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@enter-the-lesbians

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Phia Saban reflects on Helaena's pregnancy and what it means to her
House of the Dragon: Inside the Episode (Season 3, episode 4)
HOUSE OF THE DRAGON Season 3 Episode 5 — "Unbowed and Unbent"
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
oh so when daemon commits crimes against humanity its funny but when criston beats a guy to death at a wedding for no reason and immediately runs away to commit suicide at an icon of a religion he’s not even a part of bc something’s wrong with him and he’s a little bit stupid everyone’s mad?

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"The best and the worst." So one of us is like to live in song. "And a few who were a bit of both. Like him." – A Feast for Crows
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
Aegon? The queen says he's dead. And that you killed him. Though I do not know how much of that to believe.
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
HOUSE OF THE DRAGON S03E05 - “Unbowed and Unbent”
HOUSE OF THE DRAGON Season 3 Episode 5 — "Unbowed and Unbent"
so so so happy that we see the fucked up hightower love! ormund is obviously fucking pissed he lost but he atleast lost to the son he raised!!! otto’s fear in season 1 when he kisses and advices alicent so reverently and leaves her behind in the pit of vipers!! alicent herself begging helaena to kill her unborn child so that she can free!! aegon and aemond both bemoaning that they were not their mother’s favourite….there is true love behind it all!!!!

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literally crying at the line “that you bathe in the warm light of her gaze”, it’s giving “trampled under your pretty foot again” like oh my goddddd homotron 3000 we get it!!!! you’re obsessed!!!
alicent literally told mysaria "rhaenyra cheated on me with that blonde motherfucker and she'll cheat on you with him too!"
Idk if you’ve already answered this but how do you think Duke & Jason should feel about each other at the peak of their characterizations (whatever that is to you!), or what would be most interesting to you?
Very interesting question!! Actually I'm quite fond of their current dynamic which seems to be Duke ribbing on Jason and Jason fondly taking it gsldkbgd. I go back and forth with my ideal Duke & Jason dynamic, so I'll answer only what I'm feeling right now!
I think Jason's views on Duke are pretty simple - imo he really likes him! Tbh my ideal Jason is more outside the Batfam than he currently is, but even then I think Jason would like Duke a lot more than the other younger bats. Not only is Duke free of a lot of the baggage of early RH era, but he's also open & honest in a way I think Jason would appreciate. And Jason calling Duke 'Narrows' is a fun way to signal that he connectx to Duke's upbringing. I think Jason would respect Duke forging his own mantle as the Signal (being a bit more 'outside' the Batfam than, say, Batgirl or Robin), and also he would looove Duke's Dick haterisms & the way he stands up to Bruce.
On the other hand I think Duke's feelings about Jason are complex. When we see them interact they are cordial, but when Duke talks to others he's overtly negative - he calls Jason a villain in All-Star Batman & Batman (2016), and is critical of Red Hood in DC Rise of the Power Company. I don't think these are contradictory, but rather a showcase of the way Duke interacts with heroes in general. You see this most clearly with Bruce, where Duke & Bruce have a vastly different dynamic than Batman & The Signal. Duke may like Jason on a personal level but he clearly dislikes Red Hood as a symbol & his vigilante philosophy. He is acutely aware that Jason's Whiteness enables him to get away with things he himself would never get away with, and this inevitably colours how he views Red Hood.
This isn't to say Duke is objectively correct about Jason, but to a Duke who only knows modern Jason (while having heard of Red Hood's crimes growing up) that's how it feels. I also really like this analysis from @zeetannas which explores more of Duke's feelings about Jason. To sum it up, while I think Duke & Jason as individuals get along quite well, I don't think Duke is ever fully comfortable with being close to Red Hood. I think it would be REALLY interesting to let Duke have a contentious relationship with Jason in canon. It will be a sort of foil to his contentious relationship with Dick - where Duke dislikes Dick on a personal level but they share a number of similar ideals, Duke enjoys Jason on a personal level but has vast ideological differences!
the echoes of lyanna in sansa’s story make me so crazy. even aside from their love of songs and the loss that they suffer at the hands of their princes, the comparison that ned makes between them in AGOT is so key to everything: “He could still hear Sansa pleading, as Lyanna had pleaded once” (AGOT, Eddard IV). on one hand we have sansa who imagines the south as the embodiment of the chivalric code, an idyllic world that has been built up in her head all her life, her reward for being “good” and abiding by gendered social rules. she’s running towards her betrothal to a baratheon prince as an escape from the north (the mundane, the familiar, childhood). on the other hand we have lyanna who imagines the south as a safe haven and a fresh start, a place where she can be free of gendered social rules and her role as a highborn woman. she’s running away from her betrothal to a baratheon man because she knows that their marriage is a trap, that eventually robert’s violence will turn on her too (the same terror that sansa later lives in as a hostage, a behavior that joffrey observes from robert and proceeds to emulate).
then we have the comparison between sansa and lyanna pleading with ned - both sansa and lyanna go south hoping for a new life, only to get a twisted version of what they wanted (being held hostage by joffrey/dying in the tower of joy) and ending up trapped in their former paradise. sansa’s illusions of chivalry/an idyllic south are shattered by joffrey’s violence, and he’s now threatening to steal her very sense of self through the execution of lady. she’s pleading with her father to stop them, to save lady, to save sansa, just like lyanna pleads with her big brother to save the only thing that is still hers (jon, the baby boy who looks just like her, the only family she has left besides ned and benjen). rhaegar has shattered her illusions of the south just as much as joffrey shatters sansa’s - lyanna tries to escape her fate and ends up trapped as the princess in a tower anyway (similar to sansa, who imagines a romanticized version of this and later experiences its true horrors).
lyanna sees through the illusion of marriage in a way that sansa does not, but they end up in a similar place regardless. and ned can save jon but he can’t save lady (sansa) or lyanna because violence towards women and girls is baked into the very fabric of the system that he upholds and defends (as a feudal lord, as hand of the king, as someone who clings to the robert he loves). this is the man who loves his little sister more than anything in the world and risks everything to protect her son, yet his takeaway from her death is to warn arya that if she continues to be willful, she could end up dead too. his takeaway is that cersei is excessive in her hatred of robert despite witnessing robert being violent towards her. he sees individual women and girls but not the bigger picture. and so lady dies (and a part of sansa’s soul along with her) just like lyanna does, and the nature of their deaths is obviously very gendered - cersei has lady executed to compensate for arya emasculating joffrey with sansa as a witness vs rhaegar sees lyanna as someone to perform her reproductive duties as a highborn woman in order to fulfill a prophecy (I have no doubt that he loved her, but she was still ultimately relegated to a reproductive role to fulfill his prophecy - at least this is my interpretation of the clues that we’ve been given so far aka jon was supposed to be visenya). and of course ned insists that lady and lyanna are both buried at winterfell (“She had gone south, and only her bones had returned”). basically sansa and lyanna are both ultimately disillusioned by the south and confronted with the reality that the whole world is built on violence towards women and girls, and not even the south or their prince or the patriarch of a great house can stop it.

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"She doesn't have that. No Madeleine. No rest."
does anyone remember the amc show interview with the vampire? one of the greatest things television gave us in its era. heartbreaking that it ended after two seasons when those characters were so beautifully crafted. i really wish we could’ve had more.