Sophie CALLE, La filature, 1981
hello vonnie
Sade Olutola
almost home

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oozey mess

shark vs the universe
Jules of Nature
will byers stan first human second

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#extradirty

Xuebing Du
art blog(derogatory)
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Three Goblin Art
trying on a metaphor

roma★
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@elsacgray
Sophie CALLE, La filature, 1981

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Errer dans la rue grouillante, verrouiller mon attention sur toi, inconnu à la vie vaporeuse. Te suivre, respirer comme tu respires, voir ce que tu vois, hâter le pas, vite, où te hâtes-tu comme cela ? M’imprégner de ta vie, est-elle meilleure que la mienne ? Fais-tu face à ces doutes, ces angoisses, ces regards ?
Es-tu toi aussi euphorique, as-tu envie de révolutionner la vision du monde, de le sauver, d’imploser sous les idées fusant sous ta peau ?
Filer une vie comme on enfile un vêtement. Tes habitudes seront-elle pour moi cachemire ou cuir élimé ?
La Filature, Sophie Calle.
Nina Beier
Nina Beier, Portrait Mode, 2011
Nina Beier Parts March 22–September 8, 2024 Museum of Contemporary Art Kiasma Mannerheiminaukio 2 FI-00100 Helsinki Finland

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Nina Beier
Great Depression 2023
Colani fibreglass bathtub, assorted cash
180 x 90 x 51 cm / 70 7/8 x 35 3/8 x 20 1/8 in
Nina Beier
Exhibition view: Martha Rosler, Positions in the Life World, © Generali
Foundation, Photo: Werner Kaligofsky
Museo Tamayo, Mexico City - Lucy Skaer : The Smaller House - 01 Jul > 17 Sep., 2017 @museotamayo @PeterFreemanInc
http://www.mpefm.com/mpefm/modern-contemporary-art-press-release/mexico-art-press-release/museo-tamayo-mexico-city-lucy-skaer-the-smaller-house

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Lucy Skaer at MRAC
Lucy Skaer. Stones On Our Table In The Smallest Dimension, 2017-2018.
pine wood, stone, formica
Lucy Skaer
Thomas Struth
Dublin Meuse
Edinburgh, 1987

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Museum Photographs by Thomas Struth
Ed Ruscha, Contact sheet, Pacific Coast Highway, 1974, gelatin silver print, Los Angeles
Getty Research Institute
Within your skull you’ll haunt Mnemopolis, a lonesome and obscure city. No streets no canals no paving being done in the area (the circumvolutions of your brain), but only traces that you’ll try to catch hold of: these will be shreds of memories (or hallucinations) and sonorous debris that somehow reach you from without and most of the time evoke absolutely nothing; so many objects or fragments that patiently—and not without hesitation—you’ll want to string together, give them meaning by connecting them. —Maurice Roche, Compact