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will byers stan first human second
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Aqua Utopia|海の底で記憶を紡ぐ
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Today's Document
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@freezingbeach

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(Manet’s Bar at the Folies-Bergere (Getty Center Exhibitions)から)
[…] the conversation that many have assumed was transpiring between the barmaid and gentleman is revealed to be an optical trick—the man stands outside the painter’s field of vision, to the left, and looks away from the barmaid, rather than standing right in front of her. The barmaid’s frontality is also deceptive. Rather than standing parallel to the bar and looking straight ahead, she stands slightly askance, facing the offset viewpoint.
Most ironically, the reflected edge of the bar, which in an offset view would tilt more acutely to the right, is revealed to be a visual decoy, leading us to believe that the vanishing point lies directly behind the barmaid. Thus, the paintings most obvious perspectival clue turns out to be its most subversive perspectival violation.
From Getty Center article
Marjane Satrapi, Persepolis

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Dean Martin, June 7, 1917 – December 25, 1995.
With Shirley MacLaine during the making of Vincente Minnelli’s Some Came Running (1958).
A woman's right to shoes.
kylie minogue, 1990
Postmodern horror, Covent Garden. London, September 2015.

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Dries Van Noten - Fall 2000 RTW
source
mao zedong shirt in the live action scooby doo movie

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Thomas Billhardt
Beirut , primary school in a Palestinian camp, 1977
The Sacrifice of Isaac
Artist: Jean-Hippolyte Flandrin (French, 1809-1864)
Date: 1860
Medium: Oil on board
Collection: Los Angeles County Museum of Art, Los Angeles, CA, United States
Description
The sacrifice of Isaac, known in religious tradition as the "Binding of Isaac" or Akedah, is a pivotal biblical narrative in Genesis 22 where God commands Abraham to offer his beloved son as a burnt offering. Tested on his absolute faith, Abraham obeys, but an angel intervenes at the last moment, providing a ram as a substitute.