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Mary Magdalene by the grave of Christ (1869) by Robert Wilhelm Ekman. Ateneum, Helsinki.

The "Miraculous Draught of Fishes" (or "Miraculous Catch of Fish") is a significant biblical miracle recounted in the Gospels. It marks the calling of Jesus's first disciples and symbolizes their transition from fishermen to "fishers of men." (Luke 5:1–11)

By Georges Clairin

The Dance by William-Adolphe Bouguereau, 1856.

Princess Maria Josepha Hermengilde Esterházy de Galantha (née Liechtenstein) as Ariadne on Naxos (1793) by Élisabeth Louise Vigée Le Brun. Liechtenstein Museum.

Luna (exhibited in 1889) by Anna Lea Merritt (American, 1844 – 1930), signed with monogram lower left, oil on canvas, 51 cm x 43 cm (20 in x 17 in), Private Collection

Illusions, (Detail), (before 1901), by Henry Brown Fuller (American, 1867 – 1934), oil on canvas, 70 3/8 x 45 1/8 in (178.6 x 114.6 cm), Smithsonian American Art Museum, Washington, D.C.

Sadko in the Underwater Kingdom (1876) - Ilya Repin

L'Aurore (1868) - Adolphe Alexandre Lesrel (1839–1929)

Amor Vincit Omnia (1601-02) - Michelangelo Merisi da Caravaggio

The Human Condition (1933) - René Magritte (1898-1967)

The Departure (1838) by Thomas Cole

Two Dancers by Charles Hermans (Belgian, 1839--1925)

Wrestlers (1899) - Thomas Eakins (1844–1916)

Anna Passini auf dem Balkon des Palazzo Priuli in Venedig (c.1866) - Ludwig Passini (1832–1903)

The Awakening (c.1898) - Thomas Cooper Gotch (1854–1931)

Study of a Man (1803) - Achille Etna Michallon (1796-1822)