Chuang Zhao is pretty much the artist who reconstructs the Chinese dinosaurs these days. His works have a vague semblance to the art of Luis Rey and Julius Csotonyi in their use of photocomposition to create colourful and ultrarealistic artwork. Recent reconstructions include Huanansaurus, Qianzhousaurus, and Ikrandraco.
Zhenyuanlong suni _is a new large basal microraptorian dromaeosaurid theropod from the Early Cretaceous Jehol Biota of China. Its extensive preservation of feathers on various parts of its body, combined with a strange short-armed physique, reveal new insights about microraptorian evolution. The discovery of _Zhenyuanlong revives the debate of whether feathers evolved for flight or display, and increases homoplasy amongst Liaoning dromaeosaurs.
**Wing Structure. **Whilst _Zhenyuanlong _had a complicated arrangement of primaries, secondaries, coverts, and retrices, here the feathers on the arm are represented as a simple fan.
**Pronation. **Even though this isn’t Jurassic Park Velociraptor-like full on bendy wrist pronation, this posture is still unlikely and will cause wrist breakage.
**Leg Feathers. **Here Zhenyuanlong is depicted with vestigial _Microraptor-_like hindlimb feathers, whereas the actual fossil lacks any feathers around the hindlimbs. This may be a taphonomic artifact, but speculation isn’t a good way to go for a reconstruction.
**Shrinkwrapping. **It may be a matter of texturing, but the feet of _Zhenyuanlong _are horrendously wrinkled in this reconstruction. This is not that major a problem for the rest of the body.
**Posture. **The right leg is bent at a crude, almost painful angle. This certainly calls into question how the hips of this thing even work.
**Coloration. **Having this flashy coloration may not necessarily be the best choice for an active predator. On the other hand, this may be intended to be for display. In either case, however, the colour is not what we would expect for this animal.
Mostly consisting of valid criticism I do share as well. Here are my two cents:
Wing Structure: My primary criticism. This is especially embarrassing considering the primary and secondary remiges, along with their coverts, are so blatantly obvious and well-preserved on the specimen (and clearly show primary attachments along manual digit 2) that there is no excuse for these mistakes. On top of that, both the paper and the article focus a substantial amount of time on wing structure and its clearly preserved primary feathers that makes seeing a faulty reconstruction with omitted primaries alongside the article mindbogglingly painful.
Pronation: I have to admit that I did not notice this first time around. At a second glance, however, I do see some degree of pronation on the right manus’ posture. This is inconsistent and especially confusing considering the posture of the more easily visible left manus seems to be in order.
Leg Feathers: Here, I have to contradict your criticism. It is true that the specimen featured no preserved filament along its hindlimbs. However, it is important to note that the hindlimbs were part of the second, non-feather-bearing slab that was completely absent of any filament impressions. If you take a second look at the fossil with the slabs in mind, you can see that the preserved feather imprints of the rectrices and secondary remiges suddenly stop along the edges in transition to slab 2. To help locating the slabs, here is a quick image I prepared that visualize the three main slabs: This is also mentioned in the paper: "However, it must be noted that the hindlimbs are part of the second major piece of the slab and no feathers are visible on this piece, whereas numerous feathers are seen on pieces one and three. The lack of feathers on the second piece could be an artifact of taphonomy or have been erased during preparation. Therefore, it cannot be totally ruled out that hindlimb feathers were present in life." (Lü & Brusatte, 2015) That said, please note that I am not saying that Zhenyuanlong definitely had hindlimb feathers: I am merely emphasizing that there is a definite possibility and reconstructions that render Zhenyuanlong with present hindlimb feathers aren't automatically to be considered faulty.
Shrinkwrapping: I agree. Although, compared to most other points of criticism regarding this particular reconstruction, this seems to be a mere minor nitpick. However, I do remember somebody commenting on the texture of the feet in this reconstruction, saying how they appear as if they were made out of rotten wood, which I found to be mildly amusing.
Posture: Most of the anatomy of the right leg is obscured by the wing, which makes it difficult to tell.
Coloration: The wide variety of different feather patterns do make it appear as if the artist too eagerly tried to incorporate colors and patterns from as many extant birds as he could without any thought or structured coherence put behind the choices. The results are a busy mess of clashing colors that feel straining to the eye.