You told me people like to suffer You told me thatās the way it is You said that things were getting better You said I should accept all this
Xuebing Du

Andulka

izzy's playlists!

Love Begins
PUT YOUR BEARD IN MY MOUTH
Noah Kahan
Cosimo Galluzzi
Cosmic Funnies
Keni
Lint Roller? I Barely Know Her
hello vonnie
The Bowery Presents

bliss lane
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

Origami Around

pixel skylines
Not today Justin
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@lifeisourcause
You told me people like to suffer You told me thatās the way it is You said that things were getting better You said I should accept all this

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Anya Taylor Joy for her birthday
see you at the equator.
severance, 2.10 ācold harborā // the guest by anna akhmatova
'Asabi forehead piece. Scanned from the book The Craft Heritage of Oman; 2003; Neil Richardson & Marcia Dorr
Gut, Amanda Larson

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David Lynchās 80s classic BLUE VELVET
- behind the scenes Polaroids taken by makeup artists Barbara Page & Jeff Goodwin.
Edward Burne-Jones for "The Wood Beyond the World" (1894)
Paris, Texas (1984) dir. Wim Wenders
Cocteau Twins: Head Over Heels (1983)
kate bush wielding a sword (1980) ā photographed by adrian boot

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I love lazing around and being slothful. I am idle at all opportunities, and when I can I stagnate. I love to command nothing of myself and let the swerve take me where it pleases. The active passes through me and the passive acts through me. I love to settle, drape, hang, and rest; gravity isnt force for me but a call to come home. The most beautiful line of poetry ever written is Walt Whitman's "I lean and loafe at my ease"
1x4, 1x1 scene redraws. Part of an unfinished comic
When you get four vampires in a flat, obviously thereās going to be a lot of tension. Thereās tension in any flatting situation.
WHAT WE DO IN THE SHADOWS (2014) dir. Taika Waititi, Jemaine Clement
Jane BirkinĀ
to be honest i think thereās a large number of people who conflate the very real and widespread phenomenon that women tend to be written off as just mothers or love interests in order to diminish their importance in a given story with the fact that a huge reason theyāre sent to narrative purgatory in this way is BECAUSE the labels of āmotherā and āgirlfriend/wifeā are systematically devalued and seen as inherently inferior because theyāre terms that have been associated with ownership and/or control over women. like the amount of people whoāve told me that a certain female character is uninteresting or badly written because she happened to have a kid or be a manās girlfriend or sister just to find out she was actually fleshed out very well and carried significant narrative importance frustrates me soo bad. thereās a huge problem with how those roles (specifically āwifeā and āmotherā) are systematically devalued and yet also perpetuated as the only viable options for women to achieve their societal roles in the patriarchy but acknowledging the devaluation of those labels to begin with is an important discussion in itself.

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HR & HE