Meditations on Existence

MAUREEN O'HARA and JOHN WAYNE in THE QUIET MAN (1952) dir. John Ford

“My objective in this work is to document an extraordinary art form - vernacular art and architecture in West Africa - that is not transportable and therefore not seen in museums around the world. It is an attempt to capture the unseen Africa, a glimpse into the homes and into the spirit of very proud and dignified peoples. In much the same way as I photographed the art of Ndebele women, I have drawn on my personal affinity for the art itself, for methods, design and form, rather than the socio-anthropological or political realities of a people or continent in dilemma. These images portray a unique tradition of Africa, a celebration of an indigenous rural culture in which the women are the artists and the home her canvas.”

Time Square in 70′s

photo by Victoria Carlson

(National Gallery, London)

Unfaithful (2002) dir. by Adrian Lyne

Photo Credit: Ronan Mckenzie

Hamda Al Fahim bridal couture collection

Medium: oil,canvas

https://www.wikiart.org/en/edvard-munch/lady-from-the-sea-1896

Alexander McQueen Pre-Fall 2017 Collection

Candyman (Bernard Rose, 1992)