how to have relationships for most of the story, but it's not certain that it was written based on them specifically.
...is what I'd like to say, but let's be honest, Colorful Palette knew exactly what they were doing with this LOL. I mean, they gave Akito/Toya Ifuudoudou, it's pretty clear what they were doing here.
Not to mention, this DOES support the idea of Ena being a shoujo protagonist, chasing the tall, mysterious girl she's fallen in love with, who both mocks her and cares for her intensely...the omnicapable genius to Ena's relatable girlfailure...the love interest who's deeply hurt and emotionally withdrawn, but incredibly tender deep down.
If you told me they presented the story summary as a yuri between Ena and Mizuki, and Mafumafu wrote Keitai Renwa based on that, I would believe you in a heartbeat.
way to be subtle about it ena
.
based on ena's recent birthday card story :3 aughghfv theyre so <333
link to the scene below if u havent seen it :)
saw this on twitter >
hopeless romantic ena is real. she wants to be those fishes sooo bad. (and specifically, it would seem she craves domestic fluff.)
sometime in the future she happens to flip back to that page in her sketchbook and thinks, "oh. this kinda reminds me of when mizuki and i..." and after a solid minute of fond reminiscing, it hits her. "is mizuki my other goldfish???"

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Small mizuena another comic I'm drawing (it's still in progress).
Anyways due to popular demand (1 person) I'm going to go into another long MizuEna yap session under the cut.
(This is REALLY really long I'm warning you don't click unless you want to do a lot of scrolling).
alright i wanna yap about why i believe that mizu5 is extremely well written in terms of characterisation and build-up. because the thing is. what happened this event is gut-wrenching and tragic but the beauty of it is that it 1. wasn’t in vain and 2. it actually puts mizuki and ena in a much safer and more stable position with each other and within the group in the long run.
first of all, let's talk about the build up. because we, the audience, have also been waiting a long time, just like ena, and we have watched mizuki get ready little by little, we find ourselves perfectly positioned to empathise fully with both girls this event. we know the stakes and we feel them because real time has passed in the real world. over 3 years since ena's promise (around 1 in game). this build up felt as strong to us as it did to these two. we spend the whole event watching mizuki hype herself up – her hands are shaking, she can’t decide whether to message ena or not, she spends the whole festival smiling and enjoying it thinking it might be the last time she gets to laugh with niigo (and props to satohina’s voice acting because i could hear the anxiety in her voice the whole time). but you see, that’s exactly the issue. she even voices it, clearly, in her conversation with rui.
despite the fact that she is recognising that niigo probably won't reject her, she voices not only that she is scared of things changing, but also of being a burden.
"if i end up making them accept me"
"if i force them to talk to me in a certain way."
if you're trans, you know this fear. that people are humoring your identity out of politeness, rather than because they actually see you as who you are. for mizuki, this is coupled with the fear of losing her safe space where she's just one of the girls - they hang out and swap clothes and shop together and are so close. would things feel awkward if they knew she isn't cis? what if it's a burden on the rest of niigo, to be friends with someone like her? and mizuki hates being a burden, and this issue of hers gets discussed more in depth in ena5. because mizuki herself doesn't even recognise what she is saying rn as a major issue in this whole situation. she doesn't see that even if she gets to come out and it goes well, she'll still spiral. because meanwhile, this is ena:
the whole day, she's been watching over mizuki. miss "oblivious-as-all-hell-except-when-it-comes-to-this-pink-thing" has been worried all day, catching glimpses of mizuki's anxiety but shoving her worries aside in favor of trusting in mizuki and waiting until the end of the day as promised. she wants to do it right. she is ready to hear mizuki's confession, whatever it may be, and react the "right" way.
and see, here is why what happened, albeit horrifying, actually set them on a healing path much quicker than if mizuki had gotten the chance to come out to ena herself. because ena would have tried her best to react "well". and mizuki would have felt like she was "forcing" ena to accept her for who she is. that ena is only being kind, but things will never be the same. in time, the doubt would have eaten away at mizuki, and she would have tried to distance herself again and ena's efforts to pull her back would have taken much longer. the two of them would have needed to sit down and have a real, vulnerable heart-to-heart. from a storytelling standpoint, it would have been a nightmare to write right, and would have dragged on this arc for so much longer.
instead, we get this tragedy. mizuki doesn't get to come out, ena doesn't get to react the "right" way. mizuki sees her looking shocked (at the realisation that mizuki's coming out was robbed from them) and interprets her expression to mean that everything's changed. ena doesn't get to stop mizuki from leaving. they both suffer in between mizu5 and ena5. both of them unable to confide in anyone, all they have is rumination. which is a net good for ena. she gets to get used to the idea, and to reflect on everything that happened. ena, always impulsive, gets the chance to sit with her feelings, unable to do much, for weeks. it's good for ena, as a character, to have failed in stopping mizuki at the festival. as a person, ena is terrified of failure, but she also always managed to pick herself up and improve herself afterwards (with her art, and in this situation too). failing in reaching mizuki at the festival, ena gets the opportunity to reflect on what she could have done better, and why mizuki felt the way she did. and when she finds mizuki, she finally gets to see her unguarded. mizuki, the girl who is always smiling and brushing everything off. in the confrontation at the end of ena5, mizuki, hurt by what happened at the school festival and weeks of isolation, gets to be completely, utterly vulnerable in front of ena for the first time. she voices all her fears: of things changing, of niigo walking on eggshells around her not to offend her, of people talking behind ena's back if they see them together. she doesn't want to be a burden. she just wants to be. and the doubt that she's just a burden on her friends will always eat away at her so what's the point? and ena is angry, ena (the bleeding heart of the group) tells her none of that matters. all that matters is that she loves mizuki. that she cares about their friendship. that nothing would hurt more than losing her. that friends aren't burdens. you don't "deserve" to be friends you just are. and what she's learnt about mizuki changes nothing. and she doesn't care if mizuki is uncomfortable with the idea, if she says something that hurts her, ena wants to know because she wants to do better because that's what friends do! and it's only because mizuki has experienced weeks without ena and the rest of niigo, and because ena is so hurt and has run so much she can't stand anymore, that mizuki manages to allow ena to break through the last of her walls. she falls to her knees, and cries.
had mizu5 not happened, they wouldn't have gotten here this quickly. together, at the root of the issue, with their defences shattered, completely open with each other. both of them putting their whole heart in the other's hand, trusting that she'll treasure it. trusting that it will be okay.