when armand wants something (love, attention, an apology) from someone (louis, daniel, louis again) so he tortures them until he gets it and then gets distraught when it doesn't feel real

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@esthermgray
when armand wants something (love, attention, an apology) from someone (louis, daniel, louis again) so he tortures them until he gets it and then gets distraught when it doesn't feel real

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greenwood plantation, louisiana
Lestat be like I hate Armand he's a rotten moldy bread kill yourself etc. etc. and then remember Armand like a beautiful melancholic doe-eyed angel in his memories
i personally think they should kiss it out on the subject of not wanting to hear each other's names ✿♥‿♥✿
i dont mean to victim blame but why do these vampires keep talking to daniel molloy when they know he's daniel molloy
They think they can outsmart him just because he’s a baby

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guys you gotta stop thinking of women in their 30s as elderly it’s just misogyny
you also gotta stop thinking about actual elderly women as lesser human beings. Youth is not a measure of one’s worth.
Assad Zaman: There’s something about Armand when he’s not being observed that I took [from the books]. I think if you know the books you know that he’s… the specific alien quality about… when you’re in stasis, you’re almost on standby. Statuesque. You’re unable to emote or think anything because everything you do is shaped on either being obsessed with someone, manipulating someone, or trying to survive your trauma in someway. What do those people do when they’re not being observed? The way Anne Rice describes Armand, several times, is sort of this ethereal, alien quality that doesn’t quite feel like it’s… She called it childish, but I don’t see it as childish. I see it more as like an alien that’s unable to understand himself, his own needs[?], only able to play a part. So when there’s no one to see them, they kind of just go a little bit dead, soulless, that kind of thing. That’s something that I took on, tried to.
something something about hudson williams choosing roles where his character is traumatized by a slavic demon
Going from a homosexual cutiepie to the bisexual spawn of Satan is so beautiful.

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"It's a long story."
Shane and Ilya through the years
i should put the captions on more often
power signalling
Kneeling.
Ordered to kneel as punishment or as a show of deference.
Shoved physically to the ground by hands on their shoulders, maybe a kick to the back of the knee.
Picking themself up off the ground but only getting as far as hands and knees.
Crawling because they haven't got the strength to stand anymore.
Dropping to their knees from exhaustion or despair.
Personal space.
Casually invading it.
Uninvited touch - from the deeply creepy to something as simple as a firm hand on the shoulder.
Standing too close - especially if taller or otherwise physically stronger.
Conversely, hurrying to get out of someone's way.
Eye contact.
Staring someone down. Who is the first to look away?
Averting eyes for one's social superiors. Trying to de-escalate by avoiding eye contact.
Too frightened or ashamed to look someone in the eye.
Insisting that someone maintain eye contact while you're talking to them. Insisting that someone never look you in the eye.
Singling someone out just by looking at them.
More generally, Attention.
The room falls quiet when they walk in.
Who cuts in, and who gets talked over. Ignoring those who are beneath your attention.
The excited attention given to the object of respect and idolization.
The careful, wary focus given to a potential threat.
Deliberately attending to something else to appear less threatening. Deliberately burying oneself in something else to avoid attracting unwanted attention.
Codified status behaviours.
Bowing to one's superiors. Bonus points if there are differentiated kinds of bowing for different status differentials.
Soldiers coming to attention when a superior officer comes.
Saluting. Who greets whom first?
Serving food in a particular order.
Standing up when a respected person enters the room.
Non-verbal threats.
Just resting a hand on a weapon, or perhaps even just near a weapon.
Cracking knuckles or rolling shoulders. Clenched fists. The little come-get-some-then life of the chin.
Stepping from a conversational stance into one that's balance for fight or flight.
Pointing a weapon at someone. Casually brushing aside a weapon.
Conversely, de-escalation and surrender.
Open hands, spread in front of them. Hands above head.
(Raised slowly, transitioning from the simple whoa-calm-down gesture to full on surrender as the situation gets tenser.)
Going still. Slow, careful movements being sure to keep hands where they can be seen. Laying down weapons.
Hands on head. Getting down on the floor. Deliberately making oneself vulnerable to prove non-hostile (or non-resisting) intent.
Alternately, deliberately showing "vulnerability" to demonstrate how little of a threat you consider the other person.
The slouch of villainy. Open posture, casual, relaxed in the face of apparent danger.
Casually putting weapons away or turning one's back, confident that they won't do anything.
Signs of fear.
Flinching. Trembling. Closed defensive posture. Tension. Backing away. Fidgeting. Lip-biting.
Arms hugged close to chest. Or refusing to lower defences. Checking for escape routes. Trying to insist that they don't come any closer.
Offer of or requests for help.
Extending a hand to help someone up off the ground. Reaching out a hand in silent plea.
Do they have to ask for help? Are they willing to accept it? Do they get a choice? Who has plenty and who has to rely on the other's goodwill?
Picking someone up off the ground. Carrying them. (Dropping them?)
Adjusting someone's clothes. Withholding aid.
credit:@just-horrible-things // @whetstonefires suggests:
A character can vastly expand their area of influence by laying a hand on a table, for example. If you're standing on opposite sides of a large table, and one of you puts your hand down, that can symbolically take you up into the other party's personal space in a much subtler and more deniable way than actually getting up in their face.
This can be used equally well to convey affection or threat.
take me to art museums and make out with me
But they said to not touch the masterpieces
Well somebody’s gotta pin the artwork to the wall
This is Johnson, those idiots are fucking in the east wing again.
I’VE ONLY EVER SEEN THIS LEGENDARY POST IN SCREENSHOTS
Reblogging for the legendary Johnson, the security guard we didn’t deserve
oh wow original
@lotus-duckies
im totally normal about this. this is fine.
Can't wait for next season when they flesh out their relationship. The transformation scene is gonna be glorious

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Armand referring to Daniel as his companion.
Daniel low-key referring to Armand as his wife.
Daniel saying he's in his "daywalker yaoi manther phase".
Daniel squaring up when Raglan baits him with "Big Boss".
Louis telling Armand, "You need a love that will cradle you."
Yeah, I'm super disappointed in the lack of on-screen DM this season, but they're fuckin', and my god we're gonna get it and we're gonna get it good.
Let gremlin Armand behead people!