Bitches love me cuz I have the unmistakable stare of a dog who has immediately lost the toy you Just Retrieved from under the couch
occasionally subtle
untitled
Three Goblin Art
"I'm Dorothy Gale from Kansas"
Keni
todays bird

PR's Tumblrdome
Jules of Nature
$LAYYYTER
Mike Driver
NASA
noise dept.
hello vonnie

@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ

Kaledo Art
Sade Olutola

❣ Chile in a Photography ❣
YOU ARE THE REASON
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@freezi-drink
Bitches love me cuz I have the unmistakable stare of a dog who has immediately lost the toy you Just Retrieved from under the couch

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it’s so hard for me to not doxx myself every single day btw. my oversharer’s spirit is being stifled by internet safety
I know you're all here to jack it to, frankly, the best muppet porn fanfiction that tumblr has to offer but I have other things to talk about that I cannot remain silent anymore such as 1. My American Psycho remake fancast and 2. The fact that hit comedian Ally Beardsley is my Patrick Bateman send post
Do you know this Musical Song? #380
I know the song and the musical
I know the song but not the musical
I know the musical but not the song
I may know this
I have never heard this
David: I guess I'm just surprised our Shane fell for such an infamous player,,, who knew our kiddo would have a thing for the bad boy, huh hon? Ha ha
Yuna, remembering David's college hockey days as an enforcer where he would get into knuckle dragging fights almost every match and would always shoot a blood-stained grin up at her in the stands from the sin bin while sporting a black eye and a broken nose, waving at her with his knuckles taped: Hm. Yeah. Shocker.

