RMH
Today's Document
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pixel skylines
AnasAbdin
taylor price
#extradirty
d e v o n
art blog(derogatory)
macklin celebrini has autism
trying on a metaphor
Cosmic Funnies
titsay
styofa doing anything
h
hello vonnie
occasionally subtle
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
seen from Brazil
seen from India
seen from United Kingdom
seen from Germany
seen from Saudi Arabia
seen from South Africa
seen from United Kingdom
seen from Germany
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seen from United States
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seen from United States
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seen from United States
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@farahhaddad
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Paul Jones (Australian 1921-1997), Rose, 1985.
date a forest god who will ask friendly nymphs to adorn you with their woodland flowers
Artwork Copyright © Tyler Spangler
Shop: ShopTylerSpangler.com
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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𝙵𝚎𝚋𝚛𝚞𝚊𝚛𝚢 𝟸𝟻, 𝟷𝟿𝟷𝟸 𝚃𝚑𝚎 𝙳𝚒𝚊𝚛𝚒𝚎𝚜 𝙾𝚏 𝙵𝚛𝚊𝚗𝚣 𝙺𝚊𝚏𝚔𝚊, 𝟷𝟿𝟷𝟶-𝟷𝟿𝟷𝟹
The Complete Poems of Emily Dickinson: ‘1079′ c. 1866
[ID: The Earth and I, alone,]
Les Élégances parisiennes : publication officielle des industries françaises de la mode - 1917 - via Gallica
Kenrei Mon-In Ukyō No Daibu, tr. by Kenneth Rexroth, from Written on the Sky; Poems from the Japanese
Gail White, from Sonnets in a Hostile World; “Non Carpe Diem,” published c. August 2011
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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PRIDE & PREJUDICE (2005) dir.: Joe Wright
Euripides, tr. by Anne Carson, Grief Lessons: Four Plays by Euripides
e.e. cummings, from “i have seen her a stealthily frail” (in Chimneys), Complete Poems: 1904-1962
[Text ID: “the moon is like a floating silver hell”]
@marinamalinovaya
e.e. cummings, from “[i like my body when it is with your body]” (excerpt from & [And]), Complete Poems: 1904-1962
[Text ID: “i like my body when it is with your body. It is so quite a new thing. Muscles better and nerves more. i like your body. i like what it does, i like its hows. i like to feel the spine of your body and its bones,and the trembling -firm-smooth ness and which i will again and again and again kiss, i like kissing this and that of you, i like,slowly stroking the,shocking fuzz of your electric fur,and what-is-it comes over parting flesh … And eyes big love-crumbs,
and possibly i like the thrill
of under me you so quite new”
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Mattilda Bernstein Sycamore, “On Writing On Your Own Terms”
[Text ID: “But access is not enough—it’s not the same thing as structural change. Tokenism is not transformation. As soon as they let you in, they want you to become a gatekeeper, and as soon as you become a gatekeeper, you’re keeping people out.
When we hoard knowledge or guard access, this damages the potential for structural change. And, honestly, I think it damages our work too, because it keeps it from growing in all directions. It keeps us from trusting one another.”]
Mattilda Bernstein Sycamore, “On Writing On Your Own Terms”
[Text ID: “I mean I’m writing to remember. I’m writing to remember. I’m writing to remember.
But also I’m writing to challenge memory. We’re back to the gaps, the places where language stops. Let me in.”]
