Misplaced Lens Cap

oozey mess
RMH

blake kathryn

JVL


titsay

Janaina Medeiros

Origami Around

★
art blog(derogatory)

Product Placement
Cosimo Galluzzi

PR's Tumblrdome
d e v o n
PUT YOUR BEARD IN MY MOUTH

Andulka
taylor price

ellievsbear
seen from Brazil

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@eternalapocalypse

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a rushed Indian anthy piece
Debuting my RichPhil comic, QUOD AMES (Something You May Love) at Manga Ichiba at Fanime Con this Sunday! Have a little 6 page preview. It's a story about the contradictions (or not..?) between purity and power, especially in a peculiar social position and time with no concept of equality between men and the men they pledge themselves to. It is also about how having a crush on an older guy can get REALLY weird when reciprocated...
Specs: The comic is 36 pages, black and white, with cardstock color covers, at a half-letter (US) size. It is a "Part One" of a 2 part story I have in mind. It is 18+ only, and Content warnings and other info can be seen on my site.
Q: Do I need to know historical context? A: It certainly enriches it (those who know, know...) but I did try to make it understandable on its own. I hope you all enjoy...
I'll be busy selling this upcoming week, but my fellow angevinyaoierz can preorder here :3
I'll also be sending out emails to those on the interest check & notification form as well when I can--For those who can't make it to the fest, you can still fill out the form if you want to be notified of the digital zine or other updates.
Just swimming by to say hello. 🦭
When a tiny little frog wants to cheer you up, things will be okay after all 🐸💚💖❤️🩹

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anthy Himemiya 🌹
Empress Matilda.
This is the first in a series of images of the queens who ruled England. I have focused on those who officially ruled in their own right, but I thought that Matilda deserved to be here. She was the first woman in England to be named as the heir to the throne, but her cousin Stephen attempted to take it from her, resulting in ten years of civil war. Eventually Matilda withdrew from the fight when her brother died and was never crowned. However, the throne was secured for her son Henry.
She was way ahead of her times in her desire to rule, as a woman would not be crowned queen in her own right for another four hundred years.
I drew St. Hildegard if she was a cat
prints
Here's a remade masterpost of free and full shakespeare adaptations! Thanks @william-shakespeare-official for this excellent post. Unfortunately, a lot of the links in it are broken, so I thought I'd make an updated version (also I just wanted to organize things a bit more)
Antony and Cleopatra: ~ Josette Simon, Antony Byrne & Ben Allen - 2017
As You Like It: ~ At Wolfe Park - 2013 ~ Kenneth Brannagh's - 2006
Coriolanus: ~ NYET Alumni - 2016 ~ Tom Hiddleston - 2014 ~ Ralph Fiennes - 2011
Cymbelline: ~ Michael Almereyda's - 2014
Hamlet: ~ Andrew Scott - 2018 ~ David Tennant - 2009 ~ Ethan Hawke & Diane Venora - 2000 ~ Kenneth Branagh's - 1989 ~ BCC's Part One & Two - 1990 ~ Broadway - 1964 ~ Christopher Plummer - 1964 ~ Laurence Olivier's - 1948
Henry IV: ~ BBC's Part One & Two - 1989 ~ The Brussel's Shakespeare Society's - 2017
Henry V: ~ The BBC's - 1990 ~ Laurence Olivier's - 1944
Julius Caesar: ~ Phyllida Lloyd's - 2019 ~ The BBC's - 1979 ~ John Gielgud - 1970
King Lear: ~ The RSC's - 2008 ~ Laurence Olivier - 1983 ~ The BBC's - 1975 ~ James Earl Jones - 1974 ~ Orson Wells - 1953
Love's Labour's Lost: ~ Calvin University - 2016
Macbeth: ~ Stockbridge Drama Society's - 2019 ~ The RSC's - 2019 ~ Antoni Cimolino & Shelagh O'Brien's - 2017 ~ Ian McKellen & Judi Dench - 1969 ~ Sean Connery - 1961
Measure for Measure: ~ Hugo Weaving - 2019 ~ The BBC's - 1990
The Merchant of Venice: ~ Al Pacino - 2004 ~ Trevor Nunn & Chris Hunt - 2001 ~ The BBC's - 1980 ~ Lawrence Olivier - 1973
The Merry Wives of Windsor: ~ The Royal Shakespeare Company's - 1982
A Midsummer Night's Dream: ~ Oliver Chris & Gwendoline Christie - 2019 ~ City of Columbus's - 2018 ~ Julie Taymor's - 2014 ~ The Globe's - 2013 ~ The BBC's - 1988 ~ Lindsay Duncan & Alex Jennings - 1986
Much Ado About Nothing: ~ Shakespeare in the Park - 2019 ~ David Tennant and Catherine Tate - 2011 ~ Kenneth Branagh - 1993 ~ The BBC's - 1984
Othello: ~ The BBC's Part One & Two - 1990
Richard II: ~ David Tennant - 2013 ~ Deborah Warner's - 1997 ~ The BBC's - 1978
Richard III: ~ Ian McKellen - 1995 ~ Laurence Olivier - 1955
Romeo and Juliet: ~ Simon Godwin's - 2021 ~ The BBC's - 1988 ~ Laurence Harvey & Susan Shentall - 1954
The Taming of the Shrew: ~ Ontario production? ~ American Conservatory Theater - 1976 ~ Richard Burton & Elizabeth Taylor - 1967 ~ Mary Pickford & Samuel Taylor - 1929
The Tempest: ~ Gregory Doran's - 2017 ~ The BBC's - 1988
Timon of Athens: ~ Barry Avrich's - 2024
Troilus and Cressida: ~ Audio Production ~ This one I found on youtube? - 2016
Titus Andronicus: ~ Anthony Hopkins - 1999
Twelfth night: ~ Texas Shakespeare Festival's - 2015 ~ Alec Guinness, Joan Plowright & Ralph Richardson - 1970
Two Gentlemen of Verona: ~ Katherine Steweart's - 2018 ~ The BBC's
The Winter's Tale: ~ Antony Sher - 1999 (Warning: they don't have a bear...)
Bonuses:
Time Loop Hamlet! (A personal fav of mine)
My absolute fav production of Hamlet, but a very shitty recording (I got to see it live <3)
Rock Opera Hamlet???
Shakespeare animated tales
The Complete Works Of Shakespeare Abridged comedy
Romeo and Julieta: A Día de los Muertos Love Story
There’s also many other Latine Shakespeare adaptations listed in this archive
MacChef, a retelling but well... in a kitchen!
The Flying Karamazov Brother's comedy of errors part 1 & part 2
Overly Sarcastic Productions' zoom performances of Julius Caesar and Macbeth
From the original post:
A Midwinter's Tale, about a man trying to make Hamlet.
Russian Hamlet here
Here's Scotland, PA, the 2001 modern Macbeth retelling.
Rave Macbeth for anyone interested is here.
This one is the Taming of the Shrew modern retelling.
The french Romeo & Juliet musical with English subtitles is here!
Here's the 1948 one,
the Orson Wells Othello movie with Portuguese subtitles there
A Lego adaptation of Othello here.
Here's commentary on David Tennant's Richard II
Clare Victor Dwiggins, 1908
I was amused by this rather “freaky” bit of Edwardiana, especially since I always got the feeling that Charles Dana Gibson, when drawing the Gibson Girl, was at least partially fantasizing about being stepped on or something.

