9th doctor you have to stop. your doc martens too classic. your leather jacket too cunt. your buzzcut too perfect. your swag is too lesbian...9th doctor they'll kill you.

blake kathryn
Jules of Nature

roma★

Andulka
The Bowery Presents
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

titsay

oozey mess

if i look back, i am lost
One Nice Bug Per Day
he wasn't even looking at me and he found me
Sweet Seals For You, Always
macklin celebrini has autism
noise dept.
let's talk about Bridgerton tea, my ask is open
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@dykeninthdoctor
9th doctor you have to stop. your doc martens too classic. your leather jacket too cunt. your buzzcut too perfect. your swag is too lesbian...9th doctor they'll kill you.

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something i actually just realized on call w some friends recently is how crazey it is that your online friends are as many as thousands of feet above or below u right now. like if you teleported to their location without changing your height above sea level, well your fucked in some way basically
How high above sea level are you right now?
0-250 feet
251-500 feet
501-750 feet
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1001-2000 feet
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8001+ feet
just saw pictures from mike flanagan carrie
okay serious fucking question, must he de-fang every female character he touches?
mike, it's actually more interesting for audiences that margaret is an abusive religious fundie (and also a victim of marital rape) who tries to literally beat the idea of sin into her daughter, it is actually TIMELY to adapt that correctly at this particular american moment. WHY is he so scared of every piece of source material that has ever been handed to him? i MUST know
you're laughing, mike flanagan wants to do gilmore girls with telekinetic rage and you're laughing
what if carrie was about a young witch searching for a missing cat in the alps
sounds like ass 🩷 how much do you want to bet carrie won’t purposefully kill anyone in this version
i hate this motherfucker so much oh my god. will this series finally be the wake up call for the horror community to stop sucking his dick
how eerie to hear they're going to remake carrie. how eerie to hear they have made the mother into some kind of gentle well-meaning figure.
carrie is almost explicitly about the cycles of abuse. it is almost explicitly about how women and girls are taught to reproduce the patriarchy. it cannot be isolated from either message.
it shows cruel teenagers not as a random whacky plot point but instead to highlight that we are taught to mock other girls for not being fuckable; lest we ourselves be considered not-fuckable. we will eat our own kind to survive. nobody helps her because to help carrie would be to turn against the patriarchy.
carrie's mother has experienced abuse at the hands of her husband and religion not as a "sad backstory" but instead because it lampshades her behavior when she then turns and abuses her daughter while citing that same religion. we are forced to ask the question: what is the difference between the patriarchy and religion? aren't they both systems of control? we often see mothers as being the "ultimate" in innocence and kindness - but this book challenges that narrative. abusive mothers exist, and and always have. abusive women exist and always have. white women, after all, love voting for donald trump.
men are almost absent from the book, but their presence lingers. it feels almost like the red mark made after a slap - the men do not have to be there; the women will continue to abide by the rules without question. it is a devastating, haunting condemnation of the notion of feminine fragility. it accurately asserts that women are cruel, are capable, are power-hungry - and often are hiding behind perceived innocence to mask that cruelty. the abuse carrie experiences rests in a doubled betrayal: it is because of another woman. the supposed "sisterhood" is revealed to be thin, a guise of equanimity that is only offered to the "right" type of girl/woman.
many of us were not the right type of girl.
to go back on these main and obvious themes of the book - to rewrite the mother as some caring and sad creature is... a curious choice. i can't explain it, but it feels almost like censorship to me. it refuses a deeper meaning of the book (and one that questions the patriarchy) in favor of the incredibly thin plot of "what if scary girl had scary powers." i literally don't even know what level of misogyny it is that we have to defang everyone around her in order to tell her story. i'm baffled by it.
in the era of trad wives endlessly posting abusive content of their children online - the adaptation had plenty of meat to modernize her mother. in the era of AI and revenge porn and social media - there's a huge amount of space for a competent writer to play around in. after all, if the abuse is recorded and posted to media - and as the audience we're watching it without interfering - the story is now about us. it asks us who we are comfortable bullying.
it's okay if you feel like you don't have the writing chops to talk about how many religions are abusive and tacitly enable domestic violence. it's okay if you feel like you couldn't write a believable teenage bully. it's okay if you're just interested in "scary girl has scary powers."
but maybe, i don't know, choose a different fucking story?

