it is this 4ever everywhere u look

JVL
he wasn't even looking at me and he found me
trying on a metaphor
hello vonnie

roma★

izzy's playlists!
cherry valley forever
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Janaina Medeiros
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Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear
2025 on Tumblr: Trends That Defined the Year
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I'd rather be in outer space 🛸

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@evilguacamole
it is this 4ever everywhere u look

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follow up: [chiikawa noises]
@jelloapocalypse
I feel like you completely missed this one. I'm honestly a bit surprised.
Like I don't think you guys comprehend what happened in Poland just now but everyone needs to be talking about it.
A random influencer decided he'll listen to an anti cancer song on loop. People liked it enough times he ended up listening for 9 days.
He raised 90 million in these 9 days, and then 160 million more over the last 10 hours, for a total of 250 million.
Hundreds and thousands of people signed up to donate marrow.
Hundreds of celebrities shaved their heads in solidarity.
The Foundation receiving this money had to create a special commission to figure out how to distribute the money.
The national TV stations got highjacked to stream this for hours because it was better news than anything happening in the world.
Because we broke and DOUBLED the world record for this kind of thing.
They raised about as much as the biggest running charity event in Poland did in a whole year with three decades of tradition and a goddamn army of people.
And they did it on a goddamn amateur set up in a shabby room sitting on folding chairs.
Little update: people keep donating despite the stream being over. We're at 280 million in the fight against cancer.
Łatwogang refuses to collab with companies that only reached out to him now because of popularity or give interviews. He said any medals people wanna give them should go to the doctors and nurses and the cancer patients.
Someone offered to renovate that shabby little flat for him as a thank you. He refused.
Someone counted up how many people appeared in that room during the whole thing - it was 319 total.
Love to hear it. Love news articles too.
https://www.reuters.com/business/healthcare-pharmaceuticals/polish-nine-day-charity-stream-breaks-records-support-kids-with-cancer-2026-04-27/
Just love this headline phrasing.
Polish streamer Łatwogang’s charity livestream has raised over 203 million złoty for children with cancer, breaking the charity stream recor
Way to go Łatwogang! You and the rest of Poland are saving lives.
Bonus gift of: eat shit Mr Beast.
Whenever I think about the value of something being done by a person who really understands the job from a lifetime of experience, I think of my first restaurant job. My goal was to work every position, and I started with a year and a half in the dish pit at 16yo.
When i started as a dishwasher, i was trained by an old career dish pit man named Claudio. He'd spent his whole life washing dishes. It allowed him to move to just about any city in the world that he wanted to and get a job without having to deal with complex hiring processes or strict resumé requirements. Which was the main thing he wanted out of a career. I still think about him.
He'd seen a lot of people come through that station who either didn't consider it a real job or thought it was beneath them, on their way to "better" or "more important" things. And, in retrospect, those first two days he was sort of doing the minimum with me that he could do and still respect himself when he told the manager he'd trained me.
But, maybe it was because i was really interested in learning all the positions there were in a restaurant because i knew they were ALL important, or because i was a hard worker, or maybe it was because i tried to have real conversations with him in my broken spanish and did my best to not make him speak any english unless he wanted to, but after a couple days there was a big shift in the way he and i worked together, and he started to really teach me.
That place ran the dish pit with one dishwasher, so when he was done training me I was going to be doing the job on my own.
The thing that stuck with me the most, for the rest of my restaurant career, was this... and it wasn't just the actual things he was saying, but a completely new way of looking at what i was doing within the context of how the restaurant ran. I came in for my 3rd day and he said
"When you work alone, you want to go home by midnight?"
we clocked on at 3:30 and took a half hour lunch break and usually skipped our tens, so, yeah i absolutely did want to get off work by midnight
Then, even tho i already knew where most of everything was by that time, he took me around and showed me all the dishes, cups, pots and pans, spatulas, silverware, had me look at all of it. Then he told me to remember that almost every one of the dishes I was looking at would be used more than once by the end of our shift- we were clocking on to wash the entire building full of dishes multiple times.
Then he led me back over to the industrial dishwasher most restaurants have, which looks like this:
and then this 60 year old career dishwasher from Mexico City said the thing that changed how I looked at restaurant jobs forever
"This machine takes two full minutes to run a cycle. We are on the clock for 8 hours. That means we have a maximum of 240 times we can run this machine. If you want to wash all those dishes, clean your station, mop, and clock off by midnight? This machine has to be on and running every second of the shift.
If you don't have a full load of dishes collected, scraped, rinsed, stacked, and ready to go into the dishwasher the second it's done every single time? You can't do it. If, over the course of 8 hours, you let this machine lay idle for just one minute in between finishing each load and being turned on again? Instead of 240 loads, you'll do 160 loads.
[like, literally, he had done this math, he had these exact figures]
160 loads instead of 240 loads means you are doing 20 loads in an hour instead of 30 loads. That means the dishes are going to pile up. The cooks will run out of pots and pans and will have to stop and wait for you, the servers will run out of plates and cups and have to stop and wait for you, and your night is going to SUCK. Every part of how this restaurant works can grind to a halt because of that idle minute between dish loads, and if it does you'll have an entire building of people in a hurry and all waiting on you.
And it means you're going to be here until 2 am doing the 200+ loads of dishes this restaurant goes through every night.
For this to work, you MUST have this dishwasher on and running every minute of the shift. As soon as you turn it on you have two minutes to have the next load ready. See these large items i put to the side down here? One or two of them takes up all the space in the machine. I keep them here so that if the machine finishes and shuts off before i'm ready for it i can stick one of these in there and turn it on again immediately. You have to think like that to do this job without stress."
The way he was looking at how the whole restaurant ran, the way he was looking at how he'd spend each minute of the entire shift, the way he broke down what the physical limits were and how to max them out so he could do his job and go home on time without stressing out... The way this 60 year old guy, who had never had professional ambitions beyond being a dishwasher, was still such a competent and brilliant expert in his field.
It was all such an important lesson, and one that stayed with me through every position i went on to work in restaurants, dish pit, busser, server, cook, all the way up through manager before I finally got out of my restaurant career
Claudio never wanted to be anything but a dishwasher who didn't stay any later than he had to.
But he knew how that restaurant ran better than most of the other people in it. I never had a chance to truly thank him for the specific lesson he taught me, because while it had an immediate impact, I didn't really understand how valuable a lesson it was until much later.
But I've thought about Claudio and what i learned from him many MANY times in my life.

