Esther and Mordecai
Artist: Aert de Gelder (Netherlandish, 1645-1727)
Date: 1685
Medium: Oil on canvas
Collection: Museum of Fine Arts, Budapest, Hungary
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@artandthebible
Esther and Mordecai
Artist: Aert de Gelder (Netherlandish, 1645-1727)
Date: 1685
Medium: Oil on canvas
Collection: Museum of Fine Arts, Budapest, Hungary

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The Woman Taken in Adultery
Artist: John Trumbull (American, 1756–1843)
Date: 1811
Medium: Oil on canvas
Collection: Yale University Art Gallery, New Haven, CT, United States
Description
The story of Jesus and the woman taken in adultery is a well-known passage from the New Testament (John 7:53–8:11), where religious leaders test Jesus by bringing a woman accused of adultery and asking if she should be stoned according to Mosaic law. Jesus famously replies, "Let him who is without sin among you be the first to throw a stone at her," causing her accusers to leave (John 8:7).
Question:
Does John 7:53—8:11 belong in the Bible?
Jacob's Dream
Artist: Giorgio Vasari II (Italian, 1511-1574)
Date: 1557-1558
Medium: Oil on wood panel
Collection: The Walters Art Museum, Baltimore, MD, United States
Description
As recounted in the Old Testament book of Genesis, on his way to Haran, Jacob lay down in the wilderness to sleep (Genesis 28:10-22), resting his head on a stone. He dreamed of angels ascending and descending a stairway or ladder to heaven (here depicted as a monumental Renaissance-style staircase). God then appeared and blessed Jacob and his descendants.
The Arrest of Simeon (from the ‘Stories of Joseph’)
Artist: Ubertini Francesco called Bachiacca (Italian, 1494-1557)
Date: c. 1515-1516
Medium: Oil on panel, transferred to canvas
Collection: Borguese Gallery, Rome, Italy
Description
The painting in question represents the arrest of Simeon, one of Jacob’s twelve sons. The protagonist is portrayed wearing a pink cloak and a broad-brimmed straw hat as several soldiers lead him to an underground cell. According to the Biblical narration, Simeon and his brothers were unjustly accused of stealing a cup after they arrived in Egypt to escape a terrible famine. In reality, the theft was ably staged by the local viceroy Joseph: sold into slavery many years before by his brothers, Joseph wished to pay them back for their action; by having one of them arrested, he further forced the others to bring his beloved brother Benjamin to Egypt.
The Resurrection of Lazarus
Artist: Jean Jouvenet (French, 1644-1717)
Date: 1706
Medium: Oil on canvas
Collection: Louvre Museum, Paris, France
Description
Subject of the Gospel of John (11:38-44): Martha and Mary, the two sisters of Lazarus, who had been dead for four days, one prostrates herself before the miracle performed by Christ, who, before the tomb, says, "Lazarus, come out!" and the dead man rose from the grave, half-buried, his face still covered with a shroud. The other tries to pull Lazarus out. The Apostles and witnesses react with surprise, fear, and joy.

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The Annunciation
Artist: Godfried Schalcken (Dutch, 1643-1706)
Date: c. 1660-1665
Medium: Oil on panel
Collection: Gerry Museum, Los Angeles, CA, United States
Description
This finely painted work depicts the Annunciation: the Archangel Gabriel announcing to the Virgin Mary that she has been chosen to become the mother of Christ.
Wedding at Cana
Artist: Benvenuto Tissi (1476-1559)
Date: c. 1518
Medium: Oil on panel
Collection: Borguese Gallery, Rome, Italy
Description
The episode, described in the Gospel of John (2:1–11), in which Christ carries out his first miracle during a wedding feast at Cana, turning jugs of water into wine, is set in a sumptuous room with a row of smooth columns in the back alternating with lavish festoons and a table in the middle supported by richly decorated Corinthian capitals.
The Apostle Simon
Artist: Anthony van Dyck (Flemish, 1599-1641)
Date: c. 1618
Medium: Oil on panel
Collection: Getty Museum, Los Angeles, CA, United States
Adam Carrying the Body of Abel Past a Weeping Eve
Artist: Pierre Puvis de Chavannes (French, 1824-1898)
Date: 1865
Medium: Oil on canvas mounted on Masonite
Collection: Rhode Island School of Design Museum, Providence, RI, United States
Description
Abel was murdered by his older brother, Cain, in the world’s first recorded act of homicide. According to the biblical account in Genesis 4, this event was triggered by jealousy and anger after God accepted Abel’s offering but rejected Cain's
The Dream of St. Joseph
Artist: Luca Giordano (Italian, 1632–1705)
Date: c. 1700
Medium: Oil on canvas
Collection: Indianapolis Museum of Art at Newfields, Indianapolis, Indiana, United States
Description
In the New Testament Gospel of Matthew, God guides Saint Joseph through four distinct dreams. An angel appears in each dream to give crucial instructions that protect Jesus and Mary, showing Joseph's deep obedience, righteousness, and instant trust in God’s plan.

