Contemporary Broadway Leading Ladies + Name Etymology

⣠Chile in a Photography ā£
Keni

JVL
"I'm Dorothy Gale from Kansas"
Three Goblin Art

Product Placement
art blog(derogatory)
noise dept.
styofa doing anything
trying on a metaphor

@theartofmadeline
todays bird

tannertan36

ē„ę„ / Permanent Vacation
Cosmic Funnies

Kiana Khansmith
Misplaced Lens Cap
Show & Tell

ā
Stranger Things

seen from United States
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seen from Germany

seen from Malaysia
seen from Malaysia
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seen from Ireland

seen from Vietnam

seen from United States
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seen from Ireland

seen from Singapore
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seen from Türkiye
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seen from Chile
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@exit-upstage-left
Contemporary Broadway Leading Ladies + Name Etymology

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wait I have anotherĀ āscaryā story thatās actually just something else inexplicable that was tbh pretty sweet
I grew up a theatre kid (shocking no one) and was involved pretty much year-round in any show our old community theatre put on from ages 7-18. The spring musical was always the Big Show, and I only acted in them. The rest of the year I played techie for the various kidsā show, Christmas pageants, etc. Usually I ran a spotlight.
The theatre was (and still is) very old and very big. Every room seemed endless, always with a door in the back leading to a closet with another, smaller door leading into some crawl space or shelf nook. Some rooms were extremely cold. Some felt hostile. There was an offshoot from the main costume room full of dresses that felt somehow soĀ āoffā that my friends and I wouldnāt even go into in groups. Mostly though, it was just a big, old building with too many doors.
And too much stuff. Anyone whoās tried to declutter their local theatre knows a pile of miscellaneous props may as well be quicksand. That theatre swallowed more than one pairs of shoes, some toys, homework assignments, hair scrunchies, mascaras, etc. Iād just put something down for a minute, and itād vanish.
In 2010, I was 16 and somehow convinced my dad to buy me an extremely overpriced Owl City hoodie from Hot Topic lmao. Eventually, as clothes tend to do when youāre a teenager, it cycled out of my main wardrobe. I forgot about it for a few years, until I saw a photo of me on facebook wearing it and hanging out backstage. I realized the last time I could remember wearing it was during a spring musical, which meant the the damn theatre ate it up like so many other things. My dad had died since, so I wanted the hoodie back. I decided to search a bit during the next show where I ran one of the spotlights, but I didnāt really expect to see it again.
The theatre has a single balcony. Modern fire escape laws means nobody can sit up there anymore, so itās crew-only. There are 15 rows of old, red-cushioned foldable seats. The back rows are always dark, even with the main house lights up, and they come right up to the edge of the balcony where the spotlights are anchored. Each of the two spotlights has a tall stool for the operator to sit on, but the red seats are close enough behind that I always put my stuff on one to keep it within reach while I worked. Kidsā shows were boring for the crew. I only had one scene to spot. The rest of the show I spent reading, eating snacks, and drawing. Three or four times an act, I turned on my stool to the red seat behind me to switch out entertainments.
One night, I arrived a little early and decided to search for my hoodie. I showed the photo of me in it to the stage manager and told her to keep any eye out, as if thatād help at all. I knew it was buried somewhere, but I was really fixated on finding it, and I told her so. I had no luck, and I took my spot in the balcony. I was the only light tech for the show, so it was lonely. In front of me was the bright stage and the audience below. Behind me, it was too dark to see.
Throughout the first act, I turned and dug through my purse more than once, trading out my book for a chocolate bar, looking for a pencil sharpener, etc. I was in and out of that bag plenty, and I was absolutely alone on the balcony.
Eventually the lights came up for intermission, and I hopped off my stool to use the bathroom and grab some popcorn in the lobby. But when I looked down at the seat where I put my purse, there was something sitting on top of my things, neatly folded. I didnāt hesitate to pick it up, and when I unfolded it I realized I was holding my missing hoodie.
I was immediately grateful and extremely freaked out. Somehow, in the ten minutes since Iād last been turned around to go through my purse, someone had come within a foot of me to politely put it there for me to find. Whatās more, that same someone must have seen me show the photo to the stage manager before the show started. It didnāt make sense for it to have been the stage manager. She couldnāt come to the balcony between wrangling 30 eight-year-olds in the wings between every scene. But it didnāt make sense for it to have been ANYONE coming that close to me without me hearing or noticing them.
I had no idea what to do. I saidĀ āthank youā to the empty balcony and then literally ran through the door and down the stairs. I convinced one of my friends seeing the show to come back up and sit with me for the second act. My hoodie hero never made an appearance, and thatās perfectly fine by me.Ā The next show, I was over it and worked the spotlight alone as usual. I DO hope my thank you sounded more grateful than scared, because I did mean it.
Never figured that one out.
Ramin Karimloo and Leila Benn Harris during The Kiss.
Mostly uploading because I was enjoying Leila in Imagine This, and because Raminās interactions with Leila are rather different from his interactions with Gina. So behold! And compare!
and itās hard to be at a party when i feel like an open wound itās hard to be anywhere these days when all i want is you .

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@projectbway Ā event 02 : adaptions Ā ā Ā Spring Awakening
āMonuments are for the living, not for the dead.āĀ Frank Wedekind
brother, iāll be bored to death.
@projectbway Ā event 02 : adaptions Ā āĀ Hunchback of Notre Dame
āThe saints were his friends, and blessed him; the monsters were his friends, and guarded him.ā Victor Hugo
@projectbway event 02 : adaptations ā wicked
where Iām from, we believe all sorts of things that arenāt true - we call it history.
RenƩe Fleming as Rosina in Le Nozze di Figaro (ft. Suzanne Mentzer as Cherubino)

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ROMEO + JULIET (1996) dir. Baz Luhrmann
THE SCHUYLER SISTERS
My audience loves me. And I love them. And they love me for lovinā them and I love them for lovinā me. And we love each other. And thatās cause none of us got enough love in our childhoods. And thatās showbiz, kid.
CHICAGO 2002, dir.Ā Rob MarshallĀ
Wicked. The musical that taught me that change may not be for the better, but because of everything that happens in life, change is something that happens for good.
They Triedā¢

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Who ya gonna call? š»
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