An Archive of Our Own, a project of the Organization for Transformative Works
“Oh, what a beautiful evening this is!” Venti gushed, fingers dancing along the lyre’s strings. “An inspiring evening at that. I may just compose a piece on the spot!”
“Please- Please don’t.” Lohen needed silence tonight, honestly. There was a pounding in his head and an emptiness in his chest. Music wouldn’t remedy either.
Lohen has something to get off his chest. Maybe the wind can help him with that.
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It was the most words Lohen had spoken in the past five minutes. Varka couldn’t waste this opportunity!
He let out a sigh. “You can’t blame me for finding that hard to believe. Repeat what I just said.”
Lohen let out an even longer sigh. “You want me to clean out the late Captain Adorno’s office and put his most precious belongings in a box for his loved ones to receive. Heard you loud and clear.”
In which Lohen is given a unique task as the Fifth Company's Vice Captain. It isn't fun, but it isn't pointless either.
An Archive of Our Own, a project of the Organization for Transformative Works
[ Tei washes the dishes with the motions of someone who’s definitely had to do it to make a living. “You work at a restaurant or something?” Mutsuko asks.
“Cafe,” Tei answers.
Well, that explains the stupid getup. They stop talking after that.
The morning after, Tei keeps his word. Breakfast is pretty good and Mutsuko got to sleep in because of him, much to Yaitabashi’s chagrin.
Maybe this won’t be so bad. ]
In which the author wanted to give Nishiguchi and Tei the cooking episode they deserved.
[ “Hey man,” Kai speaks up abruptly, pointing a finger at the other. “Is your hair dyed?”
Damon pauses, his green eyes looking up to stare at him through the mirror. He appears taken aback for a split second before resuming his resting bitch face.
“...You just noticed?” ]
In which Tozu forgets to stock up the hair dye. Which led to something very slash not-at-all important for Damon Maitsu.
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An Archive of Our Own, a project of the Organization for Transformative Works
[ Ivan stares at his hand for so long that it takes him a moment for his eyes to adjust to the actual drawing.
“...Costumes?”
“It’s for after when we break auditions,” Till explains, lips pursed into a pout.
Ivan stares down at the sketchbook once more. “‘We’?”
“Mizi and me,” the little artist says, words shy but firm. Determined.
Ivan drags his black eyes up to look into Till’s green ones. “Mizi and I.”
“Shut. Up.”
“You said that earlier.”
Till turns away to continue drawing. Ivan follows. ]
When Till was a child, he'd designed his stage outfit. Ivan keeps this in mind, and presents the drawing in one of his final moments... as a gift of sorts.
An Archive of Our Own, a project of the Organization for Transformative Works
Summary:
[ The same body that had torn apart Duke Inferno’s entire being until only ashes remained, the same form that had killed thousands, perhaps even millions before him… the same one that makes Black Swan’s heart leap in her throat…
Can that really also be the woman dipping her down over the dance floor?
Before Black Swan can find an answer to that, the beautiful Ranger(?) props her back onto her feet, the one eye not hidden underneath dark purple hair gazing at her. That concerned expression still remained. Aloof, yet tender.
It was all so absurd.
“That was my first time dancing with another in a while,” she tells her. The Memokeeper, still in a daze, huffs out a laugh.
“I could hardly tell.” ]
The events that followed after Acheron and Black Swan's dance.
If not attending business meetings or gambling away in casinos, Aventurine can instead be found at nightclubs, with a brightly colored drink swirling leisurely in his hand.
He finds that he rather likes the atmosphere of the nightlife, with the darkness of the night providing a safe cover for him and any other partygoers, the loud roar of drunken clients drowning out any secrets or sorrows, and the blaring neon lights a distraction from the meaningless toil of the day. The energy of the party sweeps one away in a tsunami of alcohol and laughter and hands that wander where they shouldn't.
Aventurine takes another sip of his beverage - a margarita this time - and savors the slight burn as it slides down his throat. His elbow rests casually on the bar counter as he simply takes in the delirious atmosphere.
He doesn't remember which glass he's on now, nor does he particularly care. All Aventurine needs to bother with is keeping his drink covered and his wit still relatively intact, and a few measly glasses isn't enough to win him over.
Still, it doesn't mean that the alcohol isn't taking its effect on him. While Aventurine's eyes are as sharp as ever, both observing the ridiculous acts of drunken clients with almost sadistic amusement and keeping an eye out for any malicious intent, he can't deny the warm tingle in the back of his head that comes with his drinks.
He lets out a content sigh into the alcohol-laced air, raising his gaze to the multicolored ceiling.
Yes, this was perfect for him, he muses, a bitter smile on his face. This was where he belonged, in a twisted sanctuary for people to temporarily drink and party themselves out of reality. This was the only place left for people like him.
"I thought I might find you here."
As if by habit, Aventurine chuckles, straightening his posture. Taking another sip of his drink, he takes his time turning to you and meeting your disapproving gaze.
"Well, if it isn't my favorite assistant," he hums, the glass still hovering above his lips, the nectar within just a few bits away from pouring into his mouth. "What brings you all the way here?"
As he doesn't already know the answer.
"You, who else?" You sound exasperated, but your words bring upon satisfaction as his smile grows wider.
"Aww," Aventurine coos. He downs the rest of his drink, setting it down on the bar before leaning on the counter towards you, propping his head up on his palm. "Was someone worried about me?"
Again, he eagerly awaits for your answer.
You give him a tired look, one that he's seen many, many times in his career. Yet you decide to indulge him, a defeated sigh leaving you.
"Obviously," you say bluntly. "You'll destroy your liver at this rate."
Aventurine laughs good-naturedly, the corners of his mesmerizing eyes crinkling.
"Well, aren't you sweet."
