— ELLE FANNING on set of THE GREAT

❣ Chile in a Photography ❣
RMH

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roma★
occasionally subtle
Keni
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Andulka
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Mike Driver
PUT YOUR BEARD IN MY MOUTH

macklin celebrini has autism
One Nice Bug Per Day
Claire Keane
"I'm Dorothy Gale from Kansas"
Game of Thrones Daily

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seen from Colombia

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@lifeisourcause
— ELLE FANNING on set of THE GREAT

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You told me people like to suffer You told me that’s the way it is You said that things were getting better You said I should accept all this
Anya Taylor Joy for her birthday
see you at the equator.
severance, 2.10 ‘cold harbor’ // the guest by anna akhmatova
'Asabi forehead piece. Scanned from the book The Craft Heritage of Oman; 2003; Neil Richardson & Marcia Dorr

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Gut, Amanda Larson
David Lynch’s 80s classic BLUE VELVET
- behind the scenes Polaroids taken by makeup artists Barbara Page & Jeff Goodwin.
Edward Burne-Jones for "The Wood Beyond the World" (1894)
Paris, Texas (1984) dir. Wim Wenders
Cocteau Twins: Head Over Heels (1983)

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kate bush wielding a sword (1980) — photographed by adrian boot
I love lazing around and being slothful. I am idle at all opportunities, and when I can I stagnate. I love to command nothing of myself and let the swerve take me where it pleases. The active passes through me and the passive acts through me. I love to settle, drape, hang, and rest; gravity isnt force for me but a call to come home. The most beautiful line of poetry ever written is Walt Whitman's "I lean and loafe at my ease"
1x4, 1x1 scene redraws. Part of an unfinished comic
When you get four vampires in a flat, obviously there’s going to be a lot of tension. There’s tension in any flatting situation.
WHAT WE DO IN THE SHADOWS (2014) dir. Taika Waititi, Jemaine Clement
Jane Birkin

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to be honest i think there’s a large number of people who conflate the very real and widespread phenomenon that women tend to be written off as just mothers or love interests in order to diminish their importance in a given story with the fact that a huge reason they’re sent to narrative purgatory in this way is BECAUSE the labels of “mother” and “girlfriend/wife” are systematically devalued and seen as inherently inferior because they’re terms that have been associated with ownership and/or control over women. like the amount of people who’ve told me that a certain female character is uninteresting or badly written because she happened to have a kid or be a man’s girlfriend or sister just to find out she was actually fleshed out very well and carried significant narrative importance frustrates me soo bad. there’s a huge problem with how those roles (specifically “wife” and “mother”) are systematically devalued and yet also perpetuated as the only viable options for women to achieve their societal roles in the patriarchy but acknowledging the devaluation of those labels to begin with is an important discussion in itself.
HR & HE