The Dlig-QQ Blog-Verse

send these to a writer you know or answer some yourself!

ink: what do you do to “set the mood” when writing?

pen and paper: do you prefer writing by hand or on a device? why?

diary: how many pieces have you written that are just for you or will never see the light of day?

journal: do you ever write just so you can enjoy something to read?

novella: do you prefer to write short stories, one-shots, or entire novels?

pulitzer: tell about/link a piece where you fielt your writing was the best.

genre: what genre do you prefer to write in?

narrator: what pov do you like writing in best?

backstory: how did you come to love writing?

time-lapse: how long have you been writing (as a hobby or for work)?

characterization: describe your favorite character(s) you’ve written.

carnegie: what authors and/or books/stories have inspired you to write or influenced your work?

faulkner: what tropes do you LOVE writing? which ones are your guilty pleasure?

o’connor: what tropes/genres do you dislike writing?

dickinson: what insecurities do you have about your own writing? what do you think you should improve on?

playlist: what kind of music/songs help you write? do you have a writing playlist?

record: have you written things based off of songs? do you like to?

nobel: have you published anything you’ve written? online or irl?

notepad: can you write anywhere or do you have to be in a specific place and mood to write?

parchment: how often do you or your personal life influence your writing?

dedication: if you were to publish a book or multiple, who would you dedicate the book(s) to?

trope: what’s a pet peeve you have about writing?

input: what’s something you hate that people say to you about writing/your writing?

critic: what’s the best piece of advice you’ve ever received about writing?

mifflin: what do you feel is your strong suit in writing?

Happy Birthday Izu-kun!

Latest story in the series and companion piece to happy birthday Shinsou!

Enjoy the chaos!

Aaand that’s it! Chapter 2 of Shouto’s intro story in our series is up!

Any comments/kudos/criticisms are much appreciated!

Soooooo mod Mira posted the beginning of 99Pr0blem’s storyline. Prepare for the feels because we’re entering the emotional rollercoaster part 1, and it’s gonna be GREAT!

Welcome dear readers!

This is the first chapter of what will be a long running series created by myself (Mirani) and my fellow mod Tia who has posted the first part here!

Have questions? Feel free to shoot us an ask or two! We’ll be more than happy to answer!

Our blog might be bare right now, but it won’t be that way for long! We can assure you!

Hope you enjoy!

“You already asked me that Todoroki-Kun and I told you no.”

“No, I asked if he was your biological father. Now I’m asking if he’s your dad.”

“...What’s the difference?”

Shouto gestures to where All Might is currently showing off his photo of a four-year-old Izuku dressed in an All Might costume, smile wide as he poses dramatically in front of a crowd of stuffed animals.

“...If I say yes will you be smug?”

“It is a definite possibility, yes.”

“Then no, he’s not.”

References to “vagina envy.” This is what initially got me scrolling. This alone isn’t a sure indicator.

Andrea Dworkin quotes without criticism

Reblogging from troll accounts like confirmed-/-terf

Happy birthday, Shinsou 💜💜

I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.

Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.

Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.

And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.

Side note: this is basically Everyone Loves Pro-Hero Inko the AU.

…how did you read my mind? Me and a friend @tia-dreamer are literally planning on having a section in the series we’re working on where Bakugo and Izuku fucking FIX those costumes because I am NOT letting Yaomomo walk around in that MONSTROCITY for a millisecond longer than I have to!