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Sophie CALLE, La filature, 1981

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la-salamandre

Errer dans la rue grouillante, verrouiller mon attention sur toi, inconnu à la vie vaporeuse. Te suivre, respirer comme tu respires, voir ce que tu vois, hâter le pas, vite, où te hâtes-tu comme cela ? M’imprégner de ta vie, est-elle meilleure que la mienne ? Fais-tu face à ces doutes, ces angoisses, ces regards ?

Es-tu toi aussi euphorique, as-tu envie de révolutionner la vision du monde, de le sauver, d’imploser sous les idées fusant sous ta peau ?

Filer une vie comme on enfile un vêtement. Tes habitudes seront-elle pour moi cachemire ou cuir élimé ?

La Filature, Sophie Calle.

ceramicprojects3

Nina Beier

grupaok

Nina Beier, Portrait Mode, 2011

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Nina Beier Parts March 22–September 8, 2024 Museum of Contemporary Art Kiasma Mannerheiminaukio 2 FI-00100 Helsinki Finland

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b-o-t-t

cosmicanger

Nina Beier

Great Depression 2023

Colani fibreglass bathtub, assorted cash

180 x 90 x 51 cm / 70 7/8 x 35 3/8 x 20 1/8 in

perfectnarrator

Nina Beier

Exhibition view: Martha Rosler, Positions in the Life World, © Generali

Foundation, Photo: Werner Kaligofsky

#martharosler #positionsinthelifeworld #generali

mpefm

Museo Tamayo, Mexico City - Lucy Skaer : The Smaller House - 01 Jul > 17 Sep., 2017 @museotamayo @PeterFreemanInc

http://www.mpefm.com/mpefm/modern-contemporary-art-press-release/mexico-art-press-release/museo-tamayo-mexico-city-lucy-skaer-the-smaller-house

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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Lucy Skaer at MRAC

my-kelde

Lucy Skaer. Stones On Our Table In The Smallest Dimension, 2017-2018.

pine wood, stone, formica

andythefurnituremaker

Lucy Skaer

gacougnol

Thomas Struth

Dublin Meuse

Edinburgh, 1987

zweite-natur

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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Museum Photographs by Thomas Struth

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Ed Ruscha, Contact sheet, Pacific Coast Highway, 1974, gelatin silver print, Los Angeles

Getty Research Institute

Within your skull you’ll haunt Mnemopolis, a lonesome and obscure city. No streets no canals no paving being done in the area (the circumvolutions of your brain), but only traces that you’ll try to catch hold of: these will be shreds of memories (or hallucinations) and sonorous debris that somehow reach you from without and most of the time evoke absolutely nothing; so many objects or fragments that patiently—and not without hesitation—you’ll want to string together, give them meaning by connecting them. —Maurice Roche, Compact

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