Dnevnik, Zagreb Film, Dir. Nedeljko DragiÄ, 1974
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Dnevnik, Zagreb Film, Dir. Nedeljko DragiÄ, 1974

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The Enchanted Square, Famous Studios, 1947. Directors Seymour Kneitel and Orestes Calpini (animation). âScenicsâ by Shane Miller.
Eerie and atmospheric nighttime sea scenes as could only be rendered by âGhastlyâ Graham Ingels. Originally from âHalf-Baked!â from Tales from the Crypt #40.
Original and final cover art plus two masterful interior pages by Bernie Wrightson from Swamp Thing #6, published by DC Comics, September 1973.Â
Xenozoic Tales #5 by Mark Schultz
Kitchen Sink Press

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Beautiful underwater scenes by George Evans. Originally from âAll Washed Up!â from Haunt of Fear #15, âA Creep in the Deep!â from Haunt of Fear #16, and âPearly to Deadâ from Tales from the Crypt #40.
Artwork from âRomancing Saga 3Ⲡon the Super Famicom. @reuniverse_en
A comic by Go Nagai from issue 150 of Famitsu that is all kinds of awesome. If anybody knows what this is called, the context, and where I can find more, please let me know!
Source: Japanese Magazine Scans
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The Glass Harmonica by Andrei Khrzhanovsky
Strange Days by Peter Milligan, Brendan McCarthy & Brett Ewins

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What are you hiding inside?
Ink on A4 paper.From my comic âLe verbe noirâ, chapter 3.Â
Sketch here.
Read it here: https://www.amilova.com/fr/BD-manga/2858/le-verbe-noir.html
Dimensions of Dialogue, Jan Ĺ vankmajer, 1982/83
Sergio Toppi
spectrum object_94_yang joon il - âRebeccaâ
ZdzisĹaw BeksiĹski

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teen look magazine, 1960s
William Holbrook Beard
In art history classes too much time is always spent learning about artists who were part of big movements. While I understand why that is done -- to make history easier to understand in a linear fashion (which it really isnât), I wish more time was spent learning about artists like this. I love finding artists from the 19th and 20th centuries who werenât Impressionist or Post-Impressionist or Neo-Classical or Cubist or Expressionist or whatever other pretentious âismâ was out there. They just did their own thing and were awesome at it. In my opinion, they deserve to be more fondly remembered and more frequently studied than most of the hacks we learn about in later 19th-20th century art history classes. Stuff like this is why this blog exists, I just wish I had more time to do digging and post myself instead of reblogging every so often...