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MADAME BOVARY (1991)
dir. claude chabrol
three unbound
All peerages are created by the sovereign (nowadays on advice of the prime minister). There are five grades of peers: in descending order of rank, duke, marquess (the spelling now preferred to the French “marquis”), earl, viscount, baron. Historically, there are five different peerages: those of England and of Scotland, creations before the union of those two kingdoms by the Act of Union of 1707, after which Englishmen and Scots raised to the peerage were peers of Great Britain; peers of Ireland, created before Ireland was united with Great Britain by the Act of Union of 1801. After that date, most new creations were peers of the United Kingdom, though a few creations of peers of Ireland still took place. […]
Most peerages descend by male primogeniture, but a few, mostly Scottish, together with ancient English baronies, may, in absence of a male heir, be inherited by a woman. These ladies are “peeresses in their own right.” By the Peerage Act, 1963, for the first time peeresses in their own right were permitted to sit and vote in the House of Lords, the upper house of Parliament.
[…]
Peers of England, Scotland, Great Britain, and the United Kingdom, not being minors, were entitled to membership in the House of Lords.
[…]
A peer’s wife (though referred to as a “peeress”) and children, unless they have acquired peerages in their own right, are legally commoners.
[…]
Courtesy titles. Nearly all dukes, marquesses, and earls hold other peerages of a lower grade, and their oldest surviving sons are “by courtesy” addressed by the title of the second-ranking peerage (which may not necessarily be the grade immediately below that of the head of the family). If there is more than one such subordinate peerage, the oldest son of the oldest son is addressed by the next senior title: thus the oldest son of the Duke of Devonshire is “by courtesy” Marquess of Hartington, and his oldest son is Earl of Burlington. The younger sons of dukes and marquesses are “Lord” with their given and family names. Nevertheless they remain commoners, and the actual peerage indicated by the courtesy title continues to be held by the head of the family. Many holders of courtesy titles have had successful careers in the House of Commons: for instance, the Marquess of Hartington, heir to the seventh Duke of Devonshire, who declined three offers of the prime ministry, normally held by a member of the House of Commons
[…]
Daughters of dukes, marquesses, and earls are “Lady” with their given and family names. If they marry a commoner, they substitute their husband’s family name for their own, but retain the “Lady Mary” or whatever it is. On marrying a peer, they take the normal designation of a peer’s wife.
[…]
Marquesses and marchionesses are “Most Honourable”; other peers and peeresses are “Right Honourable.” “Lord” and “Lady” may be used informally for peers of the rank of marquess and below (dukes and duchesses are never “Lord” or “Lady” So-and-so). Of course, among intimate friends, even these honorifics are dropped, and the Earl of Brideshead becomes merely “Brideshead” or “Bridey” (we are never told his first name), and Lady Julia Flyte “Julia.”
[…]
Peers, “courtesy” peers, and peeresses in their own right merely sign with their titles—e.g., “Marchmain,” “Brideshead.” Peeresses by marriage sign with their title preceded by their given name or initial—“Teresa Marchmain.” (She could never have been “Lady Teresa Marchmain.” Before her marriage, as the daughter of a high-ranking peerage family, she may have been “Lady Teresa Blank,” but on her marriage to the marquess she became “Lady Marchmain.”) “Courtesy” lords and ladies omit those titles from their signatures—“Sebastian Flyte,” “Celia Ryder”—as do ennobled actors and writers in playbills and on title pages of books
[…]
