i'm nobody. who are you?

THE X-FILES 5.19 | “Folie à Deux”

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Still here

these two are great for different pose practises

Acrylic, pencil and charcoal on 520g paper  , 71 x 55.7  cm  

Hugo Wetli - Afrikanischer Garten, undatiert.   Huile sur toile/ 113.8 × 145.5 cm. 

rian johnson you've done it again

Jeremy Allen White as Carmen ‘Carmy’ Berzatto Hands, The Bear

1. Improvisation 2, Var. 2  via    2. Improvisation 3, Var. 3  via   

Svalbard, Norway // Peter Holliday

bites it: a warriors heart

“you don’t have a home until you leave it and then, when you have left it, you never can go back”

A manuscript of Mendelssohn’s Schiflied (Reed Song), from his Op. 71. Mendelssohn and his wife Cécile spent the winter of 1844-5 in the Frankfurt area, where Cécile had been born. While there Mendelssohn made a copy of a song he had composed in 1842: Schilflied (Reed Song), which sets to music words by Nikolaus Lenau. Not only did he write it out in his best hand, he also illustrated it with a meticulous watercolour which depicts the song’s opening line: ‘On the lake’s unruffled surface rests the moon’s fair beam.’ It was a present for his friend Henrietta Keyl, the wife of a Frankfurt wine merchant.