He pushes himself off the counter to stand, and shrugs on the fur coat that was hanging off his stool. With a gloved finger, he tips your chin towards him.
"I must apologize for worrying you, my dear," he says sweetly. You furrow your brows at the nickname, but Aventurine pays no mind as he quickly pays off his tab and saunters off to the building's exit. He looks back at you, amusement flickering behind those rose-tinted glasses as you stare at him, dumbfounded yet too tired to care for his antics. "Aren't you going to see me home?"
You don't remember saying anything of the sort, and Aventurine knows this, but in the end, he's still your boss and you have to do what he asks of you.
Reluctantly, you follow him out. Aventurine slings an arm around you as you come close and pulls you flush against his side as you walk down the streets of the city. When you don't protest, but rather, subtly lean into his hold, Aventurine internally breathes a sign of relief.
He doesn't treat anyone else like this, much less a subordinate. The Amber Lord knows what people have been whispering about the two of you at headquarters. But he can't help it, not when you're the only one to actively seek him out and not push him away, as annoyed with him as you sound.
Something about that attracts him to you, as much as he hates to admit it. Time and time again, whenever you take the time out of your already busy work schedule to check on him, like now, he can't stop his heart from beating a little bit faster.
"Your breath reeks of alcohol," you comment, pulling him out of his thoughts.
"Is that so?" Aventurine hums thoughtfully. "I wonder why."
You roll your eyes. "If you need a distraction that badly, have you tried seeking therapy?"
"That's hardly a distraction, my dear," Aventurine chuckles. "No, unless you can come up with a better idea, I think I'll stick to the clubs."
"Or you could come to me."
You expect another laugh, but instead, Aventurine stiffens as if shocked by a lightning bolt. His eyes widen, his mouth slightly agape as he stares at you. But by the time you notice and look back to him, Aventurine's smile is back, only this time, something dark lingers behind his irises.
"Hm, I don't know about that one," he says easily, his arm falling back to his side as he quickens his pace. "You know, it isn't nice to say things you don't mean."
Indignation flashes across your face, and something in Aventurine's chest tightens.
"Sir-"
And yet, he persists despite himself.
"We should get going."
His tone is flat, still lighthearted, but warning this time. You open your mouth to protest, but think better of it and shut your lips.
The walk back to the car is quiet, deafeningly so. You still walk by Aventurine's side, but now, there's a considerable distance between you two.
Aventurine's fingers twitch, and for a moment, he almost reaches towards you, only to catch himself and reign his hand back to his side. Closing his eyes, he takes a deep breath and calms himself.
Yes, this is how it should be, he thinks to himself as he enters the car. He leans on the door and gazes outside at the nightclub, still raving despite it all.
An escape, a distraction, that was what he sought out most. But it couldn't come from you.
An Archive of Our Own, a project of the Organization for Transformative Works
Summary:
[ The black-haired boy stares down at the flower once more, watches it lie motionlessly on the ‘grass’. He cups his hands to his mouth. To make his words more intimate, he supposes. Why, he doesn’t know. He’s the only one here now.
“Cheer up,” he murmurs.
The flower says nothing, for it is a flower.
It’s awfully quiet.
“You can do it,” Ivan tells it. His knees ache from being on the ground for that extended period of time.
They’re not the only things hurting, though. ]
Inspired by an official art, "cheer up". In which Ivan does his best... but it's probably futile anyway. Just like that red flower.
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Ruth Flemming has only ever wanted to be loved. The only girl in a small friend group of nerds, Ruth is constantly told (and telling herself) that she will never know what it feels like to be wanted. People tell her to die every day.
Ruth isn't seen as a girl. She's seen as a nerd. That's her entire identity. She craves to be touched not just because she's unbelievably horny, but because it would mean someone wants to touch her; it would mean someone thinks she's worth that level of intimacy. She would be someone.
When you watch coming of age movies and you get to the part where the guy sees the girl for the first time and the world stops and maybe their hands touch as they reach for some fallen items and there's such an intense electricity that they have to pull their hands and flinch away--that's all Ruth Flemming has ever wanted. To be the girl in the movie.
In her final moments, Ruth gets her standalone moment. She gets an entire song where she not only gets to sing, but monologue and act and act out being the girl of a movie (even if this girl is now middle-aged and overlooked and unwanted; the latter of which being how Ruth feels about herself). I could say so much about Just For Once, I know many people dislike that song but I think it's genius, especially in conjugation with the rest of the development and twists that NPMD places on different typical 2000's movie tropes, such as Richie's development and death. But I'm veering off track.
She has just done something she's wanted to do for a long time. She acted. Even if it was just for herself, it was a start. Much like Richie starting to feel acceptance from the football team, Ruth is starting to feel a small build of confidence.
And then Max destroys it.
Not only does he mock her performance, but he kills her in the most painful possible way I can imagine Ruth being killed; a fucking wedgie. Obviously this continues the theme of Max killing his victims with extreme bullying methods (though this only happens to his first two victims, Richie and Ruth), but it's more than that. How often do you hear of a girl getting wedgied? I know it sounds ridiculous to read, but really. Think about it. You don't. And this brings me back to my earlier point; Ruth isn't seen as a girl. She's just a nerd. And nerd's get wedgied all the time. In Ruth's final moments, Max destroys everything Ruth had just built up. She's not a girl, she doesn't get her moment, she's a bad actor ("You SUCK, Flemwad!"), and the past five minutes that she had to feel herself and perform are now tarnished by the knowledge that she was being watched and the watcher wasn't a fan of what they saw. Max does more than take away Ruth's life, he takes her spirit.
I love you Ruth Flemming. You deserve the world, you deserve the Globe Theatre, you deserve love and you deserve attention and you deserve life.
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