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Genderless blob of It + Current interest : pjsk / corpse party
Reposts are allowed but please credit! No ai training!!! There's like one gory post at the far back of this blog but you might not even notice... but tw/cw gore
banner animation made by me, I couldn’t get the damn thing transparent…
tags:
#ramble ( this is just my misc. thoughts. Some are fandom, some not. )
#super ramble ( for my longer fandom rambles. Mostly corpse party. )
#art ( I never tag reblogs as art, those are always #art by op. Use this to see my art. )
#reblog ( work in progress. Self explanatory )
#tw ( tw for gore, vomit, blood, sh. )
name : fin
age : minor! Adults are free to int/be friends if your blog isn’t heavy nsfw, and just be normal
prns : I prefer staying ambiguous on the big web, so it/its (NO THEY, I DON’T USE THEY/THEM PLEASE)
most of my game fandoms are mobile/playthroughs.
I like, to name a few:
corpse party, project sekai, danganronpa, FLCL, Arknights, needy streamer overload, our dreams at dusk, madoka magica, Bocchi the Rock, Azumanga Dai-oh, Ganbare Nakamura-kun, and a slew of others.
my favorite ships include MayuShige, AkiKasa, SaiMota, TsuRui and MizuRui.
my favorite characters are Mayu Suzumoto (wow), Tsukasa Tenma, Canti, Ayumu Kasuga, Nijika Ijichi, Hirose Aiki and Shuichi Saihara.
I’m a digital artist, I use procreate and my main brush is mercury. Feel free to send me your little rambles/headcanons, I may do a little doodle if I feel like it.
DNI - basic dni + darkship + hellaverse/hetalia fans, other than that I just block freely
BFI - I do have heavy opinions on some ships so if they’re dear to you I recommend not interacting (specifically k.zash.ge/ak.t.uya). Also don’t flirt with me please no matter the age. DO NOT INVOLVE ME IN DISCOURSE. If I have a take I’ll post it myself. I do reclaim faggot/fag sparingly, but if that makes you uncomfortable feel free to just tell me so! Same goes for NSFW jokes, though I only make those around people in my age range :)) I also suspect I have autism, but I do not have a diagnosis. Regardless of whether I am or not, I have trouble interpreting things if they are not directly stated, and trouble articulating myself in general, so please bear with me.
I check the corpse party tag pretty much daily and like almost everything on it, so sorry if that’s annoying LOL
My commissions are not open and probably won’t be for a long while. I’m a minor so accepting payment is difficult. But if you have a doodle idea for a fandom I’m in just shoot it to the inbox.
I promise I’m nice if you get to know me okay… sweats nervously…
pjsk edit side blog- @finsummerlove2 (mostly dead)
go check out @noashiroou you will not regret it okay ^^
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okay, i am deeply sorry, i know a lot of you on this website are not a big fan of kids and children in general but PRETTY PLEASE can we just NOT normalize the “i don’t like/i hate children but i don’t wanna hurt them”? because, that’s not fucking possible, okay? that’s two views you can NOT simultaneously hold.
because, let’s talk for real, the problem isn’t just direct violence — it’s the dehumanization of children, which feeds prejudice against childhood, childism, and adultism. this logic IS NOT neutral, and it’s one of the most sophisticated ways prejudice gets perpetuated.
“not liking/hating children” reinforces the idea that they’re annoying, dramatic, inconvenient... less human — and therefore easier to discard, silence, or sacrifice for adult comfort.
elisabeth young-bruehl defines childism as prejudice against children as a social group, comparable to racism, sexism, and homophobia. it functions like any other -ism: an ideology that legitimizes treating a group as property, as inferior, or as available for exploitation. she also shows that childism isn’t limited to extreme cases of violence — it shows up in a whole range of practices that aren’t in children’s best interest: neglect, underfunding of schools, the abusive use of medication on children…
saying “i don’t like/i hate children” isn’t an innocent preference or just a phrase — it’s literally the biased expression of a worldview that dehumanizes and diminishes this group. that’s exactly what childism is.
young-bruehl emphasizes that adults who practice childism “all rely upon a societal prejudice against children to justify themselves and legitimate their behavior.” [p.1] a lot of people may not consciously “hate” children or raise a hand to hit them — but the prejudice allows them to tolerate structures that harm children on a massive scale (child poverty, incarceration, violence, abuse, exploitation, neglect, etc.).