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Madonna Adoring the Child
Artist: Bernardino Zenale (Italian, c. 1456-1526)
Date: c. 1500-1510
Medium: Oil on panel
Collection: Getty Museum, Los Angeles, CA, United States
Life of Joseph: The Finding of the Stolen Cup
Artist: Francesco Bachiacca (Italian, 1494-1557)
Date: c. 1515-1516
Medium: Oil on panel
Collection: Borguese Gallery, Rome, Italy
Description
The finding of the stolen silver cup is a famous test in the Bible story of Joseph, where Joseph hides his special cup in Benjamin's sack, accuses his brothers of theft, and ultimately leads them to show true remorse and love for their youngest brother.
Saint John the Baptist Preaching
Artist: Raphael (Italian, 1483-1520)
Date: 1505
Medium: Oil on poplar wood
Collection: The National Gallery, London, United Kingdom
Description
John the Baptist appears as the forerunner of Christ, preaching to a crowd of men (Luke 3: 1–17). He can be identified by his traditional camel-skin costume, which he wears beneath a billowing red mantle, and by the thin reed cross in his left hand. He points towards heaven, referring to the coming of Christ. When the altarpiece was intact, he would also have been pointing to the identically dressed Baptist in the main panel above, who points towards the infant Christ.
Christ on the Cold Stone with Two Angels
Artist: Hendrick Goltzius (Dutch, 1558-1617)
Date: 1602
Medium: Oil on copper
Collection: The Rhode Island School of Design Museum, Providence, RI, United States
Visitation
Artist: Copy after Sebastiano del Piombo (Italian, c. 1485-1547)
Date: 16th century
Medium: Oil on canvas
Collection: Borguese Gallery, Rome, Italy
Description
This painting depicts the meeting of the Virgin Mary and her cousin Elizabeth, who are both pregnant, with Jesus and John the Baptist, respectively.

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Saint Matthew
Artist: Pieter Lastman (Dutch, 1583-1633)
Date: 1613
Medium: Oil on panel
Collection: Rhode Island School of Design Museum, Providence, RI, United States
Matthew the Apostle
The Apostle and Evangelist Matthew, was also named Levi (Mark 2:14; Luke 5:27); he was one of the Twelve Apostles (Mark 3:18; Luke 6:45; Acts 1:13), and was brother of the Apostle James Alphaeus (Mark 2:14). He was a publican, or tax-collector for Rome, in a time when the Jews were under the rule of the Roman Empire. He lived in the Galilean city of Capernaum. When Matthew heard the voice of Jesus Christ: “Come, follow Me” (Mt. 9:9), he left everything and followed the Savior. Christ and His disciples did not refuse Matthew’s invitation and they visited his house, where they shared table with the publican’s friends and acquaintances.
The Idolatry of Solomon
Artist: Frans Francken the Younger (Flemish, 1581 - 1642)
Date: 1622
Medium: Oil on panel
Collection: Getty Museum, Los Angeles, CA, United States
Description
Wearing a magnificent silk robe with an ermine lining, King Solomon kneels and makes an offering to a pagan idol. One of his wives appears to instruct him, while several other concubines, lavishly dressed, stand behind. A group of men in elaborate headpieces and rich finery watch Solomon and the women from the left with displeasure, as if they know that Solomon's idol worship will eventually destroy his kingdom. The Temple of Jerusalem, which was erected under the king's reign, is under construction in the background.
Solomon was known for his proverbial wisdom and great wealth. In his later years, he was increasingly drawn to the pagan cults, which were thought to have been introduced into Israel by the women who came from neighboring kingdoms to join his large harem.