At the coronation of a sovereign, at the moment the crown is placed on his or her head, the peers and peeresses don their coronets. That of a duke is a gold circlet surmounted by stylized strawberry leaves; of marquesses by strawberry leaves alternating with balls; of earls, strawberry leaves alternating with balls raised on “points”; of viscounts, sixteen balls; of barons, eight balls. Waugh makes a slight slip when the villagers in Brideshead have to change the earl’s coronets on the bunting erected to celebrate Lord Brideshead’s marriage to a marquess’s, to celebrate Lord Marchmain’s homecoming, “obliterating the Earl’s points and stenciling balls and strawberry leaves” (Brideshead 2:5). The coronation robes of peers are scarlet, trimmed with, for dukes, four rows of ermine; for marquesses, three and a half; for earls, three; for viscounts and barons, two.
[…]
As well as the peers, the prefix “Lord” is attached to numerous official appointments. It is not a personal designation (except for Scottish judges): a Mr. Smith who is appointed, say, Lord Privy Seal remains Mr. Smith and does not become “Lord Smith.”
[…]
Titled Characters in Waugh
Marquesses. The best known, of course, is the Marquess of Marchmain in Brideshead Revisited, whose family provides a great deal of the novel’s plot. His oldest son and heir bears the courtesy title of Earl of Brideshead (we are never told his Christian name); after his father’s death he succeeds as Marquess. The other children, Lord Sebastian, Lady Julia, and Lady Cordelia, figure prominently in the novel. After her marriage to Mr. Rex Mottram, Lady Julia Flyte becomes Lady Julia Mottram, but after their divorce resumes her name of Lady Julia Flyte. Waugh apparently first planned to make the head of the family an earl, in which case the younger son would have been not “Lord” but “the Honourable” Sebastian Flyte, although Ladies Julia and Cordelia would retain those honorifics. Waugh may have been influenced by the Marquess of Steyne (stain?) in Thackeray’s Vanity Fair, whose family circumstances closely resemble those of Lord Marchmain’s: the Marquess a cynical, worldly, amoral man, estranged from his devoutly Catholic Marchioness, with two sons, the elder, the Earl of Gaunt, detesting and detested by his father, the younger, Lord George Gaunt, eventually becoming insane. On his deathbed, Lord Marchmain reflects on the history of the peerages in his family. Speaking of the ancient family tombs, he remarks, “We were knights then, barons since [the battle of] Agincourt [1415]; the larger honours came with the [Protestant King] Georges. They came the last and they’ll go the first; the barony descends in the female line; when Brideshead is buried—he married late [1st edition; the 2nd substitutes, more accurately, “when all of you are dead”]—Julia’s son will be called by the name his fathers bore before the fat days” (Brideshead 2:5). An interesting point of peerage law: the Marquessate and Earldom, descending in the male line, will become extinct. If Julia and Cordelia survive the childless Brideshead, the ancient Barony will fall into abeyance between the two daughters; if Julia should survive Cordelia, she would become the Baroness Flyte (or whatever the title is) in her own right, and her son (by whom, one wonders) would inherit the Barony after her death.
Earls. Perhaps unexpectedly, a historical Earl has a tiny cameo role in Brideshead. Lord Marchmain, on his deathbed, having the daily newspaper read to him in 1939 and reminiscing, remarks “Irwin … I knew him—a mediocre fellow” (2:5). The reference is to Edward Wood (1881-1959), Earl of Halifax, foreign secretary in the Cabinet of Neville Chamberlain and a supporter of “appeasement,” Winston Churchill’s chief rival for the prime ministry in 1940, and later ambassador to the United States. Lord Marchmain contemptuously refers to him by his earlier title, Lord Irwin, conferred when he was appointed viceroy of India and through his actions created much controversy.
Viscounts. “Boy,” Viscount Mulcaster, and his sister Lady Celia, who marries Charles Ryder (their family name is not disclosed), are probably children of an earl (or conceivably duke or marquess). Mulcaster’s Viscountcy must be a courtesy title; if it were a substantive one and he were head of the family, his sister would not be “Lady Celia” but merely “the Honourable Celia.”
some more anthy drawings. she's kinda my go-to character to draw when i dont know what to draw. anthy the muse
“That's plagiarism.”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
continuing my yearly tradition of drawing RGU fanart for womens day... Have a liberated Anthy! May all the girls in this world revolutionize the world! Together!
Madoka x Homura sketches