Hereâs part two of my interview on the podcast âTeaching Artistryâ with Courtney J. Boddie. Be sure to listen to part one and check out the sketches I made during the interview, too!
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Hereâs part two of my interview on the podcast âTeaching Artistryâ with Courtney J. Boddie. Be sure to listen to part one and check out the sketches I made during the interview, too!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I made these sketches while being interviewed by Courtney J. Boddie for the "Teaching Artistryâ podcast. Itâs interesting the ways I draw differently and talk differently when I am doing both at the same time. Go check out the interview, which is split into two parts: hereâs part one, and hereâs part two.
Iâm the longwinded guest on this episode of the podcast "Teaching Artistryâ with Courtney J. Boddie. Apparently I can talk at great length on topics such as teaching art, urban sketching, the purpose of art, the institutions around art, etc. etc. It was a real pleasure chatting with Courtney, who is a wonderful host and an insightful interviewer. And I really appreciate that she was into recording our conversation while I was sketching in the park (at night in October!) rather than in the studio. And take a look at the sketches I made during the conversation.Â
After you listen to this, listen to part two of the interview.
Hereâs the episode description:Â
In Episode 25, "Find Your Way", Courtney speaks to artist and educator, Jason Das. This conversation discusses art and the ways in which we seek or find it. Art is all around us, after all. In this thoughtful and sometimes delightfully meandering episode, which was recorded on a park bench in New York City's bustling Washington Square Park, Jason speaks personally and profoundly about what it means to be an artist. To feel like an artist. He also speaks passionately about meaning-making through visual art by considering: What kind of artist are you? Where, in the world, do you fit in as an artist? What is your personal approach to viewing or making art? Where does your art place within the arts continuum? Listen to hear more about Jason's artistic philosophies and how they fuel his artistic journey and the ways through which he views the world. As you listen, consider this: When you create art, are you saying something about the world around you? If so, what? Why? This enlightening and entertaining episode is one you won't want to miss.
A new work-in-progress, set sometime before Rama ripped out his eyes to make the Sun and Moon ... this could get long.
âPositive Affirmations for Mindful Parentingâ (originally published across five pages in Gas Water Nothing #4)

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Harp-for-Two with Ranjit Bhatnagar
Ranjit Bhatnagar is collaborating one-on-one with lots of different artists this month for a project he calls Collab Feb. Iâm one of them. Last week, he and I made this harp/activity table.
If the video above isnât working (Tumblr and Flickr don't play well together), you can see it here:Â https://www.flickr.com/photos/ranjit/25283597537/in/album-72157692917040575/
I first met Ranjit eleven(?) years ago via the thing-a-day project. I was making a drawing everyday for a month; he was building a new musical instrument every day. I burned out pretty quickly, but he kept going, making hundreds of instruments for every February day, year after year. Occasionally I helped out, including performing on his instruments as part of the Glass Bees in 2009 and 2010.
Both of us have some experience hacking on stringed instruments, but safe to say we still found new things to try while inventing this harp. We very much made it up as we went along, starting with whatever we brought in our knapsacks and whatever we scavenged from NY Resistorâs scrap piles. Every time I wanted to run out to the hardware store to get the ârightâ part, Ranjit steered us towards repurposing something we already had. Everything kept changing as we went, as it should be with improvisatory collaboration. The finished instrument turned out to be remarkably viable.
My favorite new discovery was learning you can make a drum head by blasting tyvek with a heat gun. My least favorite new discovery was learning you can put a hole in tyvek by blasting it with a heat gun. Oopsie.
The video up top shows us both playing the finished harp. Thereâs another video at the bottom of me playing the halfway finished instrument. (If itâs not working, try this link:Â https://www.flickr.com/photos/ranjit/28347821129/in/album-72157692917040575/)
Iâm very glad Ranjit invited me to participate in this! Iâm enjoying following his other collaborations and look forward to our next project together.Â
If you like looking at these there are a bunch more at http://www.jasondas.com/wintercolors/ (also they are for sale if you like buying things)
âRooâs Afternoonâ (Originally published in Gas Water Nothing #3)
Green-Wood Cemetery view from back in July
How simple can a comic be? âStapler Comicsâ tries. (Originally published in Gas Water Nothing #1)

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Getting ready for SPX this weekend! I'll be at table A6. Selling zines and maybe custom drawings too? (Til then, printer settings kill me every time đ)
Cachaça Pedra Blanca in the hills above Paraty, Brazil. (Part of a trip with other sketchers at the 2014 Urban Sketchers Symposium.)
âGreat Feelings in Twentieth-Century White Art Historyâ (originally published across five pages in Gas Water Nothing #4)
My new zine! Gas Water Nothing #4 debuts at MoCCA fest 2017! I'll be at table A110. April 1st and 2nd at Metropolitan West, 639 W 46th St, New York, NY 10036.
The Sea Is Home (originally published in Gas Water Nothing #2)

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Community Voices (originally published in Gas Water Nothing #2)
From the Highline, 2012. Back when I was first starting to work with pencil more.