██ ﹙ 𝕯. ﹚ INDIE MATT "𝔻AREDEVIL" MURDOCK. [ ﹙canon - divergent ﹠. comic based﹚ ] ▃▃ ‘‘ GOD LOVES YOU ... BUT NOT ENOUGH TO SAVE YOU. ’’
written by cec[e]ilia . this is a 21+ only space . links to be dated . ⋆ jason todd [ ﹙main blog﹚ ].
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@fauxdeiu
██ ﹙ 𝕯. ﹚ INDIE MATT "𝔻AREDEVIL" MURDOCK. [ ﹙canon - divergent ﹠. comic based﹚ ] ▃▃ ‘‘ GOD LOVES YOU ... BUT NOT ENOUGH TO SAVE YOU. ’’
written by cec[e]ilia . this is a 21+ only space . links to be dated . ⋆ jason todd [ ﹙main blog﹚ ].

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WILL HE FORGIVE ME .ᐣ FOR EVERYTHING ﹠ NOTHING .ᐣ ──── he already has. red hood ( reknight ) , daredevil ( fauxdeiu ).
┕ Matt Murdock in Daredevil #95 (2007).
oh so the loss is holy? and it feels like this forever?
“I have a feeling we’re about to become acquainted whether we like it or not.”
﹙ 𝕯. ﹚ prompt. [ @ioracle ] ▃▃ ‘‘ FIRST MEETING SENTENCE STARTERS. ’’
( something's not right about what i'm doing ──── what i've done ) heartbeats rhythm unsteady like she's grown a pair of sharp teeth in the time it took for him to arrive ( it's too loud, this place, louder than manhattan ... ); thumping raw flesh trying to gnaw her way out the cavern of his chest, she's to rest 'till death does her part amongst the smog - covered sidewalks of gotham. she is a city like the place in which he came, hell's kitchen her unholy twin, god's favorite test subjects for unwavering devotion & one's personal response to sin. ( i can smell burning popped tires. too many conversations happening at once. static nearby, white noise, strong, thick perfume ) he carries the weight of his guilt on leather - clad shoulders, having sweat linger under the mask that shields ghost - hued pupils from others unknowing eyes. he's heard about this place a time too many, rumors that echoed through train - lines & telephone booths, & it was only his bitter, soot - covered arrival that had him understand fully the reason why many here stop looking for god & instead find their faith through inciting bullet wounds & thrown fists.
❛ I have a feeling we’re about to become acquainted whether we like it or not. ❜
voice is familiar, the way a woman's pre - recorded voice on a call line is. yet it is still an unwelcomed addition to the throbbing headache forming between his ears. he's heard her amidst the ruins & chaos, beyond the screams of young children & women desperate to find shelter within darkness. there was malevolent laughter, electricity ignited in nearby puddles, & yet her voice, despite it all. he hadn't known her name, hadn't asked for it between then and now, & didn't care for a second too many. he faces her when the words trail off & all that lingers is smoke and bile. ❛ although correct, this is not something i necessarily care for at the moment, miss. ❜ he senses a shift in her own heart; he hadn't meant anything by it, no malice or ill - will. foggy could attest to this, had he been here. ❛ make me as familiar with your name as your voice .ᐣ ❜

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first meeting sentence starters.
send one to have our muses meet for the first time.
“Sorry, were you just talking to me?”
“I think you dropped this.”
“You look lost. Need some help?”
“I don’t usually talk to strangers, but…”
“You’re sitting in my spot.”
“Whoa! Careful!”
“We’ve never met, right? You seem familiar.”
“Is that seat taken?”
“Sorry, I think I just spilled something on you.”
“You’re blocking the doorway.”
“Were you just staring at me?”
“Excuse me, do you know the time?”
“Wait — are you the person I’m supposed to meet?”
“I’ve been sent to find you.”
“Please don’t be alarmed, but I think we have the same bag.”
“Do you work here?”
“I’m fairly certain that’s mine.”
“You’ve got something on your face.”
“Sorry, I thought you were someone else.”
“Do you know the way to ___?”
“You’re hurt. Do you need help?”
“That’s a fine ___ (cloak/hat/book/etc.). Where did you get it?”
“This might sound strange, but can I hide behind you for a moment?”
“You look like you could use a friend.”
“I think your dog just stole my lunch.”
“Hey, you dropped your coin purse.”
“I think we’re stuck in here together.”
“Sorry, I didn’t mean to overhear, but…”
“Are you the new neighbor?”
“First time in town?”
“I’m not sure if this belongs to you, but…”
“You look like you’ve seen a ghost.”
“I’ve been hearing a lot about you.”
“Do you mind if I join you?”
“I think you’re in the wrong place.”
“You seem… out of place.”
“Don’t take this the wrong way, but are you following me?”
“That was a close call.”
“Not to alarm you, but someone’s watching you.”
“Mind if I walk with you?”
“You look like you’re in trouble.”
“Was that your doing back there?”
“You don’t look like you’re from around here.”
“That was impressive. How’d you manage it?”
“I’m guessing you’re not here by accident.”
“Do I want to know what just happened?”
“You might want to keep your voice down.”
“Is it always this strange around here?”
“I have a feeling we’re about to become acquainted whether we like it or not.”
“Looks like we’re in this together now.”
「 RP MEME : NONVERBAL PROMPTS. mix of violent, caring, touching and non-touching prompts. 」 SEND PROMPT '+ REVERSE' for the inverse to happen. for example 'bandage + reverse' for the receiver to bandage wounds on the sender.
[ BANDAGE ] : sender bandages a wound on receiver.
[ GUIDE ] : sender puts a hand on he receiver's back to guide them somewhere.
[ WAVE ]: sender waves down receiver to get their attention.
[ SIGN ]: sender raises their hand to sign to receiver. what follows can be anything the sender desires.
[ LIFT ]: sender lifts receiver's chin to look at them.
[ LIGHT ]: sender lights receiver's cigarette/candle/etc.
[ FIND ] : sender finds receiver beaten and/or bloodied.
[ PIN ]: sender pins receiver against the wall during combat/sparring.
[ GET DOWN ]: sender tackles receiver out of the way of danger.
[ TAKE ]: sender takes a hit meant for receiver.
[ CAUGHT ]: sender finds receiver somewhere they aren't supposed to be.
[ TRAP ]: sender traps the receiver somewhere they don't want to be.
[ DARLING ]: sender touches receiver's cheek.
[ SNATCH ]: sender snatches receiver's wrist as they turn to go.
[ STAB ]: sender stabs receiver.
[ DRAG ]: sender drags receiver from point a to point b.
[ SIT ]: sender sits on receiver's lap.
[ EN GARDE ]: sender and receiver get into some kind of fight.
[ DRUNK ]: sender finds receiver drunk.
[ BLOOD ]: sender walks into receiver's room covered in blood.
[ FLOWER ]: sender offers a flower to receiver.
[ HOLD ]: sender reaches to hold receiver's hand.
[ BRUSH ]: sender brushes a strand of hair out of receiver's face.
[ NOTE: ] sender writes a note for receiver. the contents are whatever the sender decides.
[ EYES ]: sender notices receiver looking at them.
[ STOP ]: sender raises hand to signal the receiver to stop in place.
[ TAP ]: sender taps receiver on the shoulder to get their attention.
[ WAKE ]: sender gently wakes receiver from a nap or otherwise.
[ MORNING AFTER ]: sender and receiver wake up together for the first time after a night of passion.
[ BLANKET ]: sender drapes a blanket over receiver's shoulders.
[ HUDDLE ]: sender and receiver huddle together in an effort to stay warm.
[ TUG ]: sender pulls receiver away from them.
[ PUSH ]: sender pushes receiver away from them.
[ BULLET ]: sender shoots receiver in a non-lethal area.
matt's faith is so intriguing to me and something i'm excited to explore in later threads. this idea that guilt lives within him no matter what he may do, if it's morally good or morally grey, because he feel like he can't appease god the way he should. where he knows he's doing the right thing but his sins are overriding his thoughts; any mistakes he makes, either as matt or as daredevil, completely starting him over from the beginning. his mind constantly plagued with memories of his mistakes, making him feel like the worst sinner new york has to offer. these thoughts taunt and tease him endlessly, he's always suffering, looking for an outlet for his overwhelming emotions. he sits in front of priests and confesses, finds solstice in prayer hands and reciting scripture; remembering his father and all the wisdom he gave matt before his death, and yet he still goes out into the night, as a devil, using his fists the way he was told not. shakes.
sigh. he's so troubled.
matt's faith is so intriguing to me and something i'm excited to explore in later threads. this idea that guilt lives within him no matter what he may do, if it's morally good or morally grey, because he feel like he can't appease god the way he should. where he knows he's doing the right thing but his sins are overriding his thoughts; any mistakes he makes, either as matt or as daredevil, completely starting him over from the beginning. his mind constantly plagued with memories of his mistakes, making him feel like the worst sinner new york has to offer. these thoughts taunt and tease him endlessly, he's always suffering, looking for an outlet for his overwhelming emotions. he sits in front of priests and confesses, finds solstice in prayer hands and reciting scripture; remembering his father and all the wisdom he gave matt before his death, and yet he still goes out into the night, as a devil, using his fists the way he was told not. shakes.
Midnight Mass Book IV: Lamentations

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are you free tonight? im outside ur window
jesus, bruce. buy a guy a beer first
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