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various tv, film, and theater producers for the last 50 years smacking themselves in the forehead like fuuuuck how can we make it easy to understand why carrie is alienated from her peers and callously bullied at school WITHOUT making her a hideous fatass like in the book
Do you know her
Yes
No
the last food you ate is your nickname now how is it going
good
bad
great
awful
results
If you were handcuffed to your girl blorbo with magical unbreakable handcuffs for 24h, would you be okay with this?
I trust her, I’ll be fine
I trust her, but it’ll be a stressful 24h
It depends on what kind of day we’re having
This is gonna suck…
Other/nuance
people get so mad when you tell them that their lowbrow entertainment they enjoy is actually lowbrow
everyone wants their self-indulgent romantasy to be considered high literature and whatever new mainstream pop boy/girl to be treated as the next beethoven and their gay fluff show on streaming apps to be revolutionary art changing the world and like, they're not. and that's okay. i'm literally watching the stupidest show right now and it's fine. it doesn't have to be more.
there's also the argument of how pop culture used to be the trickle down from high culture for the longest time but now it's an ouroboros eating itself as access and willingness to engage with high culture have been systematically destroyed and diminished through the last decades so your popcorn flick moviemaker now only gets inspiration from other popcorn flicks when their foreparents used to actually read literature and see art of all kinds and your pop musicians used to listen to all sorts of new and old music rather than just their contemporaries/competition and maybe this absence of any sort of culture outside of our easy algorithms is why everyone's so defensive of what they passively consume and so attached to it as a part of their identity but that's a discussion for another day

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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in of body experience
LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT LET ME OUT
i'm a girl now
something i actually just realized on call w some friends recently is how crazey it is that your online friends are as many as thousands of feet above or below u right now. like if you teleported to their location without changing your height above sea level, well your fucked in some way basically
"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem “intimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.” Crucially, he added that this is “not a matter of laziness on the part of the students” but of underlying skills they were never given a chance to build.
The Chronicle of Higher Education’s 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of “meet your students where they are” for so long that she has begun to feel “like a cruise director organizing games of shuffleboard.”
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessment’s own language, they likely “cannot draw general conclusions based on concepts presented explicitly in a text.” And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austin’s McCombs School of Business showed that the mere presence of a participant’s smartphone — whether that be face down, powered off, untouched, or across the desk out of vision — measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japan’s Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they “kept losing track” of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled “Your Brain on ChatGPT.” They divided 54 participants into three groups writing SAT-style essays — one using ChatGPT, the second group using a search engine, the last group using nothing — and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and “consistently underperformed at neural, linguistic, and behavioral levels.” Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term “cognitive debt” for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brain’s engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the student’s mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not “free students up for higher-order work.” It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their K–12 schooling. Whatever the standards’ original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling “evidence” from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on “finding the main idea” in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as “severe or very severe.”
In July 2025, the journalist Mary Harrington argued in The New York Times that “thinking is becoming a luxury good.” The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a “deep work” lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a source’s claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into “this is good” and “maybe add more details” the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
I’m afraid I don’t have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? K–12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that “students will adapt.” They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish students’ sentences before they’ve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
— Tyler Jagt, 1 June 2026, "My Students Can’t Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
The BEST trope is when a character tells another “let’s run away together, we can leave all of this behind and start a new life somewhere” and gets rejected. And then the rest of the tragedy unfolds
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<sauce style=" type:mayo flavor:cranberry"></sauce>
<cheese style="type:swiss"></cheese>
<meat style="animal:pig, cut:bacon"></meat>
<deli style="animal:turkey, cut:slice"></deli>
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I’m such a “yay <3” person like unironically a hip hip hooray type of personality
if there is one thing that tumblr has done to my texting it is the inclusion of arrows <- uses arrows basically anywhere <- loves arrows <- #myarrows