Kimberly J. Lau, Erotic Infidelities: Love and Enchantment in Angela Carter’s The Bloody Chamber
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Kimberly J. Lau, Erotic Infidelities: Love and Enchantment in Angela Carter’s The Bloody Chamber

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"Could we just. . . stay like this for a little while?"
Josette Day - Beauty and the Beast (1946)
Cronos (1992) dir. Guillermo Del Toro cine. Guillermo Navarro
That’s drab

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The Assistant Pig-Keeper.
The Secret of NIMH, 1982
my first yuri propaganda™
Laura and her vampire, from the Carmilla Illuminated Edition, by hirosemaryhello

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Giselle
Widow's Bay 1.06 "Our History"
“Magic in Clarke’s novel is synonymous or inseparable from the living force of the natural world. It doesn’t seek to refuse reality or deny history. Instead magic functions as a radical rejection of stasis and separateness, a dissolving of borders not just on the level of nations but on the level of individual consciousness. When Drawlight is swallowed up by the enchanted wood, Clarke writes: “The trees, the stones and the earth had taken him inside themselves, but in their shape it was possible still to discern something of the man he had once been.” This is the darker side of Clarke’s vision of interlinkedness, an eco-consciousness that is all-consuming, vengeful even, rather than benevolent. But even this ambiguous force carries with it a kind of hope: Drawlight’s devouring represents a world where humans function as part of nature rather than stand outside of it. He is able to live  “inside” the world while still retaining “something of the man he had once been.” In her depiction of magic, Clarke reintegrates the human into the natural.”
A Candle Burning: Nation and The Agency of Nature in Fantasy, Caroline Shea
The Devil's Backbone (Guillermo del Toro , 2001)

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Put them back in the house and start the fire all over again
Chapter 12 of The Beast at Crosswood Hall.
Where Wednesday discovers fear.
The Beast at Crosswood Hall (42680 words) by fallingtrees Chapters: 12/? Fandom: Wednesday (TV 2022) Rating: Mature
Excerpt:
So much had happened in the last few weeks. As an Addams, Wednesday was well accustomed to strange endeavours and unsettling events, but the kind she had been experiencing since Galpin arrived in her life were unnerving in an unfamiliar way. She had come to admit, to herself alone, that she carried an attraction for him, one that went deeper than pure intellect or aesthetics. In the moments they had been alone together, she had felt the weight of her own desire, and a desire she had never expected to possess. She wanted to know him, and fully; to peel back the layers of his persona, and see him, without the boundaries placed upon them by society, and she actually wanted him to see her as well.
Even though she had walked this path countless times before, the walk back from Mrs. Kinbott’s felt new in Wednesday’s eyes. She usually found the pastoral scenery tedious, but she felt a new found appreciation for it today. This was the world she was leaving behind, finally. She imagined herself on the precipice of a new kind of womanhood, one where she was awake to her sensual desires, and once she crossed that certain threshold, there would be no going back.
Wednesday was pulled from her reverie by one of her favorite sounds; bloodcurdling screams. The shrieking came from the direction of the village, and Wednesday took off at a run, all thoughts of carnal acts eclipsed by what she hoped was a bloody, gory mess.