Black Sofa  -  Alice Brasser , 2017.
Dutch, b.1965 -
Mixed media on paper , 114 x 151 cm.
Game of Thrones Daily

Kiana Khansmith
Xuebing Du
NASA

roma★
wallacepolsom

Kaledo Art
art blog(derogatory)

PR's Tumblrdome
Show & Tell
Monterey Bay Aquarium
Jules of Nature

Origami Around

#extradirty
$LAYYYTER
One Nice Bug Per Day
will byers stan first human second

styofa doing anything
seen from Philippines

seen from Malaysia
seen from United States

seen from Malaysia
seen from United States

seen from Türkiye
seen from United States

seen from Netherlands

seen from United Kingdom

seen from Australia

seen from United States
seen from Netherlands
seen from Malaysia

seen from Malaysia

seen from United Kingdom

seen from New Zealand

seen from Malaysia

seen from Australia

seen from Ukraine

seen from Malaysia
@edlundart
Black Sofa  -  Alice Brasser , 2017.
Dutch, b.1965 -
Mixed media on paper , 114 x 151 cm.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
by Max Bill, 1965
Astrid de La Forest
Grands champs d’hiver, 2005
via
by Michelle Thompson
Just swimming by to say hello. ðŸ¦

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Beautiful! French design magazine started in 1927. I believe this is issue one, and the covers that followed are similar but less good (in my humble opinion).
Source: Design Reviewed.
"A radical reinvention of the pinup." I was interested in exploring the very formalized language of the classic illustrated pin-up poster — with its sexualized, male-gaze objectification — but breaking it down into such absurdly abstracted basic sculptural shapes (made of simulated sandstone and steel) that any sexuality invoked must necessarily be happening partially in the mind of the viewer. I'm making the viewer complicit in the objectification.
This image is part of a series I created (using Blender and acrylic paint) called Sandstone Eros. I launched an online shop to sell these things as premium giclée fine art prints, rather than cheap posters, as I think regarding and selling these as "high art" adds to their impact somehow. As my description goes on the shop's website (shop.edlundart.com), the work is "equal parts geometric abstraction, elegant 1980's Italian furniture design, subverted male gaze objectification, and deadpan Scandinavian humor — while somehow referencing everything from BDSM to Atlanta stripper aesthetics without showing any skin."
"A radical reinvention of the pinup." I was interested in exploring the very formalized language of the classic illustrated pin-up poster — with its sexualized, male-gaze objectification — but breaking it down into such absurdly abstracted basic sculptural shapes (made of simulated sandstone and steel) that any sexuality invoked must necessarily be happening partially in the mind of the viewer. I'm making the viewer complicit in the objectification.
This image is part of a series I created (using Blender and acrylic paint) called Sandstone Eros. I launched an online shop to sell these things as premium giclée fine art prints, rather than cheap posters, as I think regarding and selling these as "high art" adds to their impact somehow. As my description goes on the shop's website (shop.edlundart.com), the work is "equal parts geometric abstraction, elegant 1980's Italian furniture design, subverted male gaze objectification, and deadpan Scandinavian humor — while somehow referencing everything from BDSM to Atlanta stripper aesthetics without showing any skin."
"A radical reinvention of the pinup." I was interested in exploring the very formalized language of the classic illustrated pin-up poster — with its sexualized, male-gaze objectification — but breaking it down into such absurdly abstracted basic sculptural shapes (made of simulated sandstone and steel) that any sexuality invoked must necessarily be happening partially in the mind of the viewer. I'm making the viewer complicit in the objectification.
This image, a remix of a famous Anna Nicole Smith campaign for H&M in the 90's, is part of a series I created (using Blender and acrylic paint) called Sandstone Eros. I launched an online shop to sell these things as premium giclée fine art prints, rather than cheap posters, as I think regarding and selling these as "high art" adds to their impact somehow. As my description goes on the shop's website (shop.edlundart.com), the work is "equal parts geometric abstraction, elegant 1980's Italian furniture design, subverted male gaze objectification, and deadpan Scandinavian humor — while somehow referencing everything from BDSM to Atlanta stripper aesthetics without showing any skin."
"A radical reinvention of the pinup." I was interested in exploring the very formalized language of the classic illustrated pin-up poster — with its sexualized, male-gaze objectification — but breaking it down into such absurdly abstracted basic sculptural shapes (made of simulated sandstone and steel) that any sexuality invoked must necessarily be happening partially in the mind of the viewer. I'm making the viewer complicit in the objectification.
This image is part of a series I created (using Blender and acrylic paint) called Sandstone Eros. I launched an online shop to sell these things as premium giclée fine art prints, rather than cheap posters, as I think regarding and selling these as "high art" adds to their impact somehow. As my description goes on the shop's website (shop.edlundart.com), the work is "equal parts geometric abstraction, elegant 1980's Italian furniture design, subverted male gaze objectification, and deadpan Scandinavian humor — while somehow referencing everything from BDSM to Atlanta stripper aesthetics without showing any skin."

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Jeffrey Earp
Whadda noive - 2015
Sean Lee - Reasons to be Cheerful 1, Hand cut collage on book page, 2024 .
Carola Kastman.
Christopher Wool Untitled 2022 Oil and inkjet on paper 22 x 17 in. (55.9 x 43.2 cm)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Leonie Bos (Dutch)
Painting for Hermes
Gouache on paper
I drew a bunch of cartoon characters from memory, without looking them up first. This Charlie Brown is pretty good, though I forgot he has ears. Some of these drawings ended up looking like absolute trash, others quite lovely. None of them super accurate. Watch me draw these things on YouTube!