Jeune fille au jardin (1936), dir. Dimitri KirsanoffÂ
let's talk about Bridgerton tea, my ask is open
Lint Roller? I Barely Know Her
macklin celebrini has autism

I'd rather be in outer space 🛸
noise dept.


gracie abrams
Sweet Seals For You, Always

PR's Tumblrdome
PUT YOUR BEARD IN MY MOUTH
sheepfilms
occasionally subtle
Claire Keane
cherry valley forever

@theartofmadeline
Fai_Ryy
Show & Tell
almost home
ojovivo

seen from United States

seen from Finland

seen from United States

seen from United States
seen from United States

seen from Colombia

seen from Malaysia
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from Paraguay
@dreamsofmutiny
Jeune fille au jardin (1936), dir. Dimitri KirsanoffÂ

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Some sort of clarity, a vision crystal clear even amid the chaos.
So many things I have unloved by now. So many things no longer interest me.
I left the burden behind without even noticing.
Closer now to what is true, closer now to what is real, and not at all hesitant to forget what is not.
Death, too, is love.
straw house, straw dog, richard siken
“The depths I craved, the darkness, the finality, the absolution.”
— Anaïs Nin, Henry and June: From “A Journal of Love” — The Unexpurgated Diary of Anaïs Nin
“You’re [a] monster. But so am I—which is why I can’t turn away from you.”
— Ocean Vuong, On Earth We’re Briefly Gorgeous: A Novel

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Massimo Nota. 2014
A Woman’s Case (Jacques Katmor, 1969)
“Each individual reserves the right to ruin his or her life as quietly or as flamboyantly as he chooses.“Â
Source details and larger version.
Lots of interesting stills from the one-and-only Dark Shadows.

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Julia Soboleva, “Is Anyone Home?”
Julia Soboleva, “Reunion”
Apparition II, Małgorzata Maj/Sarachmet
Hugo Steiner-Prag (1880–1945)
illustration from “Totentanz” series
lithograph on woven paper, 1919 — source

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Anneè Olofsson
Albert Camus, from a letter to MarĂa Casares featured in Correspondance, 1944-1959