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Tags from@radioactivesupersonic
(I would love if someone could add an image description; I cannot.)
Okay but let me blow your mind a little more: Notice how she still stumbled a bit on “talking?” That’s because the al is more accurately an o or aw, depending on your regional accent.
This isn’t so much a rule of English, it’s a rule of linguistics. Or rather, several of them, and the way we can tell what linguistic ‘family trees’ look like. Languages drift over time in the mouths of their speakers; but books are fixed at the time they were printed, so text generally preserves ‘archaic’ structures that aren’t actually used any more.
For a fascinating example of what this might look like in English over time, check out this deep-dive on Quora.
It’s also not necessarily about how native speakers pronounce things, his advice is pretty specific to someone going from Chinese (Mandarin I assume?) to English. Listen to how they speak in Chinese, there’s very clear stops between words probably because it’s a tonal language but when you do that in English it sounds unnatural. Dropping the Ts is a good way to make it flow from one word to the next if you are struggling to make them sound natural
Not to derail but… Am I the only native English speaker who pronounces my “t”? Unless I’m speaking in a more American accent (sometimes when I say certain things/or am trying to emphasise the American in my accent, it comes out), then it sounds less pronounced, but otherwise I pronounce it pretty strongly.
No you’re not! It’s a regional thing, even in america. In my accent for example sometimes I pronounce the Ts and sometimes I don’t
I was watching a WIRED documentary on US accents on youtube, and according to that doc the replacement of “t” with a glottal stop when it’s the last letter in a word/syllable is in several US accents, but especially prevalent in Southern California, and this particular dialect quirk seems to have originated in the Indigenous American communities in California.
i know things are hella grim in the nsfw/kink art circles especially in the last year --
but I'm hearing there's a NSFW-friendly ko-fi alternative built on atproto that's actively in the works, and being vetted by lawyers right now. as torrent-princess (OP) says, you should be able to swap out payment processors while keeping your account intact. this matters since even if stripe removes support, you'll still have a shop and all of your links intact. (ATproto is an infrastructure that bsky is built on, but is far bigger than bsky with far more opportunities.)
additionally, the Free Speech Coalition is working on a credit union specifically for adult work (including kink art) - here's the link so you can add your interest & support. Since this will be built by sex workers, there'll be far less risk of being debanked for spurious and puritanical reasons.
on a domain TLD level, there's an initiative here for a .furry domain built from the ground up by seasoned furries; it's unclear whether they'll support NSFW, but it's yet another promising turn of events for a group that's been similarly affected by censorship.
there are friends and allies out there helping to build a working parallel infrastructure. keep being vocal, keep supporting these initiatives when it's possible, and keep supporting your nsfw/kink artists. ♥
Quick Homestar bit from @jelloapocalypse
I feel like the third person on here way way too often