rebecca adami uses the concept of childism to analyze adult resistance to actually implementing children’s rights: prejudice against children gets translated into laws, policies, and practices that deny basic freedoms and normalize their subordination. just like a racist can say “i don’t want to see black people getting hurt” while supporting policies that harm them — an adult who “hates children” is, in practice, feeding the cultural climate that makes violence against children thinkable, justifiable, or dismissed.
adami also shows that childism helps us understand how children are exposed to “prejudices, negative attitudes and discriminatory structures in society” — and how this connects to the weak implementation of the un convention on the rights of the child.
the old idea that “children are just mini adults” has been challenged by childhood sociology, and children are now recognized as rights-bearing subjects who deserve to be heard and respected in their choices.
claiming it’s “fine to dislike and/or hate children” means refusing them that status — putting them back in the position of nuisance, of “noisy things,” of objects. which is exactly what critical theory identifies as the core of adultism and childism.
madeline lane-mckinley argues we live in a world that is “deeply against children,” where they’re treated as extensions of the family, the state, or capital — not as autonomous people. she also talks about “adult supremacy” and proposes a politics of solidarity with children, understanding them as comrades in the fight for a better future.
lane-mckinley also points out that the figure of the child has historically been weaponized in service of white supremacy, empire, and political projects that decide which children deserve protection — and which ones can be abandoned to poverty, war, forced migration.
in other words, discourses of hatred and contempt for children participate in the symbolic economy that makes some children’s lives more exposed to violence.
and finally — in ethical and political terms, there is no way to separate “hating” (or “disliking”) children from passive participation in structures that authorize harm against them.
the only position that’s coherent with children’s rights and with critiques of childism is to let go of that hatred and commit to recognition, listening, and active solidarity.
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Fins back with another banger Tsukasa au. This time akikasa even. I just haven’t drawn that yet ok. Again under the cut GUH
18, he/it, transmasc (cuz I really really love roleplaying tmasc Tsukasa as I mentioned before heh.)
Onto the good stuff!!! I copied my rp submission because I don’t feel like dumbing it down here
Tsukasa is a bold and forward boy, who tends to wear his heart on his sleeve and his pride up front. He makes a point of helping other people and being kind to others, though he regards those who mistreat others with disdain. He is a very expressive person, exaggerating his actions and emotions. He dislikes seeing others in pain, and does his best to make others feel at home with him, which has led many to describe him as gently and even motherly at times.
Tsukasa’s desire to protect forms a shell that he uses to present himself; not purely out of his ideals but out of a need to protect himself from the anxiety of fear and unrest. He fears rejection and the tears of those he loves like nothing else, and throws himself into his care and promises, willing to go to any length to cheer someone up.
Tsukasa often feels lonely, as he tends to never be the first choice: within his family, for his sister, even in his circle of nobles. His parents’ sheltering has left its scar, leaving him both craving for attention and fearing the responsibility that comes with a connection, which he attempts to take in stride and depresses about when failed. He plunges himself into as many activities as possible to alleviate this stress, which strains his already-thin social life even further.
ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ
As a child, Tsukasa was heavily protected by his wealthy noble family. He was the sole heir to the family’s fortune for a while, and when his sister came along, he would be deemed head of the family upon their passing. Because of this, they aimed to keep the boy innocent; he was plunged into studies and play and taught never to leave the home. As strict parenting tends to produce, Tsukasa became equally tricky, and would often sneak out during his free time to spy on other mermaids and attempt to join in on their fun. He would also explore ruins and other structures, finding jewels, pearls, and relics of another land, one unknown to him- humans.
One day, Tsukasa’s curiosity gets the better of him: he is ushered into his chamber by his mother, who locks the door behind him, warning him to stay put. Danger, she told him; Tsukasa did not believe her (for good reason, he would tell himself; they lied about everything anyway, why trust?) and swam to the surface to take a peek at the so called hazard. There, above the surface, was a massive fish- a fish made of wood, cutting through the water like a knife through butter. Gaping, the young noble boy edged closer, till his gaze was able to make out the blur above the ocean.
A large net is cast, and Tsukasa spots fish heading towards it; bait. It’s not difficult to understand- these must be fishermen. Tsukasa rushes forth to shoo the fish away, and in the process, the wires of the net close around him, snapping into place and dragging the frightened mermaid above. It quickly becomes clear that he’s handling no ordinary fishermen- they don dark hats and expensive jewelry, swords hanging in their belts and potbellies hanging out their blouses. Pirates.
Tsukasa spends his days captive under the deck of the ship, quivering in the cool, brackish water provided to keep his tail in pristine condition. They feed him much more than he would expect as a prisoner, but the food makes him squirm; staring down the dead eyes of creatures he knows, their loved ones, he’s unable to take a single bite. Due to his inability to cooperate, or communicate for that matter, the pirates deem him to be useless; and make plans to dock and sell the noble the following morning.
