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Markus Matthias Krüger (German, 1981) - Brennender Baum (Burning Tree) (2014)
“Vase” (1990), Brierley Hill ➤ Clear glass unzips reality
Yayoi Kusama The Sea in the Evening Glow (Facing the Imminent Death) 1988

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A wood netsuke of a hare. Signed on an oval reserve Hidari Issan, Iwashiro, Edo period (19th century). 4.5 cm long. T
An Inuit warms his wife's feet. Greenland, 1891 - 1892
Photographer: Robert Peary
source
Adrienne Ames

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Basel Rathaus. March 2013.
On the set of Crash.
Daniele Castellano
they don’t warn you about it but if you love your own company enough to be content by yourself and you’ve got some standards for who you’d date, you’ll spend a lot of time single and nobody will really get why you’re doing that because surely you want to come home and hang out with craig, right? right????? don’t you want to hang out with craig?

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“One of the strongest feelings I remember from my childhood is, precisely, of being humiliated; of being knocked about by words, acts, or situations. Isn’t it a fact that children are always feeling deeply humiliated in their relations with grown-ups and each other? I have a feeling children spend a good deal of their time humiliating one another. Our whole education is just one long humiliation, and it was even more so when I was a child. One of the wounds I’ve found hardest to bear in my adult life has been the fear of humiliation, and the sense of being humiliated. Every time I read a review, for instance — whether laudatory or not — this feeling awakes. To humiliate and be humiliated, I think, is a crucial element in our whole social structure.”
— Ingmar Bergman; Interviews with Ingmar Bergman by Stig Bjorkman