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Big Al's sneeze sounds like goofy falling off a cliff
Big Al's sneeze sounds like goofy falling off a cliff
How convenient it is to attach small, useful objects to your clothes at waist level
the fact that tangled has a perfect set-up for major miscommunication between rapunzel and eugene to be the final emotional climax of the movie (“why’d you leave me”) but instead sidesteps that in favor of a beautiful battle between the two of them in which they try to out-sacrifice each other because they love and understand each other that much. the fact that they each try to save the other using the best means they’ve got at their disposal, the ones they’ve used their whole lives: rapunzel bargaining with mother gothel and promising away pieces of herself- this time all of herself- in exchange for his safety, Eugene pulling one final scam and trick when he feigns tenderly touching her face so he can actually cut off all her hair and set her free. the fact that Eugene’s plan works but as a result he dies, Flynn dies. (he told us this at the beginning, “this is the story of how I died” but remember- it’s a fun story.) The fact that the swashbuckling rogue and trickster and thief Flynn DIES so that rapunzel, the girl who never got to have a life, can LIVE. The fact that after one final successful trick Flynn dies so Eugene, little lost orphan boy, can rise again in his final and only role as a good man and as rapunzel’s husband- all of these make tangled the masterpiece it is. in this essay I will
OP where’s the essaaaaay
What unites Eugene and Rapunzel, what forms the basis of their connection, is not just their lonely, isolated, unloved childhoods but the mechanisms they each used and still use to try to fill the voids in their lives. And those mechanisms boil down to- keeping busy, whatever the cost. Rapunzel’s opening song is literally a montage of her desperate attempts to fill an otherwise empty day (and empty life) and Eugene steals for the riches, sure, but mostly for the adventure, the thrill, the chase. The motion and color of it and the ways in which it is the opposite of boredom, the opposite of emptiness.
They are both resourceful and determined, used to doing the best they can with what they have, and as a result they encounter each other and decide to team up. Practicality, not romance, is what drives them together and what keeps them together for much of the movie.
Their methods of filling voids with whatever scheme they can concoct, the skills they’ve both gained from their past experiences, become the means they use to achieve their shared goal: get Rapunzel to the city to watch the floating lights and return her safely home. The scrapes and (mis)adventures they get into on their way are not just filler or fluff; they are opportunities to highlight the natural teamwork they have, the ways in which they complement and complete each other and so help each other: Rapunzel solves the run-in with the group of thugs/misfits with vulnerability and openness; together, they escape from the guards and avoid drowning.
Already this is an improvement on their previous work, their previous “business”. It has more warmth, it has more success, it has more color. But that’s not all. Alongside their adventures, they start to talk to each other. Confide in each other. Nothing huge or dramatic. When he tells her his name he follows it with the dryly delivered “someone might as well know”. And when he asks about the situation at home, his voice is gentle and kind but not full of depth of feeling just yet. But it’s real, honest connection about their pasts and so contains within it the articulation of their emptiness. It’s the realest relationship either of them have ever had. It’s far realer than anything their past endeavors have ever brought them.
When they reach the lights, Rapunzel realizes this and it comes out in her words expressing her fears and worries about the lights. Understandably, she’s scared finally seeing the lights won’t be enough. But then, and here’s the beautiful thing, she’s scared that it will be. “And what if it is,” she says, tears in her eyes and voice. “What then?” This is the moment in which Rapunzel recognizes that she really has never filled the void in her life, the place where real love and human connection should be, and that the lights won’t do it either. Chasing the lights was her noblest effort yet, a beautiful and real and a valid dream, but still not enough. because the lights are not a person and the lights can’t love her back.
Eugene’s answer to this is hopeful- there’s always another dream to chase. But he still doesn’t really have an answer for her. He doesn’t really understand.
Until they see the lights.
Until they see the lights together.
Their golden glow and beauty is enchanting, it’s everything she dreamed it would be. And then, it’s more.
And it’s more because when she turns around, right at the end of the first verse, she sees him. Holding her dream in her hands, watching her watch it, experiencing it with her.
That’s when she knows.
She hands him the satchel and he knows he knows too.
He knows that there is no new dream, no better dream, than her, than a real life of love with the person in front of him.
After the lights happens everything I said in the original post. They’re torn apart and beautifully, magically, unexpectedly Mother Gothel’s ploy to sow discord between them doesn’t work. Rapunzel sees through Mother Gothel’s lie to see the truth of everything, including his reasons for leaving, and when he shows up there is no reproach or misunderstanding to clear away. Like I said in my original post, they understand each other now.
And like I said in the post above, Rapunzel’s bargaining for his life and Eugene’s cutting off of her hair are the means they use to set the other free. And ultimately Eugene wins. He dies and his death, the first time she truly experiences loss, opens her up to a fuller understanding of and use of her magic and her healing. He is restored to her and they live (truly) happily ever after.
But my point with all of this is, the heart of the story and its own specific magic, is that their skills and habits and means- whatever the word we want to use is- garnered by each of their efforts to fill their life with meaning finally fulfilled their true purpose, finally made them happy. Because they stopped being the end goal of their lives and became the means to their true purpose- the life and love they have with each other.

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another emily axford all-timer from ccod finale
you can have random one sided beef with ANYONE! it’s so beautiful. and it doesn’t cost any money!!!!!!
I'd also like to shout out Murph's truly unparalleled straight-manning abilities, because HJ trying to fuck a dying clown in a ditch is funny, sure, but Murph insisting Beardsley retake their turn is what pushes it over the top to unforgettable.
brings me lots of joy to see murph, ally and siobhan perfectly synchronized with disbelief 😂
Omg I almost thought that I had missed 7/11, on this the freezd of our drink

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Singin in the rain hits so much better when you have work buddies that can hear the music too
“I wish I was more powerful, like you guys. Even casting fireball takes it right out of me some days.”
“Hey, none of that. You're a valued member of the team, no matter what your power level.”
“I just don't understand how you can tear open that portal to the fire dimension so easily.”
“… fire dimension?”
“Yeah. Where the fire lives. Before you summon it. For fireballs.”
“Dude. We've been creating explosions by igniting flammable gases in the air. What the fuck have you been doing?”
this is like the opposite of that "wizard vs artificer" post. the one that goes, like, "oh, you've just been summoning from the plane of water! I thought you had to combine hydrogen and oxygen, that's so much easier".
and I like that. because different methods will work for different people. sometimes you find it easier to start up physics and sometimes you find it easier to tear open the layers of reality.