Solitaire Cat by Kelly Pringle

oil paintings on wood by Angela Lane (1974-)

oh to be a pretty little ginger cat snoozing in the dappled shade of the wild mango tree

Lewis Chamberlain.

Appreciated by a small circle of specialists but almost unknown by the broader public until today, Hans Emmenegger proposed at the start of the 20th century stylised compositions on subjects that were actually novel for the time. The choice of unusual viewpoints lends his compositions a static, supernatural dimension. The atmosphere of oddity and uncanniness that looms up from these depictions is further emphasised by a dissonant chromaticism applied almost without gradations. Far from the use that his friends Cuno Amiet and Giovanni Giacometti made of colour, which produces a light-filled atmosphere in their work, Emmenegger freely dramatised his compositions and selected his colours according to the contrasts he wanted to obtain.

Kaoru Yamada

Yvonne Helene Jacquette Galaxy of Night Lights 2008 Exhibited at DC Moore Gallery, Winter 2010 oil on canvas 33" x 44"

Della Camilleri (Italian, b. 1964) ‘Under the Raindrops’ Acrylic on canvas, 50 x 40cm

assemblyglassworks

Oil on masonite panel

carolsiddorn

Patrick Saunders (American, b,1976), Late Afternoon, Oil on canvas

Shiro Kasamatsu 笠松 紫浪 (Japan, 1898-1991) Pasturing of Cattle, 1979 color woodblock print

Internet Archive

"Full Moon"

The stone floor of a church in Brittany, France comes alive with color as morning sun filters through stained glass. photo: Jim Richardson