But then, in the night- a young boy, no older than Tsukasa himself, enters his holding cell. The shock of ginger hair is his strongest memory in the dark of the room, and he can recall how thin arms helped to carry him out of the dirty encasement, and clumsily tossing him overboard to his freedom. Tsukasa swims away as quickly as he can, away from the wretched crew, desperate to claim his freedom; and in this eager dash, he only catches a glimpse of his young savior’s face before vanishing into the depths once and for all…
ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ
ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤ
The midday sun beats harshly down on the beach, scalding the soft sand. On the shore, there’s a splash, and emerging from the sea, Tsukasa peeks around. The mermaid props himself up on a flat stone, shaking his wet hair to allow the strands to lose their hold of water. He’s enjoying the heat; summer days stay for long, but after the harsh winter of last year, he’s learnt to take advantage of these small joys while possible.
His plan for today is simple: the humans who live on this coast seem to take great pleasure in disposing of their trash in the waters, and Tsukasa has taken it upon himself to do what he can to protect the marine life. Regrettably abandoning his basking, he slips back into the cool water and swims towards his destination, not far off. To his displeasure, it seems to be a lot today- including some sort of ink bottle… how careless!
As the boy works ceaselessly (well, not quite; the occasional shiny bit distracts him from his well-meaning endeavor) to remove the garbage, he locates a soft glimmer from under piles of rubbish. Slipping his wet hands inside, he retrieves a bruised and broken string of pearls, catching the afternoon sunlight wonderfully. Admiring it in soft awe, Tsukasa turns each over in his palm, and sits on the sand, carefully seaming the string through each hole yet again. With a little more exploring, he’s able to find a clasp, and attaches it gingerly.
he admires his ‘creation’ with a newfound pride, and just as he deems it finished, a sputter comes from under the water. Looking on in alarm, he spots a small guppy choking on the inky water, and rushes to its aid- though first, clipping the pearls tenderly around his waist before embarking.
ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤㅤㅤ
I’ll post some more art of him tomorrow+draw and write out akito’s lore for this later but I hope it’s interesting…
Tsukasa for a roleplay server on discord,,, I’ll put the details of the au I made below in case anyone wants to read
Server premise is simple: Victorian England, there’s a big haunted manor and we’re pretty much crowding the cast inside (though they enter through various ways). Some are ghosts, some are monsters, some are humans, Tsukasa is a human.
simple info- made him transmasc (I love writing him transmasc nobody can stop me), bi, he/it etc. his likes are sweet foods, praise, caring for others; and his dislikes are criticism & orders, excessive formalities and self care.
his personality is relatively the same, though he’s not really oriented on improving himself in any way. I’ll just write the backstory and hopefully that clears it up))
As a child, Tsukasa’s younger sister, Saki, was chronically ill, often spending long periods of time bedridden. His parents as a result spent very little time with or on him, having to work to provide for her, and he grew up fairly neglected, whether it be on good or ill will. He took care of her during the days, limiting his education greatly, and he never graduated from any level. Filled with love and hope for his sister and her future, he vowed to protect her, determined to make her smile. He dreamt of healing saki, and prayed often to whatever god he could to save her, wishing that someone would hear his pleas. As they remained unanswered, his faith dwindled into spite for gods and the idea of magic itself, believing that if it did really exist, it must be nothing but demons who enjoyed toying with his family.
As he grew older, it became apparent that the Tenma parents were unable to hold the family together financially due to their older age, and Tsukasa set out to find work to provide for them. Due to his limited education, he was forced to take up odd jobs and unskilled labor, which was often too dangerous for him to undertake. After an accident as a chimney sweep broke his right leg, he was unable to continue this heavy labor, and once again went searching. His search yielded a job posting: exorcist. The pay was high, and it was advertised as high-risk, but due to his lack of belief, Tsukasa figured it would be quick and easy cash, and signed up.
he was assigned to an exorcism job in an old manor upon being hired, and went with confidence. His priest’s robes, lined in silver, were meant to protect him; but he cast them aside upon reaching the site of the manor, lest he be embarrassed by his (personally deemed,) feminine garb. It seems that this was his biggest mistake, as the ghosts were able to attack him…
I’m considering making this into some sort of fic (still unsure of what but im leaning tkrui over akks or nnks) but knowing my motives that will NEVER get done LMAO
This was the general moodboard for his clothes but I’ll get a better idea of it and maybe make a ref later… he also lowkey has that kasa6 cut…
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Problematic because: "oh great, the haunted murder school also has a normal human murderer in it. he’s trapped in heavenly host like everyone else, but instead of just trying to survive, he starts killing his classmates himself and basically decides it doesn’t matter because the school was probably going to kill them anyway. he tricks yuka, who is much younger and just trying to find her brother, into trusting him, gets weirdly fixated on her as a “little sister,” and then eventually chases her down with a knife. he kills kensuke (his childhood friend), attacks other classmates across different routes/chapters, has a history of harming animals, and generally treats the whole situation like permission to finally stop pretending he’s normal. terrible boy. great horror character."
Propaganda: "imagine being trapped in a cursed school full of ghosts and somehow still being one of the biggest red flags in the building. that takes talent. everyone else is crying, panicking, trying to find their friends, and he’s apparently treating it like his villain audition finally opened. horrible vibes, deeply unsafe, should not be left unsupervised with a butter knife, but absolutely memorable. corpse party needed a human nightmare and unfortunately he clocked in for the shift."
vs. Lady Macbeth (Macbeth)
Problematic because: "murder regicide treason etc etc"
Propaganda: "this is the Lady Macbeth website, I don't think I gotta justify this"
Who should advance?
Yuuya Kizami
Lady Macbeth
Voting ended onJun 9
(Disclaimer: All text above was sent in by submitters and not written by OP.)
so we all know and love the (basically atp) canon t4c mizuena. but. i've come here to spread the t4c rui x tsukasa agenda. drabbles of my AU of them below the cut ^w^ this isn't supposed to be like. well written. it's just me yapping about the storyline of the AU really. i should really turn this into a fic
rui and tsukasa are best friends in middle school. they both pretty much only have each other, since everyone else judges them. rui knows that he's trans, however he's not out yet. tsukasa is oblivious. rui will often complain to him about his uniform and everything that comes with being born female, but tsukasa still doesn't work out that rui is transmasc. rui is scared to come out to him, even if he knows he really doesn't need to be.
the last day of middle school arrives. rui had developed a "crush" (it was more than a mere crush) on tsukasa, and decided to take the leap and tell him. he thought that if they loved each other, tsukasa would be more likely to accept him... however, rui is turned down as, while tsukasa does love him, he doesn't think he loves him that way since he comes out as gay, which obviously hurts rui as it's a reminder that tsukasa sees him as a girl (due to being oblivious to rui being trans). after that, rui feels very much hurt and scared, and he impulsively cuts off all contact with tsukasa altogether.
middle school is now over. rui comes home distraught, and ends up coming out to his parents. the kamishiro parents being as peak as they are, accept him wholeheartedly, and during the break, work on helping rui transition. they get his hair cut, take him out shopping for a new wardrobe, apply for him to get on HRT... everything.
once he returns back to highschool, he is now presenting far more masculine, and he starts T during highschool. him and tsukasa go to different highschools, so rui is still very lonely. people tend to avoid him since he's known to be trans. i was thinking maybe mizuki goes to the same highschool and they become friends though? nene too maybe (they're still childhood friends though ofc)
by the time highschool is over, rui is pretty much completely transitioned and now passes as a cis man. he's also grown to be very tall since he took T while he was still growing.
rui is now starting college. he moves into a college dorm, and the first day he arrives, he finds that his roommate is... none other than tsukasa. he's quite taken aback by this, obviously, but he's actually very glad about this. he missed tsukasa a lot while they lost contact, and his love for him never went away. but now, they had happened to be reunited!! tsukasa, being as oblivious as he is, initially asks the other boy if he knew anyone called rui, thinking this man was a secret brother. rui replies saying how he did know a rui, because he was rui. tsukasa is confused for a moment until... he finally connects the dots right there and then when he spots the a pin of the trans flag on rui's bag. he feels a wave of guilt at all those times he had misgendered rui, but he dismisses it and instead rushes forward to hug the other, simply happy to be able to see him again. i think i'll go more in detail with this if i were to write this scene up...
so, the two are best friends again, and also now living together. however, tsukasa now realises the fact that his love for rui wasn't so platonic after all. the two of them hopelessly pine after each other like the gay idiots they are for a short while until tsukasa finally goes to ask rui if he still held feelings for him after all this time. after some hesitation, rui replies that he does in fact still love him that way, and tsukasa in turn confesses his own newfound love. and the two of them live happily ever after :D
again. this is not supposed to be like an actual piece of writing lmao. just me rambling
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