Ed Mell - Red Rock Cloud Drift
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Ed Mell - Red Rock Cloud Drift

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Pleinair,ย Francesco Lo Castro, 2026
Joan Miro Woman, (Opera Singer) pastel and pencil on flocked paper 42 by 28 inches
by the lakeside
the season is pregnant with ย ย ย ย ย ย ย ย ย ย ย turtles leaving ย ย the lake to nest, heavybodied, ย with red-blue-iridescent dragonflies ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย flitting across the surface ย ย ย ย ย ย in search of something, ย ย with wildflowers unfolding, ย ย ย ย ย ย ย ย ย ย ย ย fanning out from puckered buds ย ย into terse displays. ย
love is perched where thoughts of you ย ย ย ย ย ย ย ย ย ย ย ย ย linger. scattered like cast runes. among the fronds, ย ย ย ย ย ย ย ย with sunk, glistening pebbles. ย ย ย along the sun-fed veins ย of flowing water.
ย ย ย ย like crinkled paper-glass inside pockets of moss ย ย ย ย ย ย ย ย ย ย ย ย that cling to the earth.
ย ย ย ย like congealed nectar ย ย ย ย ย ย ย ย ย ย of floating algal blooms ย ย ย ย ย ย ย ย ย ย ย ย ย that are beginning to flourish.
ย ย ย ย like the slowly rising timbre of frog-song ย that reaches a crescendo ย ย ย ย ย ย ย and dissolves into nothingness ย ย ย ย ย ย ย ย ย ย ย ย ย ย at the slightest ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย tug.
ยฉ SoulReserve 2022
by Max Bill, 1965

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Charles Baudelaire, Evil Fate The Flowers of Evil, tr. William Ageler Originally published 1857
Sunrise at the Funhouse, 2026
๐๐ฒ๐ฎ๐ป-๐ ๐ถ๐ฐ๐ต๐ฒ๐น ๐๐ฎ๐๐พ๐๐ถ๐ฎ๐ One-Eyed Man. 1982. Acrylic, spray paint, oilstick and Xerox collage on panel: 183 ร 122 cm (72 ร 48 in).
There's a hint of Joan Miro in this piece.
Through the Looking Brass, 2026, Oil on canvas, 18"x24"
I can't believe it! I sold this painting! It's my interpretation of the Green Man mythology, a pre-christian concept that embodies rebirth, nature, fertility, and interconnectedness. Thanks, Green Man!

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โThe Brain -- is wider than the Sky --...โ
by Emily Dickinson
The Brain โ is wider than the Sky โ For โ put them side by side โ The one the other will contain With ease โ and you โ beside โ
The Brain is deeper than the sea โ For โ hold them โ Blue to Blue โ The one the other will absorb โ As sponges โ Buckets โ do โ
The Brain is just the weight of God โ For โ Heft them โ Pound for Pound โ And they will differ โ if they do โ As Syllable from Sound โ
Carole A. Feuerman
Nude Moran, 2011
Oil on resin
ย Superrealist movement
My Shadow Soul
dancing at the
Doors of Dawn
blows a mighty
Golden Horn
That wakes the Dead
from Slumber Deep
and shakes the Earth
beneath my Feet
Patch keeps her prophecies in her whiskers. ๐ฎ๐
She does not speak in thunder or candle smoke like the frauds downtown. No velvet robe. No dramatic music. Just a gray-striped oracle standing barefoot on carpet, staring into a crystal sphere like the universe owes her answers.
Inside the glass ball the world bends strangely. The room folds inward. Your camera becomes a tiny mechanical moon trapped beneath her nose. And Patch studies it all with the grave concentration of an ancient fortune teller reading destiny from spilled tea leaves.
She sees things.
Not the future exactly. Cats are above such linear arrangements.
She sees the 3 a.m. loneliness before you do.
The mornings you will survive by coffee and stubbornness alone.
The unopened grief hidden in junk drawers and old hoodies.
The exact second a human heart begins healing while pretending it isnโt.
For payment, she accepts crinkly receipts, unattended water glasses, and souls lightly seasoned with tuna.
By dusk, Patch will leave the crystal ball and sprint through the hallway after an invisible enemy only she can see. But for this single suspended moment, with sunlight crowning her ears gold and her pupils wide as eclipses, she looks less like a housecat and more like a tiny furry god consulting the architecture of fate.
She gleams upon the crest beneath the sun, a bright silver forgetting, a brief white mouth of foam drinking light and calling it herself, until the sea loosens beneath her and she drifts downward through green cathedrals into the blue ache below, where old griefs bloom as coral from the skeletons of vanished selves, where longing sheds its skin and sinks, where names dissolve into salt and silence, and deeper still the abyss stirs her, churns her, unravels her thread by thread into the vast breathing body that dreamed her, until she is no longer wave but depth, no longer crest but current, no longer a solitary brightness trembling against the horizon, but the whole dark ocean remembering its own face, and then rising again, carrying the abyss inside her, lifting toward sunlight, toward wind, toward another luminous breaking, another holy forgetting, another shining moment of ocean pretending to be a wave.

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โThe tyrant will always find a pretext for his tyranny, and it is useless for the innocent to try by reasoning to get justice, when the oppressor intends to be unjust.โ - Aesop
Nothing At All
As I stared at the clock, watching the minute hand repeatedly bounce back and forth between 12:00 and 12:01, I began to realize with a sinking feeling that I was no longer existing in the normal slip stream of time. Wtf was happening?
Would I be trapped forever on repeat, unable to escape back into the usual entropic flow? My heart raced with fear, anxiety welling up like an errant ice cube accidentally stuck in my throat, not moving, not melting, cutting off all breath with no way to remove it. I felt as if the whole universe was spinning down into a bottomless pit with no chance of escape.
Then, as if from a great distance, I began to hear my name being called, ever so soft at first, then louder and louder until it was like thunder breaking across a darkling sky. All at once there was a loud pop and once more the clock began to tick forward as if nothing had happened, nothing at all.