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Creative workaround for those who haven’t seen it
Don't dull your shine for anybody! ✨
▶️ Watch this episode of Adventuring Academy on Dropout!
Oscar Montoya joins Brennan to discuss authenticity, leveling up, and Colombian snacks. Content Warning: Misophonia (Extending eating soun
I feel this in my soul.
One of the reasons I was okay leaving the Los Angeles voice acting scene was because so many directors out there give this exact kind of feedback on line reads. I can't tell you how many times I was instructed to make it more boring, more neutral, more standard anime.
When I directed the voice work on Potionomics: Masterwork Edition multiple actors thanked me for letting them get as goofy as possible. It's like, bro, acting is just play. If you don't let me play what is the point of any of this? If you want every single project to sound exactly the same, why would anyone want to buy this particular thing? It's so boring.
The weird thing is that it was always the big studios and projects that were the worst about this.
Small studios let you mess around all the time, but big studios were so out of touch that one time I came in to a AAA studio to record something for [REDACTED] and the director was like "Oh, we have a real treat for you today. Your character has some sad lines, and happy lines. :)" I thought he was doing a bit. He was not.
These are the people directing every mainstream game and that's why they all sound identical.
obsessed with these doodles from the signed books jello posted
When I’m bored I paint arms onto VeggieTales screencaps
god dammit no now they can do too many things like jack off and hit you
BUZZFEED: Top 2 Things Vegetables Would Do If They Had Arms
Number 2 Will Surprise You.
Table Top Transition

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thinking about the rancor handler at the beginning of ROTJ mourning his monster's death is foreshadowing for Luke and Vader
@dandelionsandderivatives yes of course!
We're all familiar with the scene at the beginning of ROTJ where Luke beats the mighty beast that looks like something out of space Jurassic park. It has a face that one might say only a mother could love.
Everything about this creature emphasizes how monstrous it is. There's obviously the design, but there's also the fact that it is Jabba's method of destroying those who displease him. The horror is mild, but there are undertones of monster movie-esque themes in the scene. Luke waiting for the rancor to emerge from the shadows, etc etc. For all that, it's typical action movie stuff, and it ends in a moment that the audience might find a little humorous. After Luke defeats the rancor in a Jedi hero moment, the movie turns to the rancor keeper - who cries over the monster's death.
It's a ludicrous contrast, and although perhaps a bit touching, more funny than anything else. Monsters are meant to be beaten - what else would you do with one? Even this monster had someone who loved him is the underlying message, but there is a little bit of "pet owner of savage dog" type thing going on. I would say it's primarily meant to be humorous in the moment. After all, who would mourn the death of a brutal monster?
Fast forward to the last part of the movie, though, and all of a sudden...
Much like the rancor keeper, Luke is alone in his grief. A major theme of ROTJ is how solitary his journey is. He's set apart from the others. Although I would argue the potentially scorching hot take that Leia would also feel grief over Vader (just an entirely different grief), Luke stands alone.
If we turn back to the rancor keeper and his grief for an attack monster now (notably, a monster kept at the beck and call of a corrupt ruler), it suddenly has a new light, and the question implicit in the moment - monsters are meant to be beaten; after all, what else would you do with one? - suddenly has a new answer.
The nostalgia continued because it turned out that in my circle more than one person (as many as two) knew about E.E., so I drew Sylvester too!