Günther Domenig & Eilfried Huth [1974] 'architecture transformed into a mutating biological organism’

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Günther Domenig & Eilfried Huth [1974] 'architecture transformed into a mutating biological organism’

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Alphabetized Newspaper by Rutherford Chang
For the past ten years, every January was the same. I compiled a year of data and designed an Annual Report. In January 2016 the cycle…
Dylan Mason - Everyday
A composite self-portrait merges 5 years of selfies into a single image using a vertical slice from every day. Additional images use slices and median blending techniques to convey individual years between 2011 and 2016.
Mike Kelly - Airportraits
Mike Kelly has expanded his composite LAX photo into a series of “Airportraits” of flight patterns from around the world.

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Income Inequality in Chicago by Herwig Scherabon
These images are abstract diagrams of cities and show a high resolution matrix of blocks. The height of these blocks corresponds to the income in the respective output area. The resolution of the grid is smaller than the actual census tracts, in order to retain the visual footprint of the city’s street-grid.
Fabian Oefner - Millefiori
The shapes you see in these image are only about the size of a thumbnail. They are created with the aid of a very peculiar material: ferrofluid. This liquid has a very unique property. It is magnetic, caused by the millions nano iron particles in it. When put under a magnetic field, the particles in the solution start to rearrange due to the attraction and repulsion of iron. If now water colors are added to the ferrofluid, the pop-art looking structures start to appear, forming into black channels and tiny ponds filled with rainbow colored surfaces. The reason why the black ferrofluid and the water colors don’t mix is that ferrofluid is, just like oil, hydrophobic. It therefore doesn’t mix with the water colors. At the same time it is held in position by the magnet underneath it. So it tries to find a way around the water colors and therefore forms these black channels.
Xavi Bo - Ornitographies
Xavi Bou focuses on birds, his great passion, in order to capture in a single time frame, the shapes they generate when flying, making visible the invisible.
Unlike other motion analysis which preceded it, Ornitographies moves away from the scientific approach of chronophotography used by photographers like Eadweard Muybridge and Etienne-Jules Marey.
Tobias Zimmer - Waves^3
Anders Hoff

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Greg McNevin - Nuclear Legacy
In the aftermath of the Chernobyl and Fukushima nuclear disasters, millions were displaced, and once bustling communities became husks of their past selves. While the emptiness of these places is plain to see, radiation, the reason why so many choose not to return to areas declared safe by authorities, is invisible.
In areas of Russia and Japan that have been decontaminated by the government, allowing for people to move back, life has tried to continue but evidence of radiation remains.
Greg McNevin, a photographer working with the environmental group Greenpeace, set out to visualize the radiation that persists in many of these areas. The resulting project juxtaposes radiation data onto long exposure photographs from the affected regions.
ship map
My commentary on the intersection of photography and dataviz is now a book from Gestalten! PhotoViz is a collection of people and projects using photography to visualize information more powerfully and compactly than ever: a full day of flights all at once, invisible Wi-Fi networks, global trade, intimate psychology, movement, time itself, and more… The book is available from Amazon and Gestalten now.
Carmen Santa-Cruz
Biotopos. Rehabilitando las Huellas de la minería Dispositivos para la evolución de nuevos biotopos en paisajes transformados.
Daniel Zeller, 2007

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Inception ala Istanbul, Aydın Büyüktaş