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❣ Chile in a Photography ❣

Love Begins
Cosimo Galluzzi
trying on a metaphor

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@extraloved

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Groundbreaking drawing of nerve cells by Camillo Golgi using his innovative process of making single nerve cells visible by staining them black with silver. Detail.
Sulla fina anatomia degli organi centrali del sistema nervoso. Camillo Golgi. 1886.
Internet Archive
Lorenzo Salgado Araujo's Memorial Houston, Texas July 8th 2026
Protesting American policy in Somalia. American Embassy, London. 2007

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[ID: Two black and white photos of Kwame Ture/Stokely Carmichael, a young Black man, saying into a microphone with a sardonic expression, "In order for non-violence to work, your opponent must have a conscience. The United States has none, has none." End ID.]
white flag by lucia gallipoli

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Protesting American policy in Somalia. American Embassy, London. 2007
June Jordan, "Intifada Incantation: Poem #8 for b.b.L.", Directed by Desire: The Complete Poems of June Jordan
rest in peace SOPHIE <\3
JACKSON HOLBERT

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Since its U.S. debut almost fifty years ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is a
Para descargar el libro clic en la columna derecha en la fila 'PDF'
White Americans ... are terrified of sensuality and do not any longer understand it. The word “sensual” is not intended to bring to mind quivering dusky maidens or priapic black studs. I am referring to something much simpler and much less fanciful. To be sensual, I think, is to respect and rejoice in the force of life, of life itself, and to be present in all that one does, from the effort of loving to the breaking of bread. ... Something very sinister happens to the people of a country when they begin to distrust their own reactions as deeply as they do here, and become as joyless as they have become. It is this individual uncertainty on the part of white American men and women, this inability to renew themselves at the fountain of their own lives, that makes the discussion, let alone elucidation, of any conundrum—that is, any reality—so supremely difficult. The person who distrusts himself has no touchstone for reality—for this touchstone can be only oneself. Such a person interposes between himself and reality nothing less than a labyrinth of attitudes. And these attitudes, furthermore, though the person is usually unaware of it (is unaware of so much!), are historical and public attitudes. They do not relate to the present any more than they relate to the person.
--James Baldwin, The Fire Next Time, 1963