Here's some of my ongoing work on Ao3. I like to write character-driven series that address grief, trauma, and all that angsty stuff that we love to read about. Current fandoms and Attack on Titan and Fullmetal Alchemist. Each work is a WIP in some way.
Full Metal Alchemist
The Flame of Ishval - Series WIP, work complete, M
Roy Mustang awakens in Ishval, this time he's here to oversee the Restoration efforts. Despite having gained one of the most powerful attainments in alchemy, it had been months since he's performed an alchemical transmutation. The use of alchemy in the Ishvalen Restoration is tightly controlled due to the cultural beliefs and taboos surrounding alchemy in Ishvalen culture.
https://archiveofourown.org/works/76616866
Attack on Titan
Children of the Paths - WIP, currently updating, E
In the aftermath of the Battle of Heaven and Earth, Levi and a group of survivors find a new life in a small port town in Southern Marley. Three years later, Levi must find a way to heal from the grief of losing everything. A chance encounter with a stranger from a distant land kicks him out of his complacency and spurs him to make changes that will lead to a new future for himself beyond his current existence as the man who used to be Humanity's Strongest Soldier.
https://archiveofourown.org/works/84052171
Time is an Ocean and We Are All Made of Stars - Oneshot, M
This ficlet was drafted out for a June just-write event, I will start fleshing out into a real longfic once I'm finished with Children. Reincarnation, future-AU, LeviHan F/NB.
This fic is going to be super gay, it's going to be awesome.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Why Children of the Paths sort of took over my writing queue but I'm not mad about it.
When I first started writing CoTP I had just finished a second watch of Attack on Titan just because I wanted to get a better grasp on the political nuances, especially in the final season. And when I had watched it the first time those long stretches between the final episodes really left me with gaps in my understanding.
I watched the whole thing and was left with that empty feeling one gets when one is left with the ending of this particular series. And I was justâ I'm going to whip out a short little one-shot about the kids and Levi all living their lives after the war, to show that there's more to that ending and stave off the post AoT depression.
Michelle Sugimoto, MAPPA
I get to writing out this little story made up of vignettes of all the characters that starts with their evacuation from Fort Saltar after the rumbling, and I thought about doing sort of a grounded post-war type romance with Levi because I actually couldn't see Levi as a romantic lead at all. He just comes off as very non-sexy in the canon.
I do like stories featuring wounded ex-soldiers, Richard Harrow was my tragic GOAT in Boardwalk Empire after weird-looking but compelling Nucky Thompson. Richard Harrow had disfiguring facial injuries but was always a very sympathetic character who ended living a fringe life because there didn't seem to be a lot of options open to him. His deepest desire was to live a settled normal life with a family but he never got that chance.
Then, of course, I start doing my research and I find that while Levi is probably the most shipped character in the whole franchise, tragically, there are not a whole lot of options for post-war shipping compared to AU's and Canon-timeline. It's hard to ship post-war Levi because there aren't a lot of canon characters left.
But, people do come back from wars and go on to live pretty normal lives and disabled vets do get married and do all the usual stuff that people do despite their disability. That type of thing happens all the time, so there's no reason to assume Levi doesn't get a chance to do that too. And I like that premise for a story because no one deserve that more in the whole of AoT.
I started by researching things like how wheelchairs are used for different disabilities, and pain management options in the post war eraâ I chose the WWII era as an equivalentâ which were limited compared to what we have today. Things like non-addicting non-steroidal pain medications like acetaminophen and ibuprofen were just not available. I think over time as technology develops Levi might get better treatments and more ease in his life but the years right after the war are hard ones. I researched different reasons for wheelchair use, and learning more about chronic pain conditions so I could depict how Levi's post war life might reasonably look as an ambulatory wheelchair user.
I built an OC that I thought would be a good romantic foil for someone who's been through a whole lot of shit. There were several versions of this OC that didn't make the cut, and different times post-rumbling that I thought she might get injected into the timeline from right after the dust settled to a little later. The original short story is quite a bit different even if some of the main plot turning points are the same.
Her main character traits were that she was going to be age-matched to Levi, she was going to have her own history of trauma and displacement, she'd also be Eldian, she was going to have recently been through an event that caused her to have to change course in her life and choose a new careerâ very much like Leviâ, and she'd be the kind of person who would make big sacrifices for the greater good.
Some of my OC's are really just characters from other media that I'd like to cross over with the main fandom, and I kept getting an image of Madam Gina from Proco Rosso while developing my OC, Ada Weber. So pretty, very patient, very capable. Ada is an amalgamation some of my favorite studio Gibli heroines. She's got Sophie and Nausicaa and Sheeta DNA mixed in with Gina's stylish class. Race and weight aren't as important to Adaâ she's a brown haired, brown eyed, girl who tansâ but one thing she does have is an nice ass.
Since I center most of the narrative POV around Levi, she's a show-not-tell sort of character.
Her main flaws are that she'll jump into huge, life altering decisions but then start becoming unsure of herself, which can cause her to fail. She's very intelligent and very skilled with language so she has a bad habit of maintaining a mask of friendliness while shutting people out with expert deflections. This is a trait that Levi picks up on right away and gets around with his blunt nature. She also had a recent experience with PTSD which is the reason she leaves journalism and starts publishing books again and that makes her very emotionally reactive and she cries about everything even at inappropriate times, which she feels insecure about. I think this is a trait that a lot of people relate to.
The most important part of this story, though, is that I wanted this to be a romance with a disabled character that gets to have that romance, gets to be flawed, and be disabled at the same time. I did research into disabled tropes in media and put together a checklist of criteria for my story.
The disabled character needs to have agency, and needs to make choices for themselves.
The disabled character doesn't have to become less disabled in order to be desired or get romance.
The disabled character needs to have other traits and plotlines that aren't related to their disability.
The romantic interest isn't going to save the disabled character or carry their narrative.
The story setting was going to be slice of life, and I wouldn't depend on catastrophe or dramatic events to prove that the disabled character could still fulfill a heroic role despite his disability.
Anyway, that is a big list, and I have been checking my story elements against it every time I come up with a new scene. And because of this list I end up rewriting a lot of the big, main plot scenes so they land right.
The disabled character need to have agency, and needs to make choices for themselves.
One of Levi's big choices in the story is how he does pain management. I think Levi is the kind of guy who avoids substance useâ he's the definition of a teatotalerâ because as a character his whole goal is maintaining control. Having had experiences with opioids, and self insight into his own mental landscape, he knows that he's going to spiral if he becomes dependent on opioids for pain management.
At first he sort of acts like an unruly teenager about it, by just lying to his doctor about his complete abstinence from opioid medication. Later on, after a health crisis, he comes clean about his abstinence and gets a much better plan in place for pain management that honors his choices to avoid opioids.
The disabled character doesn't have to become less disabled in order to be desired or get romance.
I show Levi in romantic and intimate situations in various stages of mobility and visible able-ness or disabled-ness. But that doesn't mean that he doesn't struggle with it. He's very aware that being in the wheelchair changes the way people treat him and approach him, which makes him feel fundamentally alienated from having romantic connections.
That is why he pushes himself to get walking for Ada, because that's the only way he can conceive of having that kind of connection with herâ by being less disabled.
As we learn about Ada, though, she has a long time friendship and connection to her publisher Daniel Reid and his wife Elizabeth, who he met after his service and disability. Daniel Reid is a double amputee and wears a mask because of a severe facial deformity (like my GOAT Richard Harlow) but despite that he has achieved the thing that Richard and Levi want which is a normal settled family life after the war.
What Ada brings to the table is an understanding of how romance can develop and be accommodated for disability because she has such a good example set by Daniel and Elizabeth.
The disabled character needs to have other traits and plotlines that aren't related to their disability.
A big part of CoTP isn't about disability at all, it's about processing grief and building a life for yourself after war and loss. Levi's prolonged recovery from his injuries and the burden of his loss, means that it took him longer to get to the point where the idea that he might start moving forward in his life crosses his mind.
The last few frames of the animated series and the manga have Levi still looking pretty out of it in the refugee camp, and then he looks a little more self possessed but he looks to be in a fully developed town and Gabbi, Falco and Onyakopon are with him looking like they're ready to work or go to school.
I hint that right around chapter 1, that Levi is just recovering from a nervous breakdown. He's not in a good place, and he's thinking, I'll go live by myself and then possibly just die and get eaten by cats because those are the only 'autonomous' options he sees for himself at that time.
The romantic interest isn't going to save the disabled character or carry their narrative.
Ada has her own goals and her own motivations. She meets Levi by chance and forms a connection with him over reading. But while she may be a catalyst for change in his life, she's not driving it for Levi. She hangs out with him because he turned her on to a good bookstore and because they have some shared activities they like to do together.
Levi is also a catalyst for Ada, because as they explore the town together, she becomes inspired to write a whole extra book that she wasn't planning on writing. That's a big deal for Ada, too because she's a relatively new and unestablished writer. She also publishes under her real name instead of a pen-name for the first time.
I spent a lot of time depicting Levi's relationships to the canon characters who are still in his life, and how they also have two-way relationship, even though he still gets a lot of practical help from everyone. Onyakopon takes Levi to his PT appointments, but Levi is also a link back to Onya's adoptive community on Paradis and his connection to Hange.
Karina Braun cleans Levi's house, but he's also sort of a surrogate son to her, and helps he deal with her loneliness and desolation after her second estrangement from Renier.
He's a mentor to Gabby and Falco, a person they look up to. And collectively he's like an elder to the extended Eldian community,â which is meaningful because they probably lost a lot of Elders during their displacementâ facilitating deeper connections within the family units as they meet once a week for dinner.
The story setting was going to be slice of life, and I wouldn't depend on catastrophe or dramatic events to prove that the disabled character could still fulfill a heroic role despite his disability.
I wanted this to be a very safe feeling story. So there's no external crisis. No narrative interludes where Levi has to prove that he's still a guy who can save someone. In the manga, as a Captain of the Special Ops Squad, he does a lot of stuff as a leader, directing, encouraging, giving little speeches to guide wavering soldiers.
I leaned into depicting those aspects of his character instead, which makes for some ironically funny moments when it's clear he can't escape the Captain Levi title because those traits as a leader are still very much part of his personality.
Anyway, that's my little rant about writing this story that I'm enjoying. I hope other people enjoy reading it as I have enjoyed writing it. As a relatively new writer it's one of those first projects that will have a big impact on other work going forward.
"I brought you a gift," said Ada, holding the box out to him.
Levi took the box from her, but kept his distance. He opened the box and the fragrance of the tea leaves inside sparked a wave of homesickness that threatened to drag Levi under.
"How did youâŚ" he said. Piek had said he'd be getting tea from Paradis a couple of days ago.
"I brought you a gift," said Ada, holding the box out to him.
Levi took the box from her, but kept his distance. He opened the box and the fragrance of the tea leaves inside sparked a wave of homesickness that threatened to drag Levi under.
"How did youâŚ" he said. Piek had said he'd be getting tea from Paradis a couple of days ago.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
âWhat Other Options Were There?â â The Rumbling and the Limits of Human Choice
Whenever I see someone ask, âWhat other options were there besides the Rumbling?â in relation to Attack on Titan, I catch myself wishing we'd all take a huge step back and ask ourselves if that's even the right question to be asking.
Eren didnât initiate the Rumbling because he saw it as the optimal solution to a political crisis. He did it because he couldnât see any solution at all. He reached a point many trauma survivors do: the urge to burn everything down and start afresh. And honestly, that's pretty normal; Armin even admits heâd thought about it, too, during their final conversation in the Paths.
The important difference is that Eren acted on it. And, crucially, he didnât solve anything by doing so. Historiaâs letter makes that painfully clear: Eren's actions didnât bring about lasting peace. They sowed the seeds for future generations to repeat the same descent into fear, war, and destruction. The island survives, but it doesnât heal.
And that's because Attack on Titan isnât a story about solving crises.
Itâs a story about how humans, collectively, repeat the mistakes of history â only realising too late what the cost was. For example: Kiyomi regrets her political gambit in bringing Eren and Zeke together. Commander MĂźller begs his soldiers and the survivors assembled at Fort Salta to vow that theyâre done with mutual hatred. Everyone only sees the pattern once theyâre trapped deep inside it, facing down the consequences.
You could argue that one positive consequence of Erenâs actions â though indirectly, and not through his own agency â was the resolution of the Curse of Ymir. But even that wasnât really something Eren accomplished. He admits this himself in the Paths: âYmir had been waiting for someone⌠and that person was Mikasa.â It was Mikasaâs choice, her refusal to perpetuate the cycle of violence through love in bondage, that finally empowered Ymir to let go.
And we're shown that even that resolution isnât permanent. The very last scene with the boy and the dog approaching the tree makes it clear that history resets; the cycle begins anew. By that point, everyone who lived through the cataclysm and the children who remember them are long gone â in other words, the people who could have said ânever againâ with real weight behind it. All thatâs left behind then are people like me: history nerds who recognise the warning signs, and try to educate, contextualise, and point out where weâre headed if we donât change course. And yet⌠look at the world around you; weâve ended up there anyway. My efforts, and the efforts of countless others like me, clearly havenât stopped society from repeating the same patterns of fear, extremism, scapegoating, and dehumanisation.
Which is exactly the point Attack on Titan makes: even when the curse is lifted, even when the cycle should be broken, humanity has an astonishing capacity to recreate the very conditions that destroyed it.
Western storytelling sets us up to misunderstand Attack on Titan
I sincerely think that part of the problem is that popular Western narrative tradition trains us to expect stories to offer a clean resolution with a single moral; something like an Aesopâs fable ending.
Attack on Titan, to put it simply, is not that kind of story. Itâs an allegory. It observes human nature, and draws on philosophy, history, theology, and mythology. It illuminates patterns, rather than prescribing solutions. Itâs not trying to tell us what should be done; itâs asking us to notice how humans behave, and question what it means for us.
Ergo, a more meaningful question than âWhat other options were there?â might be,
âGiven the world I live in, what can I reasonably do?â
Attack on Titan challenges us to think about the tension between freedom and security â symbolised by going outside the Walls versus staying within them. For some people, the ideal balance leans toward exploration and risk; for others, protection and stability. Attack on Titan isnât telling us which one is right â itâs asking each of us to consider where our personal threshold is, and at what point weâd stand up and fight if that balance were threatened or taken away.
At the same time, it suggests that things that are outside of our control perhaps matter less than giving thoughtful consideration to the things we can realistically do something about. That meaning and purpose come from staying rooted in the present, seeking understanding rather than fearing the unknown, and valuing small moments of connection we find with others. And, maybe â just maybe â if more of us did that, instead of buying into hatred and culture wars, weâd be a more peaceful society overall.
Tl;dr â the Rumbling isnât âthe solution.â Itâs an example of how bad things could get.
Ironically, I think that if Attack on Titan does have a moral, itâs probably nothing more complicated than touch grass. Which is funny to me, considering how often fans and haters alike seem to forget to do exactly that.
The âEldian problemâ framing itself is the issue
When people ask âWhat other options were there?â, theyâre assuming that there was an inherent problem to be solved: âthe Eldian problemâ requiring a âfinal solution.â And historically, that kind of language is not only reductive â it's dangerous.
In early 20thâcentury Europe, political discourse included talk of âthe Jewish question.â Today, similar, dehumanising rhetoric resurfaces in discussions about other marginalised groups (e.g. âthe trans debateâ). Hitlerâs âfinal solutionâ was genocide â the Holocaust, literally âsacrifice by fire.â The Rumbling mirrors that logic: annihilation framed as necessity.
This is why I push back on the premise. In Attack on Titan's case, the story isnât asking us to solve anything. Itâs asking us to recognise how extremism frames itself as inevitability.
Thus, Erenâs tragedy is that he became the thing he hated most.
Attack on Titan repeatedly shows that outcomes canât be predicted
This is another reason I find the âWhat else could they have done?â debate to be flawed: Attack on Titan is riddled with worked examples of the impossibility of predicting outcomes. I mean, Leviâs guiding philosophy is literally, âMake the choice you think youâll regret the least.â
In terms of what other options there might have been, to enact a smallâscale Rumbling was meant to be the plan. However, its success depended on Eren's compliance. Of course, when Eren did gain the power to act on it, he chose to enact the full-scale version instead.
But then, throughout the story, every time a best-laid plan gets compromised, it's always down to some unforeseen variable:
Erwin predicts that there are other Titan shifters besides Eren, but not the Female Titanâs ability to call other Titans (creating the diversion that allows Annie to evade capture).
Levi fails to predict Kennyâs involvement in the kidnapping of Eren and Historia.
The Scouts plan to use Eren's hardening ability to seal Wall Maria, but they fail to predict how Zeke will use the terrain and his ability to control Titans to divide and eliminate them.
Hange says something important in the anime (and Historia's letter echoes it): that outcomes affecting groups arenât determined by any one personâs decisions, but by the collective choices of many. Fandom debates canât replicate that condition, when theyâre really just individual egos sparring.
Then what is the central thesis?
For my two pennies' worth, it's probably not: âHow do we stop humans committing atrocities?â
And something more along the lines of: âHow can we live, knowing we canât control everything?â
Attack on Titan asks us to reflect on our individual choices, accept what we canât control, and to do our best with what we can â while valuing connection, curiosity, and staying grounded in the present. And perhaps, if more people chose to live that way, atrocities like the Rumbling would be far less likely to occur in the first place.
Because peace isnât something that simply happens â itâs something everyone has to actively work towards.
I do like to draw every once in a while, although it's been a hot minute since I tried doing a digital rendering of anything at all, so this is a bit vulnerable for me.
This WIP depicts grief and loss and goes along with one of the heaviest chapters.
Now that he had the time to ruminate, he thought that he might have just died there on the ship and the rest of all of this was some kind of shitty afterlife where everything kept on going the way it was.
That was Levi's idea of hell. Hell meant being dead but not being able to let go so he got stuck in this half-life that didn't make any sense.
On days like this he felt that if he wasn't about to fade into nothing then he would lie in bed forever and let the rest of the world forget him.
After his unplanned hospitalization at the end of last summer, he'd come clean to Dr. Mara about his morphine use, or his refusal to use it. He'd said he knew what he would do if he'd started to rely on it. Said the way he was he wouldn't be able to stick to the dose that she'd prescribe, that he'd want more that that. And then more, and still more.
Dr. Mara had understood. Said it wasn't uncommon among her other patients who were veterans. Then she'd insisted that he get himself a better wheelchair, one that was lighter and easier to propel and steer himself, and she prescribed pills made of less potent medicine to take only in the evening before bed. She still encouraged him to walk as much as possible, but now that he knew his limits she also expected him to use the mobility aids as necessary.
After his unplanned hospitalization at the end of last summer, he'd come clean to Dr. Mara about his morphine use, or his refusal to use it. He'd said he knew what he would do if he'd started to rely on it. Said the way he was he wouldn't be able to stick to the dose that she'd prescribe, that he'd want more that that.
And then more, and still more.
Dr. Mara had understood. Said it wasn't uncommon among her other patients who were veterans. Then she'd insisted that he get himself a better wheelchair, one that was lighter and easier to propel and steer himself, and she prescribed pills made of less potent medicine to take only in the evening before bed. She still encouraged him to walk as much as possible, but now that he knew his limits she also expected him to use the mobility aids as necessary.
Here's some of my ongoing work on Ao3. I like to write character-driven series that address grief, trauma, and all that angsty stuff that we love to read about. Current fandoms and Attack on Titan and Fullmetal Alchemist. Each work is a WIP in some way.
Full Metal Alchemist
The Flame of Ishval - Series WIP, work complete, M
Roy Mustang awakens in Ishval, this time he's here to oversee the Restoration efforts. Despite having gained one of the most powerful attainments in alchemy, it had been months since he's performed an alchemical transmutation. The use of alchemy in the Ishvalen Restoration is tightly controlled due to the cultural beliefs and taboos surrounding alchemy in Ishvalen culture.
https://archiveofourown.org/works/76616866
Attack on Titan
Children of the Paths - WIP, currently updating, E
In the aftermath of the Battle of Heaven and Earth, Levi and a group of survivors find a new life in a small port town in Southern Marley. Three years later, Levi must find a way to heal from the grief of losing everything. A chance encounter with a stranger from a distant land kicks him out of his complacency and spurs him to make changes that will lead to a new future for himself beyond his current existence as the man who used to be Humanity's Strongest Soldier.
https://archiveofourown.org/works/84052171
Time is an Ocean and We Are All Made of Stars - Oneshot, M
This ficlet was drafted out for a June just-write event, I will start fleshing out into a real longfic once I'm finished with Children. Reincarnation, future-AU, LeviHan F/NB.
This fic is going to be super gay, it's going to be awesome.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
You can eat these edibleberries. @edibleberries - Tumblr Blog | Tumlook