something I forgot until we got there is that we planned our honeymoon to the french riviera because it looked so pleasant in downton abbey movie 2
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@downtonabbeyrewatch2020
something I forgot until we got there is that we planned our honeymoon to the french riviera because it looked so pleasant in downton abbey movie 2

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I donāt think you people understand how incredibly sexy I felt and how high my ego was boosted in that my now girlfriend had a crush on me the entire time I was watching supernatural imagine doing the cringiest shit in the world with no shame and someone thinking youāre hot
we got engaged, love is real
we got married :)
Ohhhh heās coming for the O in the EGOT. My god
im not doing it becayse its trendy and neither are my mutuals so watch what youre saying buddy. #RealOldManFuckersRiseUp

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Love, Interdependence, and Existence ļæ¼
Walk Humbly-Sam Wells / The Orange-Wendy Cope / all about love-bell hooks / Being Alive-Stephen Sondheim / Next Of Kin-Lucy Dacus / Wendy Cope / Sam Wells
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Going no contact with yourself
i think it's crazy a movie managed to make celibacy a sympathetic position that didn't feel alienating it was just like "yeah if the option is between watching most of your children die while being expected to remain constantly sexually available for your husband OR you start a religious cult around never having sex but constantly having ecstatic sensual group religious experiences, i too would choose the celibacy cult"
the testament of ann lee, deeply unironically:
now that Mary is divorced I think she should consider Robertās original idea to go to the middle west and bring back a cowboy and shake things up. I think they could handle it now

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āāWhen I was about 20 years old, I met an old pastorās wife who told me that when she was young and had her first child, she didnāt believe in striking children, although spanking kids with a switch pulled from a tree was standard punishment at the time. But one day, when her son was four or five, he did something that she felt warranted a spankingāthe first in his life. She told him that he would have to go outside himself and find a switch for her to hit him with. The boy was gone a long time. And when he came back in, he was crying. He said to her, āMama, I couldnāt find a switch, but hereās a rock that you can throw at me.ā All of a sudden the mother understood how the situation felt from the childās point of view: that if my mother wants to hurt me, then it makes no difference what she does it with; she might as well do it with a stone. And the mother took the boy into her lap and they both cried. Then she laid the rock on a shelf in the kitchen to remind herself forever: never violence. And that is something I think everyone should keep in mind. Because if violence begins in the nursery one can raise children into violence.āā
ā Astrid Lindgren, author of Pippi Longstocking, 1978 Peace Prize Acceptance Speech (via jillymomcraftypants)
In 1978, when she received theĀ Peace Prize of the German Book Trade, Lindgren spoke against corporal punishment of children in a speech entitledĀ Never Violence!Ā After that, she teamed up with scientists, journalists and politicians to promote non-violent upbringing. In 1979, a law was introduced in Sweden prohibiting violence against children in response to her demands. Until then there was no such law anywhere in the world.
What a legacy. Weāre so lucky to have had her.
Was anyone gonna tell me that there's a Creature in The Terror. I thought it was just about 20 men named John sucking and fucking and eating each other in the Arctic.
just came up with hope springs a turtle
cause I hope a turtle shows up
just came up with hope springs a turtle
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An Archive of Our Own, a project of the Organization for Transformative Works
just started rewatching downton and i can't stop thinking about the profound loneliness of the end of the grand finale. it happens so gradually over the course of the series that you almost don't notice it; sure, there are fewer unnamed servants in the background, and we lose the whole genus footman, but it happens so slowly. upstairs, edith gets married and leaves and tom starts his new life, but that's the natural order of things. the deaths of sybil and matthew and violet are devastating, but there's sybbie and george and rose, so the show is focused more on the absence of sybil and matthew and violet themselves rather than the concept of loss.
but when the series begins, the house is alive. there is constant motion, constant noise, people constantly coming and going. there are servants whose names we never know, but who are always in and out of the frame, working in the kitchen and going up and down the stairs. upstairs, the family is whole and intact; the house is a home, where people live. there's the revolving door of suitors and parties and distant relations who come and go.
and that shot of mary at the end of the grand finale, standing alone under the portrait of violet, literally surrounded by ghosts, is so deeply sad. not just because we, the audience, are sad that the franchise is over and that sybil and matthew and violet are dead, but because the house no longer feels alive. it's now just one sad woman, her voiceless children, and a few servants left. it's a shadow of what it was. it's tragic and haunting. the estate is intact, and mary has inherited all, and the original problem they had been trying to solve since 1912 is happily resolved. but what's the point? what is the point of the estate being intact and owned by the crawleys if it's lifeless and empty? what is the point of downton if it is no longer a pillar of the community, offering employment and benefits for the village? what is the point of protecting downton for the future when it is so obvious it is a relic of the past?