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Andulka
Three Goblin Art
Xuebing Du
i don't do bad sauce passes

tannertan36
AnasAbdin

@theartofmadeline

Love Begins

Janaina Medeiros
Mike Driver
Lint Roller? I Barely Know Her
he wasn't even looking at me and he found me
d e v o n

Discoholic đŞŠ
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JVL
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I'd rather be in outer space đ¸
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@dnasplicers
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art blog - twitter - rentry

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peace and love on planet earth
Design work i did for a project in 2017
Sunset Beach
Š2025 Carried Away Photography

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accidentally forgot to lock in for the past 43 months
Portal in the Bookstore - Chloe Chlumecky , 2025
Canadian , b. 1999 -
Oil on wood panel , 16 x 12 in.
Hagen Renaker - Siamese Cat
A submission for @poketcg-art 's Hoenn Redraw Series! Lotad is one of my favorite Gen 3 Pokemon, I used to breed them all the time to amass an army of them!
Original is by Ayako Ozaki! Original Card under the cut!
on the field of battle, smoke show babes are putting my men to the sword . Perfect Dimes, Beautiful beautiful women. theyre killing them. Stop the violence

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Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.
263/500
Wenli Zhao by Ryan Tandya for NĂşmero Netherlands Magazine May 2026
big chilumi dump,,, and redesigns

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Untitled, Photo by. William Eggleston, 1973