9th doctor you have to stop. your doc martens too classic. your leather jacket too cunt. your buzzcut too perfect. your swag is too lesbian...9th doctor they'll kill you.
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@dykeninthdoctor
9th doctor you have to stop. your doc martens too classic. your leather jacket too cunt. your buzzcut too perfect. your swag is too lesbian...9th doctor they'll kill you.

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So You Watched Obsession And Want To Mainline Curry Barker's Short Horror:
wonderful news!! curry barker is one of my favorite (if not my favorite, hands down) short horror directors. as someone who has watched hundreds and hundreds of short horror films on youtube.
here are five of his films with the runtime and a quick summary of each. (sorry if i miss any, these are what i remember off the top of my head!) i've avoided spoilers beyond the basic premise, but every single one of these deals with Absolutely Haunting Thematic Shit:
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THE CHAIR - 25 minutes
when horror connoisseurs hear "curry barker," they usually think of the chair first. barker was approached to make this into a full-length film & pitched obsession instead... GREAT choice, as i don't think the chair would Work with extra runtime.
a man finds an old chair on the side of the road and brings it home to his girlfriend. strange events begin to unfold -- his girlfriend's behavior becomes increasingly erratic, he's losing time, he's unraveling at the seams....
if you enjoyed the fucked-up relationship dynamics in obsession then you will probably have a good time.
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MILK & SERIAL - 62 minutes
barker's other best-known horror film. a twisty found footage thriller about youtube pranksters whose pranks Go Wrong (TM).
i can't say much more than that.... if you watched obsession and thought "pretty good, but pretty predictable. i wonder how curry barker would handle a psychological thriller with more plot twists??"
boy, does this film have an answer!!
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ENIGMA - 20 minutes
this is a psychological thriller about a man dealing with the impending end of the world. explores how other people are also dealing with the end of the world.
i fear i'll give a skewed impression if i say this one is sort of a feel-good film..... but OF the films on this list, it's Certainly the most optimistic. my partner rafi (who really hates depressing horror) watched it with me and concluded, "oh, that was kind of sweet, actually!!"
this one's great if you want a palate cleanser after The Unrelenting Gutwrenching Horror of obsession.
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WARNINGS - 20 minutes
my personal favorite!! criminally underrated!! upsetting in a way that stuck to my skin for days!!
a man starts receiving strange written warnings on halloween. things around him begin to unravel.
similar to the chair in its unsettling surreality, but with a bit more supernatural influence imo. you'll recognize a lot of parallel imagery to obsession, especially with Strange Movement and Nightmare Experiences.
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HEAVY EYES - 5 minutes
the shortest one on this list if you just want to dip your toes in real quick... a pretty easy time investment if you've never watched short horror and aren't sure if you'll like it!
a boy's mom comes home unexpectedly at night.
the only problem?? she's still texting him from the hospital where she works.
this one is both scary and ended up Way More Haunting than i thought a 5-minute short could. even thinking about it makes my stomach kind of hurt.
on my second viewing of obsession, i had the realization that nikki’s story at the party wasn’t the movie using incest as an easy shorthand for making the audience uncomfortable or creating a general “things are off” vibe but was another way the real nikki was crying out—a metaphor for the fact that nikki, like gretel, is being made to fuck her “little brother” (bear) under duress, at the behest of an external magic (the witch’s spell in her story; obviously, bear’s wish)
Just saw the interview where Curry Barker explained that it's totally possible to get a normal wish from the One Wish Willow, and I love the way they did that so much. The reason Obsession happened isn't because it's trying to twist Bear's desires into something evil. It's not even because he phrased his want wrong. Obsession happened because Bear got his hands on a magic item that could do anything in existence, and chose to force someone to fall in love with him, which is an inherently evil thing to do.
there’s something so gutwrenching about the fact that the female characters in obsession have real dreams and wishes but never get the chance to see them realized, while both male characters waste their wishes on short-term selfish satisfaction. they were complex, free-spirited young women who just wanted to create art, and they were destroyed by a man determined to confine them to his superficial perception of them. nikki wanted to be a writer, sarah wanted to be a tattoo artist and now neither of them will get to be anything at all

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how many apples tall are yall?
LMAO and Loam have the same letters. coincedence? or is this another shining truth that earth and soil is joyous and plentiful
something i actually just realized on call w some friends recently is how crazey it is that your online friends are as many as thousands of feet above or below u right now. like if you teleported to their location without changing your height above sea level, well your fucked in some way basically
How high above sea level are you right now?
0-250 feet
251-500 feet
501-750 feet
751-1000 feet
1001-2000 feet
2001-3000 feet
3001-4000 feet
4001-5000 feet
5001-6000 feet
6001-7000 feet
7001-8000 feet
8001+ feet
just saw pictures from mike flanagan carrie
okay serious fucking question, must he de-fang every female character he touches?
mike, it's actually more interesting for audiences that margaret is an abusive religious fundie (and also a victim of marital rape) who tries to literally beat the idea of sin into her daughter, it is actually TIMELY to adapt that correctly at this particular american moment. WHY is he so scared of every piece of source material that has ever been handed to him? i MUST know
you're laughing, mike flanagan wants to do gilmore girls with telekinetic rage and you're laughing
what if carrie was about a young witch searching for a missing cat in the alps
sounds like ass 🩷 how much do you want to bet carrie won’t purposefully kill anyone in this version
i hate this motherfucker so much oh my god. will this series finally be the wake up call for the horror community to stop sucking his dick

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how eerie to hear they're going to remake carrie. how eerie to hear they have made the mother into some kind of gentle well-meaning figure.
carrie is almost explicitly about the cycles of abuse. it is almost explicitly about how women and girls are taught to reproduce the patriarchy. it cannot be isolated from either message.
it shows cruel teenagers not as a random whacky plot point but instead to highlight that we are taught to mock other girls for not being fuckable; lest we ourselves be considered not-fuckable. we will eat our own kind to survive. nobody helps her because to help carrie would be to turn against the patriarchy.
carrie's mother has experienced abuse at the hands of her husband and religion not as a "sad backstory" but instead because it lampshades her behavior when she then turns and abuses her daughter while citing that same religion. we are forced to ask the question: what is the difference between the patriarchy and religion? aren't they both systems of control? we often see mothers as being the "ultimate" in innocence and kindness - but this book challenges that narrative. abusive mothers exist, and and always have. abusive women exist and always have. white women, after all, love voting for donald trump.
men are almost absent from the book, but their presence lingers. it feels almost like the red mark made after a slap - the men do not have to be there; the women will continue to abide by the rules without question. it is a devastating, haunting condemnation of the notion of feminine fragility. it accurately asserts that women are cruel, are capable, are power-hungry - and often are hiding behind perceived innocence to mask that cruelty. the abuse carrie experiences rests in a doubled betrayal: it is because of another woman. the supposed "sisterhood" is revealed to be thin, a guise of equanimity that is only offered to the "right" type of girl/woman.
many of us were not the right type of girl.
to go back on these main and obvious themes of the book - to rewrite the mother as some caring and sad creature is... a curious choice. i can't explain it, but it feels almost like censorship to me. it refuses a deeper meaning of the book (and one that questions the patriarchy) in favor of the incredibly thin plot of "what if scary girl had scary powers." i literally don't even know what level of misogyny it is that we have to defang everyone around her in order to tell her story. i'm baffled by it.
in the era of trad wives endlessly posting abusive content of their children online - the adaptation had plenty of meat to modernize her mother. in the era of AI and revenge porn and social media - there's a huge amount of space for a competent writer to play around in. after all, if the abuse is recorded and posted to media - and as the audience we're watching it without interfering - the story is now about us. it asks us who we are comfortable bullying.
it's okay if you feel like you don't have the writing chops to talk about how many religions are abusive and tacitly enable domestic violence. it's okay if you feel like you couldn't write a believable teenage bully. it's okay if you're just interested in "scary girl has scary powers."
but maybe, i don't know, choose a different fucking story?
various tv, film, and theater producers for the last 50 years smacking themselves in the forehead like fuuuuck how can we make it easy to understand why carrie is alienated from her peers and callously bullied at school WITHOUT making her a hideous fatass like in the book
Do you know her
Yes
No
the last food you ate is your nickname now how is it going
good
bad
great
awful
results
If you were handcuffed to your girl blorbo with magical unbreakable handcuffs for 24h, would you be okay with this?
I trust her, I’ll be fine
I trust her, but it’ll be a stressful 24h
It depends on what kind of day we’re having
This is gonna suck…
Other/nuance

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people get so mad when you tell them that their lowbrow entertainment they enjoy is actually lowbrow
everyone wants their self-indulgent romantasy to be considered high literature and whatever new mainstream pop boy/girl to be treated as the next beethoven and their gay fluff show on streaming apps to be revolutionary art changing the world and like, they're not. and that's okay. i'm literally watching the stupidest show right now and it's fine. it doesn't have to be more.
there's also the argument of how pop culture used to be the trickle down from high culture for the longest time but now it's an ouroboros eating itself as access and willingness to engage with high culture have been systematically destroyed and diminished through the last decades so your popcorn flick moviemaker now only gets inspiration from other popcorn flicks when their foreparents used to actually read literature and see art of all kinds and your pop musicians used to listen to all sorts of new and old music rather than just their contemporaries/competition and maybe this absence of any sort of culture outside of our easy algorithms is why everyone's so defensive of what they passively consume and so attached to it as a part of their identity but that's a discussion for another day
in of body experience
LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT
i'm a girl now