TW: SA // Sexual assault

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@fareesness
TW: SA // Sexual assault

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Me: What the fuck. David Corenswet is Superman. The guy who built Star Wars Legos with my brother when they were 14. I knew he had an acting career, he did theater and commercials back then and he was in some Netflix stuff, but Superman?
Husband: congratulations, you are having the authentic experience of being Clark Kent's coworker
made these 🫣
CM Punk + Seth Rollins’ jacket

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JOHN CENA & CM PUNK WWE Elimination Chamber, March 1st, 2025
punk is so horny right now
He's him.
SUNSET BOULEVARD (1950) dir. Billy Wilder
Great stars have great pride. SUNSET BOULEVARD (1950) Dir. Billy Wilder
Last night movie :
Double Indemnity - Billy Wilder (1944)

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JAMES STEWART and JEAN ARTHUR in MR. SMITH GOES TO WASHINGTON (1939) | dir. Frank Capra
sorry but can we please accept that human beings are not particularly sexually dimorphic or do i have to live in the culture war until i fucking die
Coal miner's child using a hole in the door to enter a bedroom with a smoking pipe in one hand and a gun in the other in Bertha Hill, West Virginia. Photo by Marion Post Wolcott. 1938
James Stewart and Ginger Rogers in Vivacious Lady (1938)
Aaron Taylor-Johnson as Count Vronsky
ANNA KARENINA (2012) dir. Joe Wright

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the thing is the king charles portrait is genuinely incredible and exactly how I would execute a portrait of a member of the british royal family but also I literally cannot fathom why the british royal family would have it made
like yeah if I were going to make a portrait of king charles I would absolutely have just his smugly smirking face leering out of a mass of red that could only be read as blood and gore, and have his military uniform fading ambiguously into the same background to lay bare the brutality of imperialism concealed by the pomp and ceremony of the british state, and make the entire thing sort of look like it was decaying to indicate the rot of the empire. like I really struggle to imagine a better visual metaphor for the nightmarish history of a dying empire than the king's spiffy military uniform and saber and sash and rows of epaulets being literally made out of a rotting field of blood and gore. but like why did he have it commissioned... why did he have it MADE and then say Looks great I'm putting it on the wall... HE EVEN LOOKS LIKE HE'S IN HELL
For those that have not seen it yet ^
It really is such a fantastic yet baffling piece of art and i think people, mainly art historians, are going to be talking about this for decades, maybe even centuries… but I also suspect that may also be the point in a piece such as this.
I cannot wait for when this portrait becomes a truly banging cover for some penguin/nyrb classic in 10 years
Adding Vanity Fair to the list of classic literature that I have avoided for far too long, because everyone talked about the serious parts and neglected to mention that it was hilarious.
Why was everyone telling me about Becky Sharpe, the scandalous and shocking anti-heroine (yuck), and never once mentioning the narrator who goes off on wonderfully absurd meta-tangents about the novel's structure and characters? It would be like talking about Wodehouse as if it were all from the POV of one of the scheming antagonists and failing to mention the wide cast of absurd characters and the quirky narration. Why does this kind of thing always happen with British literature specifically? Please let me know when books are funny, I'm begging you.
I started reading vanity fair bc of comparisons to Tolstoy and, honestly, O don't see it. REGARDLESS, what an entertaining book.