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Bienvenue dans la vi(ll)e de Prosper Legault

Pour la cinquième année consécutive, la collaboration entre Rubis Mécénat, les Beaux-Arts de Paris et l’église Saint-Eustache se poursuit à l’occasion des fêtes de la Nativité.

C'est l’oeuvre de Prosper Legault, diplômé en 2020 des Beaux-Arts de Paris qui est présentée cette année à l’occasion des fêtes de la Nativité. Il a été sélectionné par les membres du jury* suite à l’appel à projets mené auprès des élèves de l’école.

Son installation sera visible du 1er décembre 2020 au 2 février 2021 à l’église Saint-Eustache, Paris.

"Réinterpréter la nativité du Christ me force à penser aux plus démunis qui dorment dans des abris de fortune, qui essayent de gagner de quoi se nourrir en vendant des marrons, des souvenirs ou des bouteilles d’eau". Prosper Legault

Infos Pratiques : En semaine 12h-15h Messes : Tous les jours à 12h30

Samedi : 10h-19h Dimanche : 9h - 19h Messes : samedi 18h et dimanche 9h30, 11h, 12h30, 18h

2 Impasse Saint-Eustache, 75001 Paris

•18+ Adults Only

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ATAK: Stillleben

BUCH:

2022 Sprache: Deutsch

144 Seiten, 245 x 325 mm, gebunden 4 heraustrennbare Pappplakate, Din A3

– Verlag Antje Kunstmann –

Elsa Sahal

Vénus polymathe jouissante, 2019

Ernst Yohji Jaeger

Ernst Yohji Jaeger is a ultra-contemporary german artist, born in 1990. Ernst Yohji Jäger’s first verified exhibition was Parallel Vienna in Vienna in 2016, and the most recent exhibition was and I will wear you in my heart of heart at FLAG Art Foundation in New York City, NY in 2021.

'Call, I Follow, I Follow, Let Me Die!'

Julia Margaret Cameron

Photograph 1867 (photographed), after 1867 (printed)

In late 1865, Julia Margaret Cameron began using a larger camera. It held a 15 x 12 inch glass negative, rather than the 12 x 10 inch negative of her first camera. Early the next year she wrote to Henry Cole with great enthusiasm – but little modesty – about the new turn she had taken in her work.

Cameron initiated a series of large-scale, closeup heads that fulfilled her photographic vision. She saw them as a rejection of ‘mere conventional topographic photography – map-making and skeleton rendering of feature and form’ in favour of a less precise but more emotionally penetrating form of portraiture. Cameron also continued to make narrative and allegorical tableaux, which were larger and bolder than her previous efforts.

In this image, Cameron concentrates upon the head of her maid Mary Hillier by using a darkened background and draping her in simple dark cloth. The lack of surrounding detail or context obscures references to narrative, identity or historical context. The flowing hair, lightly parted lips and exposed neck suggest sensuality. The title, taken from a line in the poem 'Lancelot and Elaine' from Alfred Tennyson's 'Idylls of the King', transforms the subject into a tragic heroine.

#Julia Margaret Cameron

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Artwork Caption

Nation

2018, Deana Lawson

#Deana Lawson

Farah Al Qasimi, Living Room Vape 2016. Tate. © Farah Al Qasimi.

#Farah Al Qasimi

Artwork Caption

1995 No. 42 (Zhang Huan, Ma Liuming, ‘Third Contact’)

1995, RongRong

bystander #14

2016, printed 2021, Mari Katayama

‘bystander #14‘, Mari Katayama, 2016, printed 2021 on display at Tate Modern.

#Mari Katayama

Clothed/Unclothed #30

1994, Laura Aguilar

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Alfred MANESSIER (1911-1993)

"Procès de Burgos I", 1971

Lithographie en couleurs

signé et numéroté XVII/XVIII en bas à droite

78 x 120 cm

Hervé Télémaque

Tableau engagé, 1967 Acrylique sur toile et bois, 60,5 x 140,2 x 4,6 cm Collection MAC VAL - Musée d’art contemporain du Val-de-Marne © Adagp, Paris 2023 Photo © André Morain

transistoradio

Edith Rimmington (1902-1986), “Museum” (1951), pen, ink, gouache, and watercolour on paper, 23.5 x 32 cm.

Artist Victor Brauner

b. 1903, Piatra-Neamt, Romania; d. 1966, ParisTitleThe SurrealistDateJanuary 1947MediumOil on canvasDimensions23 5/8 x 17 3/4 inches (60 x 45 cm)Credit LineThe Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice, 1976Accession76.2553.111Copyright© 2023 Artists Rights Society (ARS), New York/ADAGP, ParisArtwork Type

Painting

#Victor Brauner

Victor Brauner (1903, Royaume de Roumanie - 1966, France)

Autoportrait

[1931]DomainePeinture

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Dora Maar (Henriette Théodora Markovitch, dite)

Dora Maar (Henriette Théodora Markovitch, dite) (1907, France - 1997, France)

Sans titre [Main-coquillage]

1934DomainePhoto | Photomontage

#Dora Maar

Dora Maar (Henriette Théodora Markovitch, dite)

Dora Maar (Henriette Théodora Markovitch, dite) (1907, France - 1997, France)

Le simulateur

1936DomainePhoto